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Violence, narrative and myth in Joyce and Yeats = subjective identity and anarcho-syndicalist traditions /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Violence, narrative and myth in Joyce and Yeats/ Tudor Balinisteanu.
其他題名:	subjective identity and anarcho-syndicalist traditions /
作者:	Balinisteanu, Tudor.
出版者:	Basingstoke, Hampshire ;Palgrave Macmillan, : 2013.,
面頁冊數:	1 online resource.
標題:	Myth in literature. -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137291585
ISBN:	9781137291585 (electronic bk.)

Violence, narrative and myth in Joyce and Yeats = subjective identity and anarcho-syndicalist traditions /
Balinisteanu, Tudor.

Violence, narrative and myth in Joyce and Yeatssubjective identity and anarcho-syndicalist traditions /[electronic resource] :Tudor Balinisteanu. - Basingstoke, Hampshire ;Palgrave Macmillan,2013. - 1 online resource.

Includes bibliographical references.

Introduction -- Yeats's Revolving Gyres: A Metaphorical Language for the Modern Experience of Anarchism, Syndicalism, and Political Aesthetics -- Social Myth, Material Reality, and the Aesthetico-Ideological Functions of Art -- The Political Aesthetic of Yeats's Myth in Anarchist and Syndicalist Contexts -- Social Myth, Literary Narrative, and Political Aesthetics -- Social Myth and James Joyce's Political Aesthetic -- Social and Anti-social Aesthetic Drives in Joyce, Yeats, and Sorel -- W.B. Yeats, Social Myth, and Monoglossia -- James Joyce, Social Myth, and Heteroglossia -- Heteroglossic Desubjection and Monoglossic Subjection in Joyce, Yeats, and Sorel: Social Myth, Anarchy, and Syndicalism -- Modernism, Myth, Violence, and Social Change -- Modernist Art, Politics, and Social Change: A Sorelian Perspective -- Modernism, Narrative, and Violence -- Conclusion -- Notes -- Bibliography -- --.

Arguing that art is a form of social praxis, this book examines the capitalist ethos of serial reproduction of objects as one that also produces individuals as serial types. Art as praxis makes possible the reconstruction of one's identity and material environment as irreproducible, unique, and original art texts. Art becomes the tool of a creative process that has both material and spiritual dimensions. In recreating the self and the world as aesthetically unique, original and irreproducible, art challenges the capitalist ethos of reproduction that leads to routine, dissatisfaction and alienation. This theory is rooted in the anarchist intellectual tradition, especially Georges Sorel's conceptualisation of the relations between art, violence and social myth, in which workers are regarded as artisans, artists and activists. Balinisteanu illustrates this through analyses of the ways in which James Joyce and W. B. Yeats, along with key modernist writers and philosophers, facilitated the reconstruction of the social self and social-material reality in a process where political action also became an action of aesthetic creation.

ISBN: 9781137291585 (electronic bk.)

Source: 491107Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

831505
Joyce, James,
1882-1941--Criticism and interpretation.Subjects--Topical Terms:

585313
Myth in literature.
Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: PR6019.O9 / Z5256517 2013

Dewey Class. No.: 823/.912

Violence, narrative and myth in Joyce and Yeats = subjective identity and anarcho-syndicalist traditions /
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505 0 $a Introduction -- Yeats's Revolving Gyres: A Metaphorical Language for the Modern Experience of Anarchism, Syndicalism, and Political Aesthetics -- Social Myth, Material Reality, and the Aesthetico-Ideological Functions of Art -- The Political Aesthetic of Yeats's Myth in Anarchist and Syndicalist Contexts -- Social Myth, Literary Narrative, and Political Aesthetics -- Social Myth and James Joyce's Political Aesthetic -- Social and Anti-social Aesthetic Drives in Joyce, Yeats, and Sorel -- W.B. Yeats, Social Myth, and Monoglossia -- James Joyce, Social Myth, and Heteroglossia -- Heteroglossic Desubjection and Monoglossic Subjection in Joyce, Yeats, and Sorel: Social Myth, Anarchy, and Syndicalism -- Modernism, Myth, Violence, and Social Change -- Modernist Art, Politics, and Social Change: A Sorelian Perspective -- Modernism, Narrative, and Violence -- Conclusion -- Notes -- Bibliography -- --.
505 0 $a Introduction -- Yeats's revolving gyres: a metaphorical language for the modern experience of anarchism, syndicalism, and political aesthetics -- Social myth, material reality, and the aesthetico-ideological functions of art -- The political aesthetic of Yeats's myth in anarchist and syndicalist contexts -- Social myth, literary narrative, and political aesthetics -- Social myth and James Joyce's political aesthetic -- Social and anti-social aesthetic drives in Joyce, Yeats, and Sorel -- W. B. Yeats, social myth, and monoglossia -- James Joyce, social myth, and heteroglossia -- Heteroglossic desubjection and monoglossic subjection in Joyce, Yeats, and Sorel: social myth, anarchy, and syndicalism -- Modernism, myth, violence, and social change -- Modernist art, politics, and social change: a Sorelian perspective -- Modernism, narrative, and violence -- Conclusion.
520 $a Arguing that art is a form of social praxis, this book examines the capitalist ethos of serial reproduction of objects as one that also produces individuals as serial types. Art as praxis makes possible the reconstruction of one's identity and material environment as irreproducible, unique, and original art texts. Art becomes the tool of a creative process that has both material and spiritual dimensions. In recreating the self and the world as aesthetically unique, original and irreproducible, art challenges the capitalist ethos of reproduction that leads to routine, dissatisfaction and alienation. This theory is rooted in the anarchist intellectual tradition, especially Georges Sorel's conceptualisation of the relations between art, violence and social myth, in which workers are regarded as artisans, artists and activists. Balinisteanu illustrates this through analyses of the ways in which James Joyce and W. B. Yeats, along with key modernist writers and philosophers, facilitated the reconstruction of the social self and social-material reality in a process where political action also became an action of aesthetic creation.
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