國立虎尾科技大學 |

Phenomenology and the future of film = rethinking subjectivity beyond French cinema /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Phenomenology and the future of film/ Jenny Chamarette.
其他題名:	rethinking subjectivity beyond French cinema /
作者:	Chamarette, Jenny,
出版者:	New York :Palgrave Macmillan, : 2013.,
面頁冊數:	1 online resource.
標題:	Motion pictures - Philosophy. -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137283740
ISBN:	9781137283740 (electronic bk.)

Phenomenology and the future of film = rethinking subjectivity beyond French cinema /
Chamarette, Jenny,1981-

Phenomenology and the future of filmrethinking subjectivity beyond French cinema /[electronic resource] :Jenny Chamarette. - New York :Palgrave Macmillan,2013. - 1 online resource.

Includes bibliographical references.

Introduction -- Time and matter: temporality, embodied subjectivity and film phenomenology -- Knowing and nothing: Chris Marker, subjective temporalities and vocalic bodies in the future tense -- Agn�es Varda's Trinket box: subjective relationality, affect and temporalised space -- Burlesque gestures and bodily attention: phenomenologies of the ephemeral in Chantal Akerman -- Threatened corporealities: thinking with the films of Philippe Grandrieux -- Conclusion: rethinking cinematic subjectivity and beyond.

Tapping a rich vein of phenomenological and post-phenomenological approaches to film, this book explores how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Jenny Chamarette brings theorizations of phenomenology from philosophy, psychology and anthropology, to four close studies of experimental and avant-garde moving image works by internationally recognized and widely studied contemporary French filmmakers, whose cinematic production spans the 1950s to the present day. Acknowledging the shifting ground of the cinematic across multiple media and geographies, from 35mm feature film, to video-tape, to projected installation and digital video, this volume asks how phenomenological approaches to film can help us to rethink the relationship of subjectivity to our future cinematic world.

ISBN: 9781137283740 (electronic bk.)

Source: 504034Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

556100
Motion pictures
--Philosophy.Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: PN1995.9.P42 / C53 2013

Dewey Class. No.: 791.4301

Phenomenology and the future of film = rethinking subjectivity beyond French cinema /
LDR:02543cam 2200349Ka 4500 001 765977
003 OCoLC
005 20130621115123.0
006 m o d
007 cr cn|||||||||
008 140107s2013 nyu obq 000 0 eng d
020 $a 9781137283740 (electronic bk.)
020 $a 1137283742 (electronic bk.)
035 $a (OCoLC)815767470
035 $a ocn815767470
037 $a 504034 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $c UKPGM $d OCLCO $d YDXCP $d N$T
049 $a TEFA
050 4 $a PN1995.9.P42 $b C53 2013
072 7 $a PER $x 004030 $2 bisacsh
082 0 4 $a 791.4301 $2 23
100 1 $a Chamarette, Jenny, $d 1981- $3 939181
245 1 0 $a Phenomenology and the future of film $h [electronic resource] : $b rethinking subjectivity beyond French cinema / $c Jenny Chamarette.
260 $a New York : $b Palgrave Macmillan, $c 2013.
300 $a 1 online resource.
504 $a Includes bibliographical references.
504 $a Includes filmography.
505 0 $a Introduction -- Time and matter: temporality, embodied subjectivity and film phenomenology -- Knowing and nothing: Chris Marker, subjective temporalities and vocalic bodies in the future tense -- Agn�es Varda's Trinket box: subjective relationality, affect and temporalised space -- Burlesque gestures and bodily attention: phenomenologies of the ephemeral in Chantal Akerman -- Threatened corporealities: thinking with the films of Philippe Grandrieux -- Conclusion: rethinking cinematic subjectivity and beyond.
520 $a Tapping a rich vein of phenomenological and post-phenomenological approaches to film, this book explores how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Jenny Chamarette brings theorizations of phenomenology from philosophy, psychology and anthropology, to four close studies of experimental and avant-garde moving image works by internationally recognized and widely studied contemporary French filmmakers, whose cinematic production spans the 1950s to the present day. Acknowledging the shifting ground of the cinematic across multiple media and geographies, from 35mm feature film, to video-tape, to projected installation and digital video, this volume asks how phenomenological approaches to film can help us to rethink the relationship of subjectivity to our future cinematic world.
588 $a Description based on print version record.
650 0 $a Motion pictures $x Philosophy. $3 556100
650 0 $a Motion pictures $x Psychological aspects. $3 559815
650 0 $a Subjectivity in motion pictures. $3 939182
650 0 $a Experimental films $x History and criticism. $3 939183
650 0 $a Phenomenology. $3 555526
650 7 $a PERFORMING ARTS / Film & Video / History & Criticism $2 bisacsh $3 835501
655 4 $a Electronic books. $2 local $3 554714
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137283740
938 $a YBP Library Services $b YANK $n 9906675
938 $a EBSCOhost $b EBSC $n 502060
994 $a C0 $b TEF