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Self-consciousness in modern british fiction

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Self-consciousness in modern british fiction/ Brook Miller.
Author:	Miller, Brook.
Published:	New York :Palgrave Macmillan, : c2013.,
Description:	1 online resource.
Subject:	English fiction - History and criticism. -
Online resource:	An electronic book accessible through the World Wide Web; click for information
ISBN:	9781137076656 (electronic bk.)

Self-consciousness in modern british fiction
Miller, Brook.

Self-consciousness in modern british fiction[electronic resource] /Brook Miller. - New York :Palgrave Macmillan,c2013. - 1 online resource.

Includes bibliographical references and index.

Self-consciousness, embodiment, and the narrativising self -- Embodiment, narrativity, and identification in under western eyes -- Selfhood and the sensorium in A portrait of the artist as a young man -- Removing the serpent's tail from its mouth: DH Lawrence's vision of embodied consciousness -- Narrative identity, embodied consciousness, and the waves -- Scriptive consciousness and embodied empathy in the golden notebook.

"Self-consciousness in Modern British Fiction" examines the emergence of self-consciousness as a central trope in experimental fictions published between 1911 and 1962. Representations of self-consciousness are a lynchpin of these novels' attempts to simulate the operations of consciousness. By exploring this relation, this study participates in a critical conversation within cognitive literary studies about novels that offer models of consciousness. The study offers new readings of works by Conrad, Joyce, Lawrence, Woolf, and Lessing. Readings of individual novels are informed by early twentieth century British psychology and philosophy, and by contemporary scholarship in embodied cognition and narrative identity. The models of self-consciousness rendered visible by this analysis improve our understanding of modernist technical experiment with stream-of-consciousness and free indirect discourse.

ISBN: 9781137076656 (electronic bk.)

Source: 608714Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

561367
English fiction
--History and criticism.Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: PR830.S427 / M55 2013

Dewey Class. No.: 823.009/353

Self-consciousness in modern british fiction
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504 $a Includes bibliographical references and index.
505 0 $a Self-consciousness, embodiment, and the narrativising self -- Embodiment, narrativity, and identification in under western eyes -- Selfhood and the sensorium in A portrait of the artist as a young man -- Removing the serpent's tail from its mouth: DH Lawrence's vision of embodied consciousness -- Narrative identity, embodied consciousness, and the waves -- Scriptive consciousness and embodied empathy in the golden notebook.
520 $a "Self-consciousness in Modern British Fiction" examines the emergence of self-consciousness as a central trope in experimental fictions published between 1911 and 1962. Representations of self-consciousness are a lynchpin of these novels' attempts to simulate the operations of consciousness. By exploring this relation, this study participates in a critical conversation within cognitive literary studies about novels that offer models of consciousness. The study offers new readings of works by Conrad, Joyce, Lawrence, Woolf, and Lessing. Readings of individual novels are informed by early twentieth century British psychology and philosophy, and by contemporary scholarship in embodied cognition and narrative identity. The models of self-consciousness rendered visible by this analysis improve our understanding of modernist technical experiment with stream-of-consciousness and free indirect discourse.
588 $a Description based on print version record.
650 0 $a English fiction $x History and criticism. $3 561367
650 0 $a Self-consciousness (Awareness) in literature. $3 940402
650 0 $a Self in literature. $3 570421
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