國立虎尾科技大學 |

Class, crime and international film noir : = globalizing America's dark art /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Class, crime and international film noir :/ Dennis Broe.
其他題名:	globalizing America's dark art /
作者:	Broe, Dennis,
面頁冊數:	1 online resource.
標題:	Film noir - History and criticism. -
標題:	United States. -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137290144
ISBN:	1137290145 (electronic bk.)

Class, crime and international film noir : = globalizing America's dark art /
Broe, Dennis,

Class, crime and international film noir :globalizing America's dark art /Dennis Broe. - 1 online resource.

Includes bibliographical references and index.

Preface: On Symbolic Misery and Its Attenuation (And the Crime Film) -- Acknowledgements -- Introduction: Global Fugitives: Outside the Law and the Cold War 'Consensus' -- 1. Un greve, sanglant et poetic (A Strike, Bloody and Poetic): French Film Noir and the Defeat of the Popular Front -- 2. The Revolution That Wasn't: Black Markets, Ressentiment, and Survival in Postwar British Film Noir -- 3. The Wintering of the Italian Spring: From Neorealism to Film Noir via Verdi -- 4. Occupy the Zaibatsu: Postwar Japanese Film Noir: From Democracy to the (Re)Appearance of the (Old) New Order -- Conclusion: Mediterranean Noir: Sunlight Gleaming Off a Battered .45.

Class, Crime and International Film Noir argues that this dark, seedy variant of the crime film was a global phenomenon from its inception. Broe locates noir's beginnings not in the Hollywood post-war B film, but rather in the late poetic realist works in France while the Foreword by Kees van der Pijl, author of The Making of an Atlantic Ruling Class, supplies a context for the wider political economic background of the films studied. With judicious comparisons to the rise of noir in Hollywood, Broe details the development of parallel noir strands in France, Britain, Italy, and Japan: he describes how a global political and social situation, similarities in studio mode of production, and genre commonalties gave rise to a form artists employed to express discontent at the failure of a new world to materialize in the wake of the Second World War. Besides being a detailed analysis of global noir, the book is also an auteur study of more neglected works by directors such as Renoir, Antonioni, Rosi, Kurosawa, and Mizoguchi.

ISBN: 1137290145 (electronic bk.)

Source: 647525Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

839743
Film noir
--History and criticism.Subjects--Geographical Terms:

665264
United States.
Index Terms--Genre/Form:

993252
Criticism, interpretation, etc.

LC Class. No.: PN1995.9.F54

Dewey Class. No.: 791.43/61

Class, crime and international film noir : = globalizing America's dark art /
LDR:02884cam a2200337Ki 4500 001 798570
003 OCoLC
005 20140910115818.0
006 m o d
007 cr cnu---unuuu
008 150519s2014 enk ob 001 0 eng d
020 $a 1137290145 (electronic bk.)
020 $a 9781137290144 (electronic bk.)
035 $a (OCoLC)879364840
035 $a ocn879364840
037 $a 647525 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $e rda $e pn $c UKPGM $d IDEBK $d OCLCO $d OCLCF
043 $a n-us---
049 $a TEFA
050 4 $a PN1995.9.F54
082 0 4 $a 791.43/61 $2 23
100 1 $a Broe, Dennis, $e author. $3 1007962
245 1 0 $a Class, crime and international film noir : $b globalizing America's dark art / $c Dennis Broe.
264 1 $a [Basingstoke] : $b Palgrave Macmillan, $c 2014.
300 $a 1 online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
504 $a Includes bibliographical references and index.
505 0 $a Preface: On Symbolic Misery and Its Attenuation (And the Crime Film) -- Acknowledgements -- Introduction: Global Fugitives: Outside the Law and the Cold War 'Consensus' -- 1. Un greve, sanglant et poetic (A Strike, Bloody and Poetic): French Film Noir and the Defeat of the Popular Front -- 2. The Revolution That Wasn't: Black Markets, Ressentiment, and Survival in Postwar British Film Noir -- 3. The Wintering of the Italian Spring: From Neorealism to Film Noir via Verdi -- 4. Occupy the Zaibatsu: Postwar Japanese Film Noir: From Democracy to the (Re)Appearance of the (Old) New Order -- Conclusion: Mediterranean Noir: Sunlight Gleaming Off a Battered .45.
520 $a Class, Crime and International Film Noir argues that this dark, seedy variant of the crime film was a global phenomenon from its inception. Broe locates noir's beginnings not in the Hollywood post-war B film, but rather in the late poetic realist works in France while the Foreword by Kees van der Pijl, author of The Making of an Atlantic Ruling Class, supplies a context for the wider political economic background of the films studied. With judicious comparisons to the rise of noir in Hollywood, Broe details the development of parallel noir strands in France, Britain, Italy, and Japan: he describes how a global political and social situation, similarities in studio mode of production, and genre commonalties gave rise to a form artists employed to express discontent at the failure of a new world to materialize in the wake of the Second World War. Besides being a detailed analysis of global noir, the book is also an auteur study of more neglected works by directors such as Renoir, Antonioni, Rosi, Kurosawa, and Mizoguchi.
588 $a Description based on publisher supplied information; title not viewed.
650 0 $a Film noir $x History and criticism. $3 839743
650 0 $a Film noir $z United States $x History and criticism. $3 574048
650 7 $a Film noir. $2 fast $3 1007963
651 7 $a United States. $3 665264
655 7 $a Criticism, interpretation, etc. $2 fast $3 993252
655 7 $a Electronic books. $2 local $3 554714
710 2 $a Palgrave Connect (Online service) $3 834339
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137290144