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Images of Black modernism = verbal a...
~
Thaggert, Miriam.
Images of Black modernism = verbal and visual strategies of the Harlem Renaissance /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Images of Black modernism/ Miriam Thaggert.
Reminder of title:
verbal and visual strategies of the Harlem Renaissance /
Author:
Thaggert, Miriam.
Published:
Amherst :University of Massachusetts Press, : c2010.,
Description:
1 online resource (xiii, 248 p.) :ill. :
Subject:
Modernism (Literature) - United States. -
Online resource:
Full text available:
ISBN:
9781613760505 (electronic bk.)
Images of Black modernism = verbal and visual strategies of the Harlem Renaissance /
Thaggert, Miriam.
Images of Black modernism
verbal and visual strategies of the Harlem Renaissance /[electronic resource] :Miriam Thaggert. - Amherst :University of Massachusetts Press,c2010. - 1 online resource (xiii, 248 p.) :ill.
Includes bibliographical references and index.
Introduction: a crisis in Black art and literature -- Tone pictures:James Weldon Johnson's experiment in dialect -- Reading the body: fashion, etiquette, and narrative in Nella Larsen's Passing-- Surface effects: satire, race, and language in George Schuyler's Black no more and "the Negro-art hokum" -- Collectin' Van Vechten: the narrative and visual collections of Carl Van Vechten -- A photographic language: camera lucida and the photography of James Van Der Zee and Aaron Siskind -- Conclusion. remembering Harlem: Wallace Thurman, Alain Locke, and the Metropolitan Museum of Art's "Harlem" exhibition.
ISBN: 9781613760505 (electronic bk.)Subjects--Topical Terms:
559113
Modernism (Literature)
--United States.
LC Class. No.: PS153.N5 / T455 2010
Dewey Class. No.: 810.9/896073
Images of Black modernism = verbal and visual strategies of the Harlem Renaissance /
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[electronic resource] :
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verbal and visual strategies of the Harlem Renaissance /
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Miriam Thaggert.
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University of Massachusetts Press,
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c2010.
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2013)
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ill.
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Includes bibliographical references and index.
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Introduction: a crisis in Black art and literature -- Tone pictures:James Weldon Johnson's experiment in dialect -- Reading the body: fashion, etiquette, and narrative in Nella Larsen's Passing-- Surface effects: satire, race, and language in George Schuyler's Black no more and "the Negro-art hokum" -- Collectin' Van Vechten: the narrative and visual collections of Carl Van Vechten -- A photographic language: camera lucida and the photography of James Van Der Zee and Aaron Siskind -- Conclusion. remembering Harlem: Wallace Thurman, Alain Locke, and the Metropolitan Museum of Art's "Harlem" exhibition.
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Full text available:
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http://muse.jhu.edu/books/9781613760505/
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