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Highlife Saturday night = popular mu...
~
Ghana
Highlife Saturday night = popular music and social change in urban Ghana /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Highlife Saturday night/ Nate Plageman.
Reminder of title:
popular music and social change in urban Ghana /
Author:
Plageman, Nate,
Published:
Bloomington :Indiana University Press, : 2013.,
Description:
1 online resource (336 p.).
Subject:
Highlife (Music) - Ghana. -
Subject:
Ghana - Rural conditions. -
Online resource:
Full text available:
ISBN:
9780253007339 (electronic bk.)
Highlife Saturday night = popular music and social change in urban Ghana /
Plageman, Nate,1978-
Highlife Saturday night
popular music and social change in urban Ghana /[electronic resource] :Nate Plageman. - Bloomington :Indiana University Press,2013. - 1 online resource (336 p.). - Ethnomusicology multimedia. - Ethnomusicology multimedia..
Includes bibliographical references and index.
Introduction: the historical importance of urban Ghana's Saturday nights -- Popular music, political authority, and social possibilities inthe southern Gold Coast, 1890-1940 -- The making of a middle class: urban social clubs and the evolution of highlife music, 1915-1940 -- The friction on the floor: negotiating nightlife in Accra, 1940-1960 -- "The highlife was born in Ghana": politics, culture, and the making of a national music, 1950-1965 -- "We were the ones who composed the songs": the promises and pitfalls of being a bandsman, 1945-1970.
ISBN: 9780253007339 (electronic bk.)Subjects--Topical Terms:
958582
Highlife (Music)
--Ghana.Subjects--Geographical Terms:
800669
Ghana
--Rural conditions.
LC Class. No.: ML3917.G43 / P53 2013
Dewey Class. No.: 306.48409667
Highlife Saturday night = popular music and social change in urban Ghana /
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1978-
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[electronic resource] :
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popular music and social change in urban Ghana /
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Nate Plageman.
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African expressive cultures
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Includes bibliographical references and index.
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Introduction: the historical importance of urban Ghana's Saturday nights -- Popular music, political authority, and social possibilities inthe southern Gold Coast, 1890-1940 -- The making of a middle class: urban social clubs and the evolution of highlife music, 1915-1940 -- The friction on the floor: negotiating nightlife in Accra, 1940-1960 -- "The highlife was born in Ghana": politics, culture, and the making of a national music, 1950-1965 -- "We were the ones who composed the songs": the promises and pitfalls of being a bandsman, 1945-1970.
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Full text available:
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http://muse.jhu.edu/books/9780253007339/
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