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Theodor Adorno and film theory = the...
~
Adorno, Theodor W., (1903-1969)
Theodor Adorno and film theory = the fingerprint of the spirit /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Theodor Adorno and film theory/ Brian Wall.
Reminder of title:
the fingerprint of the spirit /
Author:
Wall, Brian,
Published:
New York, New York :Palgrave Macmillan, : 2013.,
Description:
1 online resource.
Subject:
Motion pictures - Philosophy. -
Online resource:
An electronic book accessible through the World Wide Web; click for information
ISBN:
9781137306142 (electronic bk.)
Theodor Adorno and film theory = the fingerprint of the spirit /
Wall, Brian,1961-
Theodor Adorno and film theory
the fingerprint of the spirit /[electronic resource] :Brian Wall. - New York, New York :Palgrave Macmillan,2013. - 1 online resource.
Introduction: the fingerprint of spirit -- The subject/object of cinema: The Maltese falcon -- "A deeper breath": from body to spirit in Kiss me deadly -- Negative dioretix: Repo man -- "Jackie Treehorn treats objects like women!": two types of fetishism in The big Lebowski.
What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art? This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field today, as historical and cultural modes of analysis have come to displace theoretical and philosophical ones. Adorno's scathing critique of the culture industry has been thought to close off any possible rapprochement between his philosophy and film, but through a deployment of some of the key ideas drawn from his aesthetics and philosophy - immanent critique and negative dialectics - Wall traces what "might be" in film more than its "being" as a product.
ISBN: 9781137306142 (electronic bk.)
Source: 654172Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:
940584
Adorno, Theodor W.,
1903-1969--Aesthetics.Subjects--Topical Terms:
556100
Motion pictures
--Philosophy.Index Terms--Genre/Form:
554714
Electronic books.
LC Class. No.: PN1995 / .W345 2013
Dewey Class. No.: 791.4301
Theodor Adorno and film theory = the fingerprint of the spirit /
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Introduction: the fingerprint of spirit -- The subject/object of cinema: The Maltese falcon -- "A deeper breath": from body to spirit in Kiss me deadly -- Negative dioretix: Repo man -- "Jackie Treehorn treats objects like women!": two types of fetishism in The big Lebowski.
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What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art? This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field today, as historical and cultural modes of analysis have come to displace theoretical and philosophical ones. Adorno's scathing critique of the culture industry has been thought to close off any possible rapprochement between his philosophy and film, but through a deployment of some of the key ideas drawn from his aesthetics and philosophy - immanent critique and negative dialectics - Wall traces what "might be" in film more than its "being" as a product.
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An electronic book accessible through the World Wide Web; click for information
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