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Theatre and event : = staging the European century /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Theatre and event :/ Adrian Kear.
其他題名:	staging the European century /
作者:	Kear, Adrian,
面頁冊數:	1 online resource.
標題:	2000 - 2099 -
標題:	Theater - Production and direction - 21st century. - Europe -
標題:	Europe. -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137372376
ISBN:	1137372370 (electronic bk.)

Theatre and event : = staging the European century /
Kear, Adrian,1970-

Theatre and event :staging the European century /Adrian Kear. - 1 online resource.

Includes bibliographical references and index.

Song of the century: Jan Lauwers and Needcompany's Sad face/happy face trilogy -- Naming the event: Alvis Hermanis and Juanais Regas tetrises Sonja -- Falling into history: Romeo Castellucci and Socìetas Raffaello Sanzio's Tragedia endogonidia and Divina commedia -- Theatre in the open: Mike Pearson and Mike Brookes' The Persians and Coriolan/US, National Theatre Wales -- De-creating the step of the world: Faustin Linyekula and Studios Kabako's La création du monde 1923-2012, Pour en finir avec Bérénice, and more more more, future -- Afterword.

"Theatre and Event: Staging the European Century", examines how, in these first decades of the twenty-first century, contemporary European theatre-makers have sought to consider the disastrous events of the twentieth century as the 'unfinished business' of the contemporary. Kear argues that by thinking through the logic of the event, and the theatre event especially, contemporary performance practice enables an affective interrogation of 'the event' of the European century. Examining the work of leading theatre companies, "Theatre and Event: Staging the European Century" offers detailed expositions and engaged analyses of key works by Needcompany (Belgium), Jaunais Rigas Teatris (Latvia), Societas Raffaello Sanzio (Italy), National Theatre Wales (UK), and Studios Kabako (France/Democratic Republic of the Congo). This book offers an original conception of the theatre event as an event which exists in relation to, and performatively historicises, other 'events', requiring a critical and creative practice of spectatorship to animate its political affects.

ISBN: 1137372370 (electronic bk.)

Source: 518159Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Chronological Terms:

2000 - 2099
Subjects--Topical Terms:

1006155
Theater
--Production and direction--Europe--21st century.Subjects--Geographical Terms:

1005112
Europe.
Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: PN2570 / .K43 2014

Dewey Class. No.: 792.9/5094

Theatre and event : = staging the European century /
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504 $a Includes bibliographical references and index.
505 0 $a Song of the century: Jan Lauwers and Needcompany's Sad face/happy face trilogy -- Naming the event: Alvis Hermanis and Juanais Regas tetrises Sonja -- Falling into history: Romeo Castellucci and Socìetas Raffaello Sanzio's Tragedia endogonidia and Divina commedia -- Theatre in the open: Mike Pearson and Mike Brookes' The Persians and Coriolan/US, National Theatre Wales -- De-creating the step of the world: Faustin Linyekula and Studios Kabako's La création du monde 1923-2012, Pour en finir avec Bérénice, and more more more, future -- Afterword.
520 $a "Theatre and Event: Staging the European Century", examines how, in these first decades of the twenty-first century, contemporary European theatre-makers have sought to consider the disastrous events of the twentieth century as the 'unfinished business' of the contemporary. Kear argues that by thinking through the logic of the event, and the theatre event especially, contemporary performance practice enables an affective interrogation of 'the event' of the European century. Examining the work of leading theatre companies, "Theatre and Event: Staging the European Century" offers detailed expositions and engaged analyses of key works by Needcompany (Belgium), Jaunais Rigas Teatris (Latvia), Societas Raffaello Sanzio (Italy), National Theatre Wales (UK), and Studios Kabako (France/Democratic Republic of the Congo). This book offers an original conception of the theatre event as an event which exists in relation to, and performatively historicises, other 'events', requiring a critical and creative practice of spectatorship to animate its political affects.
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