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Poetry and dialogism = hearing over /
~
Scanlon, Mara,
Poetry and dialogism = hearing over /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Poetry and dialogism/ Edited by Mara Scanlon, Chad Engbers.
其他題名:
hearing over /
作者:
Scanlon, Mara,
其他作者:
Engbers, Chad,
出版者:
Basingstoke :Palgrave Macmillan : : 2014.,
面頁冊數:
224 p.
附註:
Electronic book text.
標題:
Dialogism (Literary analysis). -
電子資源:
Online journal 'available contents' page
ISBN:
1137401281 (electronic bk.) :
Poetry and dialogism = hearing over /
Scanlon, Mara,
Poetry and dialogism
hearing over /[electronic resource] :Edited by Mara Scanlon, Chad Engbers. - 1st ed. - Basingstoke :Palgrave Macmillan :2014. - 224 p.
Electronic book text.
Acknowledgements Notes on the Contributors Introduction: Hearing Over-- Mara Scanlon 1. Dialogism and Monologism in 'Song of Myself'-- Stephen Pierson 2. Aesthetic Activity in Sir Thomas Wyatt's Penitential Psalms-- Chad Engbers 3. Lyric Ventriloquism and the Dialogic Translations of Pasternak, Mandelstam and Celan-- Tom Dolack 4. Robert Lowell's 'common novel plot': Names, Naming, and Polyphony in The Dolphin-- Geoffrey Lindsay 5. Poetic Address and Intimate Reading: The Offered Hand-- William Waters 6. Hasidim in Poetry: Dialogical Poetics of Encounter in Denise Levertov's The Jacob's Ladder-- Temple Cone 7. Reading the Process: Stuart Hall, TV News, Heteroglossia, and Poetry-- James D. Sullivan 8. Dialogic Poetry as Emancipatory Technology: Ventriloquy and Voiceovers in the Rhythmic Junctures of Harryette Mullen's Muse & Drudge-- Andrea Witzke Slot 9. Zehra Cirak and the Aporