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Fandom, authenticity, and opera : = mad acts and letter scenes in fin-de-si�ecle Russia /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Fandom, authenticity, and opera :/ by Anna Fishzon.
其他題名:	mad acts and letter scenes in fin-de-si�ecle Russia /
作者:	Fishzon, Anna,
面頁冊數:	1 online resource.
標題:	Opera - 19th century. - Russia -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137023452
ISBN:	9781137023452 (electronic bk.)

Fandom, authenticity, and opera : = mad acts and letter scenes in fin-de-si�ecle Russia /
Fishzon, Anna,

Fandom, authenticity, and opera :mad acts and letter scenes in fin-de-si�ecle Russia /by Anna Fishzon. - 1 online resource. - Palgrave studies in cultural and intellectual history. - Palgrave studies in cultural and intellectual history..

1. Entrepreneurs and the Public Mission of Russian Private Opera -- 2. Russia's New Celebrities: Off-stage Narrative and Performance -- 3. Deviant Audiences and the Feminization of Fandom -- 4. Authenticity in the Age of Mechanical Reproduction, or, How the Gramophone Made Everyday Life Operatic -- 5. Fan Letters, Melodrama, and the Meaning of Love -- Epilogue.

In Russia at the turn of the twentieth century, printed literature and performances - from celebrity narratives and opera fandom to revolutionary acts and political speeches - frequently articulated extreme emotional states and passionate belief. A uniquely intense approach to public life and private expression - the 'melodramatic imagination' - is at the center of this study. Previously, scholars have only indirectly addressed the everyday appropriation of melodramatic aesthetics in Russia, choosing to concentrate on canonical texts and producers of mass culture. Collective fantasies and affects are daunting objects of study, difficult to render, and almost impossible to prove empirically. Music and art historians, with some notable exceptions, have been reluctant to discuss reception for similar reasons. By analyzing the artifacts and practices of a commercialized opera culture, author Anna Fishzon provides a solution to these challenges. Her focus on celebrity and fandom as features of the melodramatic imagination helps illuminate Russian modernity and provides the groundwork for comparative studies of fin-de-s�icle European popular and high culture, selfhood, authenticity, and political theater.

ISBN: 9781137023452 (electronic bk.)

Source: 575945Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

870105
Opera
--Russia--19th century.Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: ML1737.4

Dewey Class. No.: 782.1094709034

Fandom, authenticity, and opera : = mad acts and letter scenes in fin-de-si�ecle Russia /
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520 $a In Russia at the turn of the twentieth century, printed literature and performances - from celebrity narratives and opera fandom to revolutionary acts and political speeches - frequently articulated extreme emotional states and passionate belief. A uniquely intense approach to public life and private expression - the 'melodramatic imagination' - is at the center of this study. Previously, scholars have only indirectly addressed the everyday appropriation of melodramatic aesthetics in Russia, choosing to concentrate on canonical texts and producers of mass culture. Collective fantasies and affects are daunting objects of study, difficult to render, and almost impossible to prove empirically. Music and art historians, with some notable exceptions, have been reluctant to discuss reception for similar reasons. By analyzing the artifacts and practices of a commercialized opera culture, author Anna Fishzon provides a solution to these challenges. Her focus on celebrity and fandom as features of the melodramatic imagination helps illuminate Russian modernity and provides the groundwork for comparative studies of fin-de-s�icle European popular and high culture, selfhood, authenticity, and political theater.
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