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Postfeminism and contemporary Hollyw...
~
M�uller, Nadine,
Postfeminism and contemporary Hollywood cinema
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Postfeminism and contemporary Hollywood cinema/ edited by Joel Gwynne, Nadine Muller.
other author:
Gwynne, Joel,
Published:
New York :Palgrave Macmillan, : 2013.,
Description:
1 online resource.
Subject:
Feminism and motion pictures. -
Online resource:
http://www.palgraveconnect.com/doifinder/10.1057/9781137306845
ISBN:
9781137306845 (electronic bk.)
Postfeminism and contemporary Hollywood cinema
Postfeminism and contemporary Hollywood cinema
[electronic resource] /edited by Joel Gwynne, Nadine Muller. - New York :Palgrave Macmillan,2013. - 1 online resource.
Introduction: Postfeminism and Contemporary Hollywood Cinema; Joel Gwynne and Nadine Muller -- PART I: POSTFEMINIST FEMININITIES -- 1. Neo-Feminism In-Between: Female Cosmopolitan Subjects in Contemporary American Film; Ana Moya -- 2. Querying Postfeminism in Lisa Cholodenko's "The Kids Are All Right"; Clara Bradbury-Rance -- 3. The Slut that Wasn't: Virginity, (Post)Feminism and Representation in "Easy A"; Katherine Farrimond -- 4. The Girls of Zeta: Sororities, Ideal Femininity and the Makeover Paradigm in "The House Bunny"; Joel Gwynne -- 5. Ageing Appropriately: Postfeminist Discourses of Ageing in Contemporary Hollywood; Imelda Whelehan -- PART II: POSTFEMINIST MASCULINITIES -- 6. 'Chuck Flick': A Genealogy of the Postfeminist Male Singleton; Benjamin A. Brabon -- 7. The Chick's 'New Hero': (Re)Constructing Masculinity in the Postfeminist 'Chick Flick'; Amy Burns -- 8. Hollywood Fatherhood: Paternal Postfeminism in Contemporary Popular Cinema; Hannah Hamad -- 9. Mancaves and Cushions: Marking Masculine and Feminine Domestic Space in Postfeminist Romantic Comedy; Lauren Jade Thompson -- 10. 'We're not making forward progress': Postfeminist Hypermasculinity in "Heat"; Vincent M. Gaine -- PART III: POSTFEMINISM AND GENRE -- 11. Towards a New Sexual Conservatism in Postfeminist Romantic Comedy; Alexia Bowler -- 12. Hell is a Teenage Girl? Postfeminism and Contemporary Teen Horror; Martin Fradley -- 13. 'A New Feminist Revolution in Hollywood Comedy'?: Postfeminist Discourses and the Critical Reception of "Bridesmaids"; Helen Warner -- 14. Blood, Sweat and Tears: Women, Sport and Hollywood; Katharina Lindner.
"Much ground has been covered in terms of (post)feminist analyses of popular film and television, and box office successes such as Bridget Jones's Diary and television phenomena such as Sex and the City have become established parts of the now canonical critical texts on postfeminism, media and popular culture. By analyzing the negotiation of femininities and masculinities within contemporary Hollywood cinema, by charting trends in film production and media reception, and by focusing on the largely neglected intersections between postfeminism and queer theory, Postfeminism and Contemporary Hollywood Cinema presents diverse interrogations of popular cinema. The chapters in this collection position contemporary commercial production as a space where female empowerment is both celebrated and undermined, and signal the necessity of further debate surrounding the formation of gender identity in postmillennial Hollywood cinema. "--
ISBN: 9781137306845 (electronic bk.)
Source: 657641Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
650066
Feminism and motion pictures.
Index Terms--Genre/Form:
554714
Electronic books.
