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The novelist and the archivist = fic...
~
Rubbi, Agostino Carli.
The novelist and the archivist = fiction and history in Alessandro Manzoni's The betrothed /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
The novelist and the archivist/ Claudio Povolo.
Reminder of title:
fiction and history in Alessandro Manzoni's The betrothed /
Author:
Povolo, Claudio,
Published:
Basingstoke :Palgrave Pivot, : 2014.,
Description:
132 p.
Notes:
Electronic book text.
Subject:
Early modern history: c 1450/1500 to c 1700 - Modern period, c 1500 onwards - Italy. -
Online resource:
Online journal 'available contents' page
ISBN:
1137395990 (electronic bk.) :
The novelist and the archivist = fiction and history in Alessandro Manzoni's The betrothed /
Povolo, Claudio,1948-
The novelist and the archivist
fiction and history in Alessandro Manzoni's The betrothed /[electronic resource] :Claudio Povolo. - 1st ed. - Basingstoke :Palgrave Pivot,2014. - 132 p. - Early modern history: Society and culture.
Electronic book text.
1. Introduction: Manzoni and the Making of Italy-- John Martin 2. From History to Fiction 3. The Journey of a Document 4. A Conflict of Wills 5. Concerning a Capitulary 6. From Invention to History 7. Afterword: Beyond any Reasonable Doubt?
Document
In the 19th century, Alessandro Manzoni dedicated himself to writing the novel I promessi sposi that encouraged the Italian Risorgimento. This book traces how the renowned novelist was inspired by an event that occurred at the beginning of the 17th century, which he came to know about thanks to the secret collaboration of a Venetian archivist.The title of this book refers to two personages who, though belonging to very different cultural worlds, were secretly in contact in the second decade of the 19th century. What united them was their shared interest in the history of the judicial institutions of the Ancien Regime and especially the records of a trial which had been housed for two centuries in the Venetian Ducal Palace before passing, along with other precious documents of the Serenissima, to the provisional seat of San Teodoro in Venice where, along with others, worked the archivist Agostino Carli Rubbi. Alessandro Manzoni became famous for his novel, I promessi sposi (The Betrothed), which he claimed was inspired by an anonymous manuscript of the 1600s and which became the Italian national novel. Indeed, both the characters and the complicated plot that unites them can be found in a file of a trial from the early 17th century. This book reconstructs the engrossing story of this unknown secret relationship between the novelist and the archivist, which in the end inspired Manzoni's great historical novel.
PDF.
Claudio Povolo is a Professor in the Department of Humanistic Studies of the Universita Ca' Foscari of Venice, Italy. His research is prevalently concerned with aspects of the administration of penal justice in the modern age. Among his publications are: L'intrigo dell'onore. Poteri e istituzioni nella repubblica di Venezia tra Cinque e Seicento, (1997) and Zanzanu. Il bandito del lago (1576-1617), (2011).
ISBN: 1137395990 (electronic bk.) :£30.00Subjects--Personal Names:
1010255
Manzoni, Alessandro,
1785-1873.Promessi sposiSubjects--Topical Terms:
1010257
Early modern history: c 1450/1500 to c 1700
--Italy.--Modern period, c 1500 onwards
LC Class. No.: PQ4713 / .P3376 2014
Dewey Class. No.: 853.7
The novelist and the archivist = fiction and history in Alessandro Manzoni's The betrothed /
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1. Introduction: Manzoni and the Making of Italy-- John Martin 2. From History to Fiction 3. The Journey of a Document 4. A Conflict of Wills 5. Concerning a Capitulary 6. From Invention to History 7. Afterword: Beyond any Reasonable Doubt?
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In the 19th century, Alessandro Manzoni dedicated himself to writing the novel I promessi sposi that encouraged the Italian Risorgimento. This book traces how the renowned novelist was inspired by an event that occurred at the beginning of the 17th century, which he came to know about thanks to the secret collaboration of a Venetian archivist.
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The title of this book refers to two personages who, though belonging to very different cultural worlds, were secretly in contact in the second decade of the 19th century. What united them was their shared interest in the history of the judicial institutions of the Ancien Regime and especially the records of a trial which had been housed for two centuries in the Venetian Ducal Palace before passing, along with other precious documents of the Serenissima, to the provisional seat of San Teodoro in Venice where, along with others, worked the archivist Agostino Carli Rubbi. Alessandro Manzoni became famous for his novel, I promessi sposi (The Betrothed), which he claimed was inspired by an anonymous manuscript of the 1600s and which became the Italian national novel. Indeed, both the characters and the complicated plot that unites them can be found in a file of a trial from the early 17th century. This book reconstructs the engrossing story of this unknown secret relationship between the novelist and the archivist, which in the end inspired Manzoni's great historical novel.
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Claudio Povolo is a Professor in the Department of Humanistic Studies of the Universita Ca' Foscari of Venice, Italy. His research is prevalently concerned with aspects of the administration of penal justice in the modern age. Among his publications are: L'intrigo dell'onore. Poteri e istituzioni nella repubblica di Venezia tra Cinque e Seicento, (1997) and Zanzanu. Il bandito del lago (1576-1617), (2011).
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Online journal 'available contents' page
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