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That's all folks? = ecocritical readings of American animated features /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	That's all folks?/ Robin L. Murray and Joseph K. Heumann.
其他題名:	ecocritical readings of American animated features /
作者:	Murray, Robin L.
其他作者:	Heumann, Joseph K.
出版者:	Lincoln :University of Nebraska Press, : c2011.,
面頁冊數:	1 online resource (ix, 283 p.) :ill. :
標題:	Animated films. -
電子資源:	Full text available:
ISBN:	9780803239647 (electronic bk.)

That's all folks? = ecocritical readings of American animated features /
Murray, Robin L.

That's all folks?ecocritical readings of American animated features /[electronic resource] :Robin L. Murray and Joseph K. Heumann. - Lincoln :University of Nebraska Press,c2011. - 1 online resource (ix, 283 p.) :ill.

Includes bibliographical references (p. 265-275), filmography and index.

Introduction: A foundation for contemporary enviro-toons -- Bambi and Mr. Bug Goes to Town: nature with or without us -- Animal liberation in the 1940s and 1950s: what Disney does for the animal rights movement-- The UPA and the environment: a modernist look at urban nature -- Animation and live action: a demonstration of interdependence? -- Rankin/Bass Studios, nature, and the supernatural: where technology serves anddestroys -- Disney in the 1960s and 1970s: blurring boundaries betweenhuman and nonhuman nature -- Dinosaurs return: evolution outplays Disney's binaries -- DreamWorks andhuman and nonhuman ecology: escape or interdependence in Over the Hedge and Bee Movie -- Pixar and the case ofWALL-E: moving between environmental adaptation and sentimental nostalgia -- The SimpsonsMovie, Happy Feet, and Avatar: the continuing influence of human, organismic, economic, and chaoticapproaches to ecology -- Conclusion: Animation's movement to green?

"Examines animated films in the cultural and historical context of environmental movements"--Provided by publisher.

ISBN: 9780803239647 (electronic bk.)Subjects--Topical Terms:

571281
Animated films.

LC Class. No.: NC1766.5.E58 / M87 2011

Dewey Class. No.: 791.43/34

That's all folks? = ecocritical readings of American animated features /
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300 $a 1 online resource (ix, 283 p.) : $b ill.
504 $a Includes bibliographical references (p. 265-275), filmography and index.
505 0 $a Introduction: A foundation for contemporary enviro-toons -- Bambi and Mr. Bug Goes to Town: nature with or without us -- Animal liberation in the 1940s and 1950s: what Disney does for the animal rights movement-- The UPA and the environment: a modernist look at urban nature -- Animation and live action: a demonstration of interdependence? -- Rankin/Bass Studios, nature, and the supernatural: where technology serves anddestroys -- Disney in the 1960s and 1970s: blurring boundaries betweenhuman and nonhuman nature -- Dinosaurs return: evolution outplays Disney's binaries -- DreamWorks andhuman and nonhuman ecology: escape or interdependence in Over the Hedge and Bee Movie -- Pixar and the case ofWALL-E: moving between environmental adaptation and sentimental nostalgia -- The SimpsonsMovie, Happy Feet, and Avatar: the continuing influence of human, organismic, economic, and chaoticapproaches to ecology -- Conclusion: Animation's movement to green?
520 $a "Examines animated films in the cultural and historical context of environmental movements"--Provided by publisher.
520 $a "Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felixthe Cat cartoons to Disney's beloved Bambito Pixar's Wall-E and James Cameron's Avatar, this volumeshows how animated features with environmental themes are moneymakers on multiple levels--particularly as broad-based family entertainment and conveyors of consumer products. Only Ralph Bakshi's X-rated Fritz the Cat and R-rated Heavy Traffic and Coonskin, with their violent, dystopic representation of urban environments, avoid this total immersion in an anti-environmental consumer market. Showing us enviro-toons in their cultural andhistorical contexts, this book offers fresh insights into thechangingperceptions of the relationship between humans and the environment anda new understanding of environmental and animated cinema"--Provided bypublisher.
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650 0 $a Animated films. $3 571281
650 0 $a Environmentalism in motion pictures. $3 954856
700 1 $a Heumann, Joseph K. $3 954855
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856 4 0 $z Full text available: $u http://muse.jhu.edu/books/9780803239647/