LC Class. No.: PN1995.9.W6 / P67 2013
Dewey Class. No.: 791.43/6522
Postfeminism and contemporary Hollywood cinema
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Introduction: Postfeminism and Contemporary Hollywood Cinema; Joel Gwynne and Nadine Muller -- PART I: POSTFEMINIST FEMININITIES -- 1. Neo-Feminism In-Between: Female Cosmopolitan Subjects in Contemporary American Film; Ana Moya -- 2. Querying Postfeminism in Lisa Cholodenko's "The Kids Are All Right"; Clara Bradbury-Rance -- 3. The Slut that Wasn't: Virginity, (Post)Feminism and Representation in "Easy A"; Katherine Farrimond -- 4. The Girls of Zeta: Sororities, Ideal Femininity and the Makeover Paradigm in "The House Bunny"; Joel Gwynne -- 5. Ageing Appropriately: Postfeminist Discourses of Ageing in Contemporary Hollywood; Imelda Whelehan -- PART II: POSTFEMINIST MASCULINITIES -- 6. 'Chuck Flick': A Genealogy of the Postfeminist Male Singleton; Benjamin A. Brabon -- 7. The Chick's 'New Hero': (Re)Constructing Masculinity in the Postfeminist 'Chick Flick'; Amy Burns -- 8. Hollywood Fatherhood: Paternal Postfeminism in Contemporary Popular Cinema; Hannah Hamad -- 9. Mancaves and Cushions: Marking Masculine and Feminine Domestic Space in Postfeminist Romantic Comedy; Lauren Jade Thompson -- 10. 'We're not making forward progress': Postfeminist Hypermasculinity in "Heat"; Vincent M. Gaine -- PART III: POSTFEMINISM AND GENRE -- 11. Towards a New Sexual Conservatism in Postfeminist Romantic Comedy; Alexia Bowler -- 12. Hell is a Teenage Girl? Postfeminism and Contemporary Teen Horror; Martin Fradley -- 13. 'A New Feminist Revolution in Hollywood Comedy'?: Postfeminist Discourses and the Critical Reception of "Bridesmaids"; Helen Warner -- 14. Blood, Sweat and Tears: Women, Sport and Hollywood; Katharina Lindner.
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Machine generated contents note: -- Introduction: Postfeminism and Contemporary Hollywood Cinema; Joel Gwynne and Nadine Muller -- PART I: POSTFEMINIST FEMININITIES -- 1. Neo-Feminism In-Between: Female Cosmopolitan Subjects in Contemporary American Film; Ana Moya -- 2. Querying Postfeminism in Lisa Cholodenko's The Kids Are All Right; Clara Bradbury-Rance -- 3. The Slut that Wasn't: Virginity, (Post)Feminism and Representation in Easy A; Katherine Farrimond -- 4. The Girls of Zeta: Sororities, Ideal Femininity and the Makeover Paradigm in The House Bunny; Joel Gwynne -- 5. Ageing Appropriately: Postfeminist Discourses of Ageing in Contemporary Hollywood; Imelda Whelehan -- PART II: POSTFEMINIST MASCULINITIES -- 6. 'Chuck Flick': A Genealogy of the Postfeminist Male Singleton; Benjamin A. Brabon -- 7. The Chick's 'New Hero': (Re)Constructing Masculinity in the Postfeminist 'Chick Flick'; Amy Burns -- 8. Hollywood Fatherhood: Paternal Postfeminism in Contemporary Popular Cinema; Hanna Hamad -- 9. Mancaves and Cushions: Marking Masculine and Feminine Domestic Space in Postfeminist Romantic Comedy; Lauren Jade Thompson -- 10. 'We're not making forward progress': Postfeminist Hypermasculinity in Heat; Vincent M. Gaine -- PART III: POSTFEMINISM AND GENRE -- 11. Towards a New Sexual Conservatism in Postfeminist Romantic Comedy; Alexia Bowler -- 12. Hell is a Teenage Girl? Postfeminism and Contemporary Teen Horror; Martin Fradley -- 13. 'A New Feminist Revolution in Hollywood Comedy'?: Postfeminist Discourses and the Critical Reception of Bridesmaids; Helen Warner -- 14. Blood, Sweat and Tears: Women, Sport and Hollywood; Katharina Lindner.
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"Much ground has been covered in terms of (post)feminist analyses of popular film and television, and box office successes such as Bridget Jones's Diary and television phenomena such as Sex and the City have become established parts of the now canonical critical texts on postfeminism, media and popular culture. By analyzing the negotiation of femininities and masculinities within contemporary Hollywood cinema, by charting trends in film production and media reception, and by focusing on the largely neglected intersections between postfeminism and queer theory, Postfeminism and Contemporary Hollywood Cinema presents diverse interrogations of popular cinema. The chapters in this collection position contemporary commercial production as a space where female empowerment is both celebrated and undermined, and signal the necessity of further debate surrounding the formation of gender identity in postmillennial Hollywood cinema. "--
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Description based on print version record.
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Gwynne, Joel,
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M�uller, Nadine,
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editor of compilation.
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http://www.palgraveconnect.com/doifinder/10.1057/9781137306845
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TEF
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