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Fascism in Italian cinema since 1945...
~
Lichtner, Giacomo.
Fascism in Italian cinema since 1945 = the politics and aesthetics of memory /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Fascism in Italian cinema since 1945/ Giacomo Lichtner, Victoria University of Wellington, New Zealand.
其他題名:
the politics and aesthetics of memory /
作者:
Lichtner, Giacomo.
出版者:
New York :Palgrave Macmillan, : 2013.,
面頁冊數:
1 online resource.
標題:
Motion pictures - Italy. -
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137316622
ISBN:
9781137316622 (electronic bk.)
Fascism in Italian cinema since 1945 = the politics and aesthetics of memory /
Lichtner, Giacomo.
Fascism in Italian cinema since 1945
the politics and aesthetics of memory /[electronic resource] :Giacomo Lichtner, Victoria University of Wellington, New Zealand. - New York :Palgrave Macmillan,2013. - 1 online resource.
Includes filmography.
Revisionism. Remembering the "long Second World War" in Europe -- The blood of the defeated -- Resistance. Neorealist catharses -- Luigi Zampa: fascism and Italianit�a -- Reconstruction. Clueless fascists and accidental anti-fascists -- Il federale's apolitical commitment -- Revolution. The sins of the fathers -- Ettore Scola's ordinary day -- Recurrences. Black shirts, hearts of gold: recurrent memories -- Unexploded ordnance: recurrent amnesias -- Epilogue.
From neorealism's resolve to Berlusconian revisionistmelodramas, this book examines cinema's role in constructing memories of FascistItaly. Italian cinema has both reflected and shaped popular perceptions of Fascism,reinforcing or challenging stereotypes, remembering selectively and silentlyforgetting the most shameful pages of Italy's history.
ISBN: 9781137316622 (electronic bk.)
Source: 502965MILSubjects--Topical Terms:
941713
Motion pictures
--Italy.Index Terms--Genre/Form:
554714
Electronic books.
LC Class. No.: PN1995.9.F396 / L53 2013eb
Dewey Class. No.: 791.430945
Fascism in Italian cinema since 1945 = the politics and aesthetics of memory /
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Revisionism. Remembering the "long Second World War" in Europe -- The blood of the defeated -- Resistance. Neorealist catharses -- Luigi Zampa: fascism and Italianit�a -- Reconstruction. Clueless fascists and accidental anti-fascists -- Il federale's apolitical commitment -- Revolution. The sins of the fathers -- Ettore Scola's ordinary day -- Recurrences. Black shirts, hearts of gold: recurrent memories -- Unexploded ordnance: recurrent amnesias -- Epilogue.
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From neorealism's resolve to Berlusconian revisionistmelodramas, this book examines cinema's role in constructing memories of FascistItaly. Italian cinema has both reflected and shaped popular perceptions of Fascism,reinforcing or challenging stereotypes, remembering selectively and silentlyforgetting the most shameful pages of Italy's history.
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