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Film sound in Italy : = listening to the screen /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Film sound in Italy :/ by Antonella C. Sisto.
Reminder of title:	listening to the screen /
Author:	Sisto, Antonella C.,
Description:	1 online resource.
Subject:	1900 - 1999 -
Subject:	Dubbing of motion pictures - Italy. -
Subject:	Italy. -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9781137387714
ISBN:	1137387718 (electronic bk.)

Film sound in Italy : = listening to the screen /
Sisto, Antonella C.,1975-

Film sound in Italy :listening to the screen /by Antonella C. Sisto. - 1 online resource.

Includes bibliographical references and index.

Introduction -- Sounding fascism in cinema -- Dubbing in deed, and listening to dubbing -- Cinema talks: between "make believe" and schizophonia -- The soundtrack after fascism: the neorealist play without sound -- Michelangelo Antonioni, the wind is photogenic -- Pier Paolo Pasolini's thousand notes of contestation.

Considering films as audio-visual creations opens new inroads into the cultural practice, politics, and aesthetics of the soundtrack. This book is critical and trans-disciplinary engagement with cinema in Italy that examines the national archive of film based on sound and listening using a holistic audio-visual approach to film politics and practices from the coming of sound to the screen in the Fascist era, through the work of post WWII neorealist directors, to art cinema directors such as Michelangelo Antonioni and Pier Paolo Pasolini. Sisto shifts the sensory paradigm of film history and analysis from the optical to the sonic, demonstrating how this translates into a shift of canonical narratives and interpretations. Listening functions as a fundamental critical tool that permits viewers to detect the interplay of technological productions, historical contingencies, and mediations which coalesce within the political and aesthetical track of sound at the movies.

ISBN: 1137387718 (electronic bk.)

Source: 714692Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Chronological Terms:

1900 - 1999
Subjects--Topical Terms:

1007596
Dubbing of motion pictures
--Italy.Subjects--Geographical Terms:

1006682
Italy.
Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: PN1995.7 / .S48 2014

Dewey Class. No.: 791.4302/4

Film sound in Italy : = listening to the screen /
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020 $a 1137387718 (electronic bk.)
020 $a 9781137387714 (electronic bk.)
029 1 $a NLGGC $b 375277595
035 $a (OCoLC)874835866
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037 $a 714692 $b Palgrave Macmillan $n http://www.palgraveconnect.com
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050 4 $a PN1995.7 $b .S48 2014
082 0 4 $a 791.4302/4 $2 23
100 1 $a Sisto, Antonella C., $d 1975- $3 1007595
245 1 0 $a Film sound in Italy : $b listening to the screen / $c by Antonella C. Sisto.
264 1 $a New York, NY : $b Palgrave Macmillan, $c 2014.
300 $a 1 online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
504 $a Includes bibliographical references and index.
504 $a Includes filmography.
505 0 $a Introduction -- Sounding fascism in cinema -- Dubbing in deed, and listening to dubbing -- Cinema talks: between "make believe" and schizophonia -- The soundtrack after fascism: the neorealist play without sound -- Michelangelo Antonioni, the wind is photogenic -- Pier Paolo Pasolini's thousand notes of contestation.
520 $a Considering films as audio-visual creations opens new inroads into the cultural practice, politics, and aesthetics of the soundtrack. This book is critical and trans-disciplinary engagement with cinema in Italy that examines the national archive of film based on sound and listening using a holistic audio-visual approach to film politics and practices from the coming of sound to the screen in the Fascist era, through the work of post WWII neorealist directors, to art cinema directors such as Michelangelo Antonioni and Pier Paolo Pasolini. Sisto shifts the sensory paradigm of film history and analysis from the optical to the sonic, demonstrating how this translates into a shift of canonical narratives and interpretations. Listening functions as a fundamental critical tool that permits viewers to detect the interplay of technological productions, historical contingencies, and mediations which coalesce within the political and aesthetical track of sound at the movies.
588 $a Description based on print version record.
648 7 $a 1900 - 1999 $2 fast
650 0 $a Dubbing of motion pictures $z Italy. $3 1007596
650 0 $a Motion pictures $x Political aspects $z Italy. $3 1007597
650 0 $a Sound motion pictures $z Italy $x History $y 20th century. $3 1007598
650 7 $a Dubbing of motion pictures. $3 865255
650 7 $a Motion pictures $x Political aspects. $3 661189
650 7 $a Sound motion pictures. $3 775115
651 7 $a Italy. $2 fast $3 1006682
655 7 $a Electronic books. $2 local $3 554714
655 7 $a History. $2 fast $3 1004827
710 2 $a Palgrave Connect (Online service) $3 834339
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137387714