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Phenomenology and the future of film = rethinking subjectivity beyond French cinema /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Phenomenology and the future of film/ Jenny Chamarette.
Reminder of title:	rethinking subjectivity beyond French cinema /
Author:	Chamarette, Jenny,
Published:	New York :Palgrave Macmillan, : 2013.,
Description:	1 online resource.
Subject:	Motion pictures - Philosophy. -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9781137283740
ISBN:	9781137283740 (electronic bk.)

Phenomenology and the future of film = rethinking subjectivity beyond French cinema /
Chamarette, Jenny,1981-

Phenomenology and the future of filmrethinking subjectivity beyond French cinema /[electronic resource] :Jenny Chamarette. - New York :Palgrave Macmillan,2013. - 1 online resource.

Includes bibliographical references.

Introduction -- Time and matter: temporality, embodied subjectivity and film phenomenology -- Knowing and nothing: Chris Marker, subjective temporalities and vocalic bodies in the future tense -- Agn�es Varda's Trinket box: subjective relationality, affect and temporalised space -- Burlesque gestures and bodily attention: phenomenologies of the ephemeral in Chantal Akerman -- Threatened corporealities: thinking with the films of Philippe Grandrieux -- Conclusion: rethinking cinematic subjectivity and beyond.

Tapping a rich vein of phenomenological and post-phenomenological approaches to film, this book explores how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Jenny Chamarette brings theorizations of phenomenology from philosophy, psychology and anthropology, to four close studies of experimental and avant-garde moving image works by internationally recognized and widely studied contemporary French filmmakers, whose cinematic production spans the 1950s to the present day. Acknowledging the shifting ground of the cinematic across multiple media and geographies, from 35mm feature film, to video-tape, to projected installation and digital video, this volume asks how phenomenological approaches to film can help us to rethink the relationship of subjectivity to our future cinematic world.

ISBN: 9781137283740 (electronic bk.)

Source: 504034Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

556100
Motion pictures
--Philosophy.Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: PN1995.9.P42 / C53 2013

Dewey Class. No.: 791.4301

Phenomenology and the future of film = rethinking subjectivity beyond French cinema /
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100 1 $a Chamarette, Jenny, $d 1981- $3 939181
245 1 0 $a Phenomenology and the future of film $h [electronic resource] : $b rethinking subjectivity beyond French cinema / $c Jenny Chamarette.
260 $a New York : $b Palgrave Macmillan, $c 2013.
300 $a 1 online resource.
504 $a Includes bibliographical references.
504 $a Includes filmography.
505 0 $a Introduction -- Time and matter: temporality, embodied subjectivity and film phenomenology -- Knowing and nothing: Chris Marker, subjective temporalities and vocalic bodies in the future tense -- Agn�es Varda's Trinket box: subjective relationality, affect and temporalised space -- Burlesque gestures and bodily attention: phenomenologies of the ephemeral in Chantal Akerman -- Threatened corporealities: thinking with the films of Philippe Grandrieux -- Conclusion: rethinking cinematic subjectivity and beyond.
520 $a Tapping a rich vein of phenomenological and post-phenomenological approaches to film, this book explores how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Jenny Chamarette brings theorizations of phenomenology from philosophy, psychology and anthropology, to four close studies of experimental and avant-garde moving image works by internationally recognized and widely studied contemporary French filmmakers, whose cinematic production spans the 1950s to the present day. Acknowledging the shifting ground of the cinematic across multiple media and geographies, from 35mm feature film, to video-tape, to projected installation and digital video, this volume asks how phenomenological approaches to film can help us to rethink the relationship of subjectivity to our future cinematic world.
588 $a Description based on print version record.
650 0 $a Motion pictures $x Philosophy. $3 556100
650 0 $a Motion pictures $x Psychological aspects. $3 559815
650 0 $a Subjectivity in motion pictures. $3 939182
650 0 $a Experimental films $x History and criticism. $3 939183
650 0 $a Phenomenology. $3 555526
650 7 $a PERFORMING ARTS / Film & Video / History & Criticism $2 bisacsh $3 835501
655 4 $a Electronic books. $2 local $3 554714
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137283740
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