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Bulldaggers, pansies, and chocolate ...
~
Wilson, James F.
Bulldaggers, pansies, and chocolate babies = performance, race, and sexuality in the Harlem Renaissance /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Bulldaggers, pansies, and chocolate babies/ James F.Wilson.
Reminder of title:
performance, race, and sexuality in the Harlem Renaissance /
Author:
Wilson, James F.
Published:
Ann Arbor :University of Michigan Press, : c2010.,
Description:
1 online resource (ix, 260 p.) :ill. :
Subject:
Sex in the theater. -
Online resource:
Full text available:
ISBN:
9780472026968 (electronic bk.)
Bulldaggers, pansies, and chocolate babies = performance, race, and sexuality in the Harlem Renaissance /
Wilson, James F.
Bulldaggers, pansies, and chocolate babies
performance, race, and sexuality in the Harlem Renaissance /[electronic resource] :James F.Wilson. - Ann Arbor :University of Michigan Press,c2010. - 1 online resource (ix, 260 p.) :ill. - Triangulations: lesbian/gay/queer theater/drama/performance. - Triangulations..
Includes bibliographical references and index.
Introduction: "It's getting dark on old Broadway" -- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s) -- "Harlem on my mind": New York's black belton the Great White Way -- "That's the kind of gal I am": drag balls, "sexual perversion," and David Belasco's Lulu Belle -- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters -- "In my well of loneliness": Gladys Bentley's Bulldykin' blues -- Conclusion: "you've seen Harlem at its best".
ISBN: 9780472026968 (electronic bk.)Subjects--Topical Terms:
938144
Sex in the theater.
LC Class. No.: PS338.N4 / W555 2010
Dewey Class. No.: 812/.5209896073
Bulldaggers, pansies, and chocolate babies = performance, race, and sexuality in the Harlem Renaissance /
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[electronic resource] :
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performance, race, and sexuality in the Harlem Renaissance /
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James F.Wilson.
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c2010.
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Includes bibliographical references and index.
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Introduction: "It's getting dark on old Broadway" -- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s) -- "Harlem on my mind": New York's black belton the Great White Way -- "That's the kind of gal I am": drag balls, "sexual perversion," and David Belasco's Lulu Belle -- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters -- "In my well of loneliness": Gladys Bentley's Bulldykin' blues -- Conclusion: "you've seen Harlem at its best".
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Sex in the theater.
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Harlem Renaissance.
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Full text available:
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http://muse.jhu.edu/books/9780472026968/
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