國立虎尾科技大學 |

Visual peace : = images, spectatorship, and the politics of violence /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Visual peace :/ Frank Möller.
其他題名:	images, spectatorship, and the politics of violence /
作者:	Möller, Frank,
面頁冊數:	1 online resource.
標題:	Documentary photography - Political aspects. -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137020406
ISBN:	1137020407 (electronic bk.)

Visual peace : = images, spectatorship, and the politics of violence /
Möller, Frank,1963-

Visual peace :images, spectatorship, and the politics of violence /Frank Möller. - 1 online resource.

Introduction - Impressions: Stretching the Limits of Representations -- 1. Ambiguities, Approximations, Abstractions -- 2. The Participant Witness -- 3. Reflections on Photojournalism -- 4. The Aftermath: Visions of Rwanda -- Portfolio 1: Rafiki Ubaldo, Temples of Memory -- 5. Visual Interventions in Rio de Janeiro's Culture of Violence -- 6. On Combatants and (Other) Victims -- Portfolio 2: Manuel Botelho, Aerogramas para 2010 -- 7. WHY - ARE - WE - SO - INVOLVED? -- Unfinished Business -- Notes --.

"This unique study offers a political analysis of the relationship between visual representations and the politics of violence both nationally and internationally. It emphasizes the spectator and his or her own involvement in, responsibility for, and potential responses to the conditions depicted in given images. Through a series of case studies which engage with visual representations of the politics of violence, such as the aftermath of the 1994 genocide in Rwanda and the visualization of colonial memory, it analyzes the relationship between visibility and political agency and elaborates the extent to which people who have normally been subjects of the image production of others can become agents of their own image. This book's comprehensive analysis of different genres including photography, graphic novels, comics and paintings introduces a new research agenda for the emerging field of visual peace. "--

ISBN: 1137020407 (electronic bk.)Subjects--Topical Terms:

1005446
Documentary photography
--Political aspects.Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: HM1116 / .M655 2013

Dewey Class. No.: 700/.4552

Visual peace : = images, spectatorship, and the politics of violence /
LDR:02595cam a2200337Ii 4500 001 797767
003 OCoLC
005 20140910115742.0
006 m o d
007 cr cnu---unuuu
008 150519s2013 enk o 000 0 eng d
020 $a 1137020407 (electronic bk.)
020 $a 9781137020406 (electronic bk.)
029 1 $a AU@ $b 000052266117
035 $a (OCoLC)862740680
035 $a ocn862740680
040 $a UKPGM $b eng $e rda $e pn $c UKPGM $d YDXCP $d CDX $d N$T $d OCLCO
049 $a TEFA
050 4 $a HM1116 $b .M655 2013
072 7 $a ART $x 025000 $2 bisacsh
072 7 $a ART $x 060000 $2 bisacsh
082 0 4 $a 700/.4552 $2 23
100 1 $a Möller, Frank, $d 1963- $e author. $3 1005445
245 1 0 $a Visual peace : $b images, spectatorship, and the politics of violence / $c Frank Möller.
264 1 $a Houndmills, Basingstoke, Hampshire ; $a New York, NY : $b Palgrave Macmillan, $c 2013.
300 $a 1 online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
505 0 $a Introduction - Impressions: Stretching the Limits of Representations -- 1. Ambiguities, Approximations, Abstractions -- 2. The Participant Witness -- 3. Reflections on Photojournalism -- 4. The Aftermath: Visions of Rwanda -- Portfolio 1: Rafiki Ubaldo, Temples of Memory -- 5. Visual Interventions in Rio de Janeiro's Culture of Violence -- 6. On Combatants and (Other) Victims -- Portfolio 2: Manuel Botelho, Aerogramas para 2010 -- 7. WHY - ARE - WE - SO - INVOLVED? -- Unfinished Business -- Notes --.
520 $a "This unique study offers a political analysis of the relationship between visual representations and the politics of violence both nationally and internationally. It emphasizes the spectator and his or her own involvement in, responsibility for, and potential responses to the conditions depicted in given images. Through a series of case studies which engage with visual representations of the politics of violence, such as the aftermath of the 1994 genocide in Rwanda and the visualization of colonial memory, it analyzes the relationship between visibility and political agency and elaborates the extent to which people who have normally been subjects of the image production of others can become agents of their own image. This book's comprehensive analysis of different genres including photography, graphic novels, comics and paintings introduces a new research agenda for the emerging field of visual peace. "-- $c Provided by publisher.
588 $a Description based on print version record.
650 0 $a Documentary photography $x Political aspects. $3 1005446
650 0 $a Violence in art. $3 1005447
650 0 $a Violence $x Political aspects. $3 804716
650 0 $a Visual communication $x Political aspects. $3 1005448
650 7 $a ART / Art & Politics. $2 bisacsh $3 1005449
650 7 $a ART / Performance $2 bisacsh $3 861161
650 7 $a ART / Reference $2 bisacsh $3 861162
650 7 $a PHOTOGRAPHY / Photojournalism. $2 bisacsh $3 1005450
650 7 $a POLITICAL SCIENCE / International Relations / General. $2 bisacsh $3 835796
650 7 $a POLITICAL SCIENCE / Peace. $2 bisacsh $3 835758
655 4 $a Electronic books. $2 local $3 554714
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137020406