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Spectral Shakespeares : = media adap...
~
Calbi, Maurizio,
Spectral Shakespeares : = media adaptations in the twenty-first century /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Spectral Shakespeares :/ Maurizio Calb.
Reminder of title:
media adaptations in the twenty-first century /
Author:
Calbi, Maurizio,
Description:
1 online resource.
Subject:
Film adaptations - History and criticism. -
Online resource:
http://www.palgraveconnect.com/doifinder/10.1057/9781137063762
ISBN:
9781137063762 (electronic bk.)
Spectral Shakespeares : = media adaptations in the twenty-first century /
Calbi, Maurizio,
Spectral Shakespeares :
media adaptations in the twenty-first century /Maurizio Calb. - 1 online resource. - Shakespeare reproduced. - Shakespeare reproduced..
Includes bibliographical references and index.
Introduction: Shakespeare, spectro-textuality, spectro-mediality -- The state of the kitchen: incorporation and "animanomaly" in Scotland, PA and the BBC Shakespeare retold Macbeth -- Shakespearean retreats: spectrality, survival, and auto-immunity in Kristian Levring's The king is alive -- Reiterating Othello: spectral media and the rhetoric of silence in Alexander Abela's Souli -- "This is my home, too": migration, spectrality, and hospitality in Roberta Torre's Sud side stori -- "Shakespeare in the extreme": ghosts and remediation in Alexander Fodor's Hamlet -- "Restless ecstasy": addiction, reiteration, and mediality in Klaus Knoesel's Rave Macbeth -- "He speaks or rather he tweets": the specter of the "original," media, and "media-crossed" love in Such tweet sorrow.
"Spectral Shakespeares" is an illuminating exploration of recent, experimental adaptations of Shakespeare on film, TV, and the web. Drawing on adaptation studies and media theory as well as Jacques Derrida's work, this book argues that these adaptations foreground a cluster of self-reflexive "themes" - from incorporation to reiteration, from migration to addiction, from silence to survival - that contribute to the redefinition of adaptation, and Shakespearean adaptation in particular, as an unfinished and interminable process. The "Shakespeare" that emerges from these adaptations is a fragmentary, mediatized, and heterogeneous presence, a spectral Shakespeare that leaves a mark on our contemporary mediascape.
ISBN: 9781137063762 (electronic bk.)
Source: 607425Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:
801322
Shakespeare, William,
1564-1616--Literary style.Subjects--Topical Terms:
556887
Film adaptations
--History and criticism.Index Terms--Genre/Form:
554714
Electronic books.
LC Class. No.: PR3093 / .C35 2013
Dewey Class. No.: 822.3/3
Spectral Shakespeares : = media adaptations in the twenty-first century /
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media adaptations in the twenty-first century /
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Introduction: Shakespeare, spectro-textuality, spectro-mediality -- The state of the kitchen: incorporation and "animanomaly" in Scotland, PA and the BBC Shakespeare retold Macbeth -- Shakespearean retreats: spectrality, survival, and auto-immunity in Kristian Levring's The king is alive -- Reiterating Othello: spectral media and the rhetoric of silence in Alexander Abela's Souli -- "This is my home, too": migration, spectrality, and hospitality in Roberta Torre's Sud side stori -- "Shakespeare in the extreme": ghosts and remediation in Alexander Fodor's Hamlet -- "Restless ecstasy": addiction, reiteration, and mediality in Klaus Knoesel's Rave Macbeth -- "He speaks or rather he tweets": the specter of the "original," media, and "media-crossed" love in Such tweet sorrow.
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"Spectral Shakespeares" is an illuminating exploration of recent, experimental adaptations of Shakespeare on film, TV, and the web. Drawing on adaptation studies and media theory as well as Jacques Derrida's work, this book argues that these adaptations foreground a cluster of self-reflexive "themes" - from incorporation to reiteration, from migration to addiction, from silence to survival - that contribute to the redefinition of adaptation, and Shakespearean adaptation in particular, as an unfinished and interminable process. The "Shakespeare" that emerges from these adaptations is a fragmentary, mediatized, and heterogeneous presence, a spectral Shakespeare that leaves a mark on our contemporary mediascape.
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Description based on print version record.
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Shakespeare, William,
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1564-1616
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Film adaptations
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556887
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local
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http://www.palgraveconnect.com/doifinder/10.1057/9781137063762
994
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TEF
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