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Writing and producing television drama in Denmark : = from The Kingdom to The Killing /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Writing and producing television drama in Denmark :/ Eva Novrup Redvall.
Reminder of title:	from The Kingdom to The Killing /
Author:	Redvall, Eva Novrup,
Description:	1 online resource.
Subject:	Television authorship. -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9781137288417
ISBN:	1137288418 (electronic bk.)

Writing and producing television drama in Denmark : = from The Kingdom to The Killing /
Redvall, Eva Novrup,

Writing and producing television drama in Denmark :from The Kingdom to The Killing /Eva Novrup Redvall. - 1 online resource. - Palgrave studies in screenwriting. - Palgrave studies in screenwriting..

Includes bibliographical references and index.

Television Writing and the Screen Idea System -- Danish Television Drama: A Crash Course -- Dogmas for Television Drama: Changing a Production Culture -- Training Talent for Television: DR and 'The TV term' -- Writers, Showrunners and Television Auteurs: Ideas of 'One Vision' -- The Workings of a Writer's Room: "Borgen" -- Primetime Public Service Crime: Forbrydelsen/The Killing -- Conclusions and Cliffhangers.

The Danish Broadcasting Corporation, DR, has enjoyed remarkable success in recent years, winning five Emmy Awards and acclaim for the series The Killing and Borgen. In the first book-length study of this period in Danish television drama, Eva Novrup Redvall offers unique insights into the production culture at DR, with a specific focus on the role of the screenwriter. Her research also makes a significant contribution to the study of screenwriting by introducing a Screen Idea System that allows for an in-depth examination of the complex creative collaborations in television production. The book examines what is currently regarded as a best-practice framework, through detailed case studies of the DR production structure, as well as the mechanics of writers' rooms and 'production hotels'. Redvall argues that while DR has been influenced by the working methods of the US industry, these have been firmly grounded in a public service mindset and the development of the TV series has been driven by the 'one vision' of the head writer. The book is aimed at readers who are curious about Danish television drama in general, as well as students of screenwriting, film and television, and offers an accessible, scholarly account of a key aspect of contemporary Danish television production and its place in the international media landscape.

ISBN: 1137288418 (electronic bk.)

Source: 645926Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Corporate Names:

1006279
Danmarks radio.
Subjects--Topical Terms:

839788
Television authorship.
Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: PN1992.75

Dewey Class. No.: 791.4502/33

Writing and producing television drama in Denmark : = from The Kingdom to The Killing /
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505 0 $a Television Writing and the Screen Idea System -- Danish Television Drama: A Crash Course -- Dogmas for Television Drama: Changing a Production Culture -- Training Talent for Television: DR and 'The TV term' -- Writers, Showrunners and Television Auteurs: Ideas of 'One Vision' -- The Workings of a Writer's Room: "Borgen" -- Primetime Public Service Crime: Forbrydelsen/The Killing -- Conclusions and Cliffhangers.
520 $a The Danish Broadcasting Corporation, DR, has enjoyed remarkable success in recent years, winning five Emmy Awards and acclaim for the series The Killing and Borgen. In the first book-length study of this period in Danish television drama, Eva Novrup Redvall offers unique insights into the production culture at DR, with a specific focus on the role of the screenwriter. Her research also makes a significant contribution to the study of screenwriting by introducing a Screen Idea System that allows for an in-depth examination of the complex creative collaborations in television production. The book examines what is currently regarded as a best-practice framework, through detailed case studies of the DR production structure, as well as the mechanics of writers' rooms and 'production hotels'. Redvall argues that while DR has been influenced by the working methods of the US industry, these have been firmly grounded in a public service mindset and the development of the TV series has been driven by the 'one vision' of the head writer. The book is aimed at readers who are curious about Danish television drama in general, as well as students of screenwriting, film and television, and offers an accessible, scholarly account of a key aspect of contemporary Danish television production and its place in the international media landscape.
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