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Performing otherness = Java and Bali...
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Palgrave Connect (Online service)
Performing otherness = Java and Bali on international stages, 1905-1952 /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Performing otherness/ Matthew Isaac Cohe.
Reminder of title:
Java and Bali on international stages, 1905-1952 /
Author:
Cohen, Matthew Isaac.
Published:
New York, NY :Palgrave Macmillan, : 2011.,
Description:
1 online resource (xiil, 285 p.) :ill. :
Subject:
Performing arts - Indonesian influences. - Europe -
Online resource:
http://www.palgraveconnect.com/doifinder/10.1057/9780230309005
ISBN:
9780230309005 (electronic bk.)
Performing otherness = Java and Bali on international stages, 1905-1952 /
Cohen, Matthew Isaac.
Performing otherness
Java and Bali on international stages, 1905-1952 /[electronic resource] :Matthew Isaac Cohe. - New York, NY :Palgrave Macmillan,2011. - 1 online resource (xiil, 285 p.) :ill. - Studies in international performance. - Studies in international performance..
Includes bibliographical references (p. 256-275) and index.
List of Figures -- Preface and Acknowledgements -- Note on Orthography and Writing Conventions -- Introduction: The Spectacle of Otherness -- Mata Hari -- Wayang as Technology -- Eva Gauthier, From Java to Jazz -- Stella Bloch and 'up-to-date' Java -- Raden Mas Jodjana and Company -- Magical Identification with Bali in France -- Greater India -- Devi Dja goes Hollywood -- Aftermath: Decolonization -- Glossary -- Selected bibliography -- Notes -- Index.
Today one finds many non-Indonesians studying gamelan. Dancers, musicians and puppeteers from Java and Bali are employed internationally, and Indonesian instruments are sampled in commercials. Performing Otherness explores an earlier period when Indonesian arts were internationally scarce, and the performance of a whole troupe from Java or Bali could spark an artistic revolution. Focusing on the late colonial period and the transition to independence, Performing Otherness encompasses the work and lives of dozens of performing artists (including Mata Hari, Artaud and Ruth St Denis) to delve into the international and wide-ranging influence of Javanese and Balinese performance. This book presents a fascinating critical history of representations of Java and Bali in Europe, the US, India and elsewhere around the world: Javanese 'temple dance' and wayang golek puppetry in fin-de-s�icle Vienna; music and dance programmes mixing Gershwin and Java in jazz-age New York; a summer school for dancers in southern France run by a Javanese aristocrat; an arena spectacle at the foothills of the Himalayas inspired by Javanese shadow puppets; a gamelan performing nightly in a Chicago nightclub.
ISBN: 9780230309005 (electronic bk.)
Source: 522590Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
938372
Performing arts
--Indonesian influences.--EuropeIndex Terms--Genre/Form:
554714
Electronic books.
LC Class. No.: PN2570 / .C64 2011
Dewey Class. No.: 791.094
Performing otherness = Java and Bali on international stages, 1905-1952 /
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List of Figures -- Preface and Acknowledgements -- Note on Orthography and Writing Conventions -- Introduction: The Spectacle of Otherness -- Mata Hari -- Wayang as Technology -- Eva Gauthier, From Java to Jazz -- Stella Bloch and 'up-to-date' Java -- Raden Mas Jodjana and Company -- Magical Identification with Bali in France -- Greater India -- Devi Dja goes Hollywood -- Aftermath: Decolonization -- Glossary -- Selected bibliography -- Notes -- Index.
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Introduction : the spectacle of otherness -- Mata Hari -- Wayang as technology -- Eva Gauthier, from Java to jazz -- Stella Bloch and 'up to date' Java -- Raden Mas Jodjana and company -- Magical identification with Bali in France -- Greater India -- Devi Dja goes Hollywood -- Aftermath : decolonization.
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Today one finds many non-Indonesians studying gamelan. Dancers, musicians and puppeteers from Java and Bali are employed internationally, and Indonesian instruments are sampled in commercials. Performing Otherness explores an earlier period when Indonesian arts were internationally scarce, and the performance of a whole troupe from Java or Bali could spark an artistic revolution. Focusing on the late colonial period and the transition to independence, Performing Otherness encompasses the work and lives of dozens of performing artists (including Mata Hari, Artaud and Ruth St Denis) to delve into the international and wide-ranging influence of Javanese and Balinese performance. This book presents a fascinating critical history of representations of Java and Bali in Europe, the US, India and elsewhere around the world: Javanese 'temple dance' and wayang golek puppetry in fin-de-s�icle Vienna; music and dance programmes mixing Gershwin and Java in jazz-age New York; a summer school for dancers in southern France run by a Javanese aristocrat; an arena spectacle at the foothills of the Himalayas inspired by Javanese shadow puppets; a gamelan performing nightly in a Chicago nightclub.
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