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Introduction to documentary
~
Project Muse.
Introduction to documentary
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Introduction to documentary/ Bill Nichols.
Author:
Nichols, Bill,
Published:
Bloomington :Indiana University Press, : 2010.,
Description:
1 online resource (xviii, 341 p.) :ill. :
Subject:
Documentary films - History and criticism. -
Online resource:
Full text available:
ISBN:
9780253004871 (electronic bk.)
Introduction to documentary
Nichols, Bill,1942-
Introduction to documentary
[electronic resource] /Bill Nichols. - 2nd ed. - Bloomington :Indiana University Press,2010. - 1 online resource (xviii, 341 p.) :ill.
Includes bibliographical references, filmography and index.
Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentary films a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentaries? categories, models, and the expository and poetic modes of documentary film -- How can we describe the observational, participatory, reflexive, and performative modes of documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary?
ISBN: 9780253004871 (electronic bk.)Subjects--Topical Terms:
936618
Documentary films
--History and criticism.
LC Class. No.: PN1995.9.D6 / N539 2010
Dewey Class. No.: 070.1/8
Introduction to documentary
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Introduction to documentary
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[electronic resource] /
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Bill Nichols.
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2nd ed.
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Bloomington :
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Indiana University Press,
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2010.
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(Baltimore, Md. :
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2013)
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1 online resource (xviii, 341 p.) :
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ill.
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Includes bibliographical references, filmography and index.
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Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentary films a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentaries? categories, models, and the expository and poetic modes of documentary film -- How can we describe the observational, participatory, reflexive, and performative modes of documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary?
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Description based on print version record.
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Documentary films
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History and criticism.
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936618
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Project Muse.
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Full text available:
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http://muse.jhu.edu/books/9780253004871/
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紀錄片導論 /
/ 井迎兆 / 五南圖書, / 2020.02.
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