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The haptic aesthetic in Samuel Becke...
~
Beckett, Samuel, (1906-1989.)
The haptic aesthetic in Samuel Beckett's drama /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
The haptic aesthetic in Samuel Beckett's drama // Trish McTighe.
作者:
McTighe, Trish,
面頁冊數:
1 online resource (196 pages).
標題:
Self in literature. -
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137275332
ISBN:
1137275332 (electronic bk.)
The haptic aesthetic in Samuel Beckett's drama /
McTighe, Trish,
The haptic aesthetic in Samuel Beckett's drama /
Trish McTighe. - First edition. - 1 online resource (196 pages). - New Interpretations of Beckett in the Twenty-first Century. - New interpretations of Beckett in the twenty-first century..
Includes bibliographical references and index.
Introduction: Haptics, aesthetics, philosophy -- Eye: failing, myopic, grainy -- Ear: full of relentless echoes -- Mouth: trying to tell it all, failing -- Skin, space, place -- On the one hand ... (the one that writes the body) -- On the other hand ... (the one that refuses to touch) -- Conclusion: Departing bodies, between doubting Thomas and noli me tangere.
In their sparse and isolated spaces, Samuel Beckett's figures imagine the touch of a lost love or dream of the comfort and care that the hands of a dear one might bring. Applying philosophical writings that feature sensation, particularly touch, Trish McTighe examines how Beckett's later work for stage and screen dramatizes moments of contact between self and self, self and world, and self and other. With implications for how gender and ethics can be approached within Beckett's aesthetic, this study explores the employment of haptic imagery as an alternative to certain dominant codes of visual representation.
ISBN: 1137275332 (electronic bk.)
Source: 632230Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:
861285
Beckett, Samuel,
1906-1989--Television adaptationsSubjects--Topical Terms:
570421
Self in literature.
Index Terms--Genre/Form:
554714
Electronic books.
LC Class. No.: PR6003.E282 / Z778 2013
Dewey Class. No.: 842/.914
The haptic aesthetic in Samuel Beckett's drama /
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Introduction: Haptics, aesthetics, philosophy -- Eye: failing, myopic, grainy -- Ear: full of relentless echoes -- Mouth: trying to tell it all, failing -- Skin, space, place -- On the one hand ... (the one that writes the body) -- On the other hand ... (the one that refuses to touch) -- Conclusion: Departing bodies, between doubting Thomas and noli me tangere.
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In their sparse and isolated spaces, Samuel Beckett's figures imagine the touch of a lost love or dream of the comfort and care that the hands of a dear one might bring. Applying philosophical writings that feature sensation, particularly touch, Trish McTighe examines how Beckett's later work for stage and screen dramatizes moments of contact between self and self, self and world, and self and other. With implications for how gender and ethics can be approached within Beckett's aesthetic, this study explores the employment of haptic imagery as an alternative to certain dominant codes of visual representation.
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http://www.palgraveconnect.com/doifinder/10.1057/9781137275332
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