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Habit in the English Novel, 1850-1900 : = Lived Environments, Practices of the Self /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Habit in the English Novel, 1850-1900 :/ Sean O'Toole, Assistant Professor of English, Baruch College, USA.
其他題名:	Lived Environments, Practices of the Self /
作者:	O'Toole, Sean,
面頁冊數:	1 online resource.
標題:	1800 - 1899 -
標題:	English fiction - History and criticism. - 19th century -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137349408
ISBN:	1137349409 (electronic bk.)

Habit in the English Novel, 1850-1900 : = Lived Environments, Practices of the Self /
O'Toole, Sean,1972-

Habit in the English Novel, 1850-1900 :Lived Environments, Practices of the Self /Sean O'Toole, Assistant Professor of English, Baruch College, USA. - 1 online resource. - Palgrave Studies in Nineteenth-Century Writing and Culture. - Palgrave studies in nineteenth-century writing and culture..

Includes bibliographical references and index.

PART I: GENERATIVE HABITS -- 1 The Sensing Self: Dickens and the Space of Habit -- 2 Believing is Seeing: George Eliot's Past Effects -- PART II: PATTERNS OF CONSCIOUSNESS -- 3 Embodied Dispositions, Meredithian Slips -- 4 Passionate Possessions: Henry James's Queer Properties -- Coda: The Grain and the Heap, or the Afterlife of Habit.

"The ancient philosophical concept of habit fixated and unsettled the Victorians in profoundly new ways, as advances in physiology and evolutionary theory sparked far-reaching debates about the threat of automatism and the proper mental training of the will. This book suggests that nineteenth-century novelists not only echoed these debates but intervened in them in unique, transformative, and strikingly modern ways. In attending closely to the enabling, generative potential of habit and its role in the creation of new perceptions and social identities, novelists from Dickens to James bequeathed a far more complex conception of the category than has yet been acknowledged, allowing for a rich phenomenology of the unpredictable, changeable modes of modern existence. Habit in the English Novel, 1850-1900 reconsiders what we have come to assume about the Victorian novel, including our own critical habits, in the wake of Freud and cultural modernism"--

ISBN: 1137349409 (electronic bk.)

Source: 686420Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Chronological Terms:

1800 - 1899
Subjects--Topical Terms:

556935
English fiction
--History and criticism.--19th centuryIndex Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: PR878.S427 / O86 2013

Dewey Class. No.: 823/.8093384

Habit in the English Novel, 1850-1900 : = Lived Environments, Practices of the Self /
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245 1 0 $a Habit in the English Novel, 1850-1900 : $b Lived Environments, Practices of the Self / $c Sean O'Toole, Assistant Professor of English, Baruch College, USA.
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504 $a Includes bibliographical references and index.
505 0 $a PART I: GENERATIVE HABITS -- 1 The Sensing Self: Dickens and the Space of Habit -- 2 Believing is Seeing: George Eliot's Past Effects -- PART II: PATTERNS OF CONSCIOUSNESS -- 3 Embodied Dispositions, Meredithian Slips -- 4 Passionate Possessions: Henry James's Queer Properties -- Coda: The Grain and the Heap, or the Afterlife of Habit.
520 $a "The ancient philosophical concept of habit fixated and unsettled the Victorians in profoundly new ways, as advances in physiology and evolutionary theory sparked far-reaching debates about the threat of automatism and the proper mental training of the will. This book suggests that nineteenth-century novelists not only echoed these debates but intervened in them in unique, transformative, and strikingly modern ways. In attending closely to the enabling, generative potential of habit and its role in the creation of new perceptions and social identities, novelists from Dickens to James bequeathed a far more complex conception of the category than has yet been acknowledged, allowing for a rich phenomenology of the unpredictable, changeable modes of modern existence. Habit in the English Novel, 1850-1900 reconsiders what we have come to assume about the Victorian novel, including our own critical habits, in the wake of Freud and cultural modernism"-- $c Provided by publisher.
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