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Sounds and the city : = popular music, place and globalization /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Sounds and the city :/ edited by Brett Lashua, Karl Spracklen, and Stephen Wagg.
Reminder of title:	popular music, place and globalization /
other author:	Lashua, Brett,
Description:	1 online resource.
Subject:	Black metal (Music) - Social aspects - Norway. -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9781137283115
ISBN:	1137283114 (electronic bk.)

Sounds and the city : = popular music, place and globalization /
Sounds and the city :popular music, place and globalization /edited by Brett Lashua, Karl Spracklen, and Stephen Wagg. - 1 online resource. - Leisure studies in a global era. - Leisure studies in a global era..

Introduction: Sounds and the City; Brett Lashua, Stephen Wagg, and Karl Spracklen -- 1. Heart of the Country? The Construction of Nashville as the Capital of Country Music; Diane Pecknold -- 2. Birmingham's Post-Industrial Metal; Deena Weinstein -- 3. Black and Brown Get Down: Cultural Politics, Chicano Music, and Hip-Hop in Racialized Los Angeles; Anthony Mac̕as -- 4. Juidos 'n' Decaf Italians: Irony, Blasphemy, and Jewish Shtick; Steven Lee Beeber -- 5. 'Why I Decided to Pretend I was American, I Will Never Know': Rock 'n Roll and 'The Sixties' in an English Town; Stephen Wagg -- 6. Tamla-Motown in the UK: Transatlantic Reception of American Rhythm and Blues; Andrew Flory -- 7. 'How Many Divisions Does Ozzy Osbourne Have?' Some Thoughts on Politics, Heavy Metal Music and the 'Clash of Civilisations'; Stephen Wagg -- 8. Indieglobalization and the Triumph of Punk in Indonesia; Jeremy Wallach -- 9. Sounds of a 'Rotting City': Punk in Russia's Arctic Hinterland;Hilary Pilkington -- 10. True Norwegian Black Metal: The Globalized, Mythological Reconstruction of the Second Wave of BM in 1990s Oslo; Karl Spracklen -- 11. Continental Drift: The Politics and Poetics of African Hip-Hop; Paul Kahlil Saucier -- 12. 'One Day On Earth': Music, Documentary Filmmaking, and Global Soundscapes; Brett Lashua and Joseph Minadeo -- 13. Intersecting Rhythms: The Spatial Production of Local Canadian Heavy Metal and Urban Aboriginal Hip-Hop in Edmonton, Alberta, Canada; Karen M. Fox and Gabrielle Riches -- 14. Reconstruction's Soundtrack; Eric Porter -- 15. We're Going to Graceland: Globalisation and the Reimagining of Memphis; Wanda Rushing -- 16. Characterising the Cold War: Music and Memories of Berlin, 1960-1989; John Schofield -- 17. Outback Elvis: Musical Creativity in Rural Australia; John Connell and Chris Gibson -- 18. In Search of 'Independent' Brisbane: Music, Memory and Cultural Heritage; Andy Bennett and Ian Rogers -- Afterword: Reflections on Popular Music, Place and Globalization; Stephen Wagg, Karl Spracklen, and Brett Lashua.

As both distinctive local terrain and global crossroads, cities remain fascinating spaces of cultural contestation and meaning-making via the composing, playing, recording and consumption of popular music. From Gillett's "The Sound of the City" (1970) to Krims' "Music and Urban Geography" (2007), attention to popular music has allowed various soundings of the often unfathomable aspects of urban life. This book takes as its focus the social relations produced amidst and through popular music and cities. Such a focus allows a test of theories of globalization, hybridity, consumerism, networks and transnational flows of people, cultures and musical products. Covering themes as diverse as Russian Punk and African Hip-Hop, this global collection offers a timely contribution to the advancement of popular music studies.

ISBN: 1137283114 (electronic bk.)

Source: 642481Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

1008279
Black metal (Music)
--Social aspects--Norway.Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: ML3918.P67 / S69 2014

Dewey Class. No.: 306.4/8424

Sounds and the city : = popular music, place and globalization /
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505 0 $a Introduction: Sounds and the City; Brett Lashua, Stephen Wagg, and Karl Spracklen -- 1. Heart of the Country? The Construction of Nashville as the Capital of Country Music; Diane Pecknold -- 2. Birmingham's Post-Industrial Metal; Deena Weinstein -- 3. Black and Brown Get Down: Cultural Politics, Chicano Music, and Hip-Hop in Racialized Los Angeles; Anthony Mac̕as -- 4. Juidos 'n' Decaf Italians: Irony, Blasphemy, and Jewish Shtick; Steven Lee Beeber -- 5. 'Why I Decided to Pretend I was American, I Will Never Know': Rock 'n Roll and 'The Sixties' in an English Town; Stephen Wagg -- 6. Tamla-Motown in the UK: Transatlantic Reception of American Rhythm and Blues; Andrew Flory -- 7. 'How Many Divisions Does Ozzy Osbourne Have?' Some Thoughts on Politics, Heavy Metal Music and the 'Clash of Civilisations'; Stephen Wagg -- 8. Indieglobalization and the Triumph of Punk in Indonesia; Jeremy Wallach -- 9. Sounds of a 'Rotting City': Punk in Russia's Arctic Hinterland;Hilary Pilkington -- 10. True Norwegian Black Metal: The Globalized, Mythological Reconstruction of the Second Wave of BM in 1990s Oslo; Karl Spracklen -- 11. Continental Drift: The Politics and Poetics of African Hip-Hop; Paul Kahlil Saucier -- 12. 'One Day On Earth': Music, Documentary Filmmaking, and Global Soundscapes; Brett Lashua and Joseph Minadeo -- 13. Intersecting Rhythms: The Spatial Production of Local Canadian Heavy Metal and Urban Aboriginal Hip-Hop in Edmonton, Alberta, Canada; Karen M. Fox and Gabrielle Riches -- 14. Reconstruction's Soundtrack; Eric Porter -- 15. We're Going to Graceland: Globalisation and the Reimagining of Memphis; Wanda Rushing -- 16. Characterising the Cold War: Music and Memories of Berlin, 1960-1989; John Schofield -- 17. Outback Elvis: Musical Creativity in Rural Australia; John Connell and Chris Gibson -- 18. In Search of 'Independent' Brisbane: Music, Memory and Cultural Heritage; Andy Bennett and Ian Rogers -- Afterword: Reflections on Popular Music, Place and Globalization; Stephen Wagg, Karl Spracklen, and Brett Lashua.
520 $a As both distinctive local terrain and global crossroads, cities remain fascinating spaces of cultural contestation and meaning-making via the composing, playing, recording and consumption of popular music. From Gillett's "The Sound of the City" (1970) to Krims' "Music and Urban Geography" (2007), attention to popular music has allowed various soundings of the often unfathomable aspects of urban life. This book takes as its focus the social relations produced amidst and through popular music and cities. Such a focus allows a test of theories of globalization, hybridity, consumerism, networks and transnational flows of people, cultures and musical products. Covering themes as diverse as Russian Punk and African Hip-Hop, this global collection offers a timely contribution to the advancement of popular music studies.
588 $a Description based on publisher supplied information; title not viewed.
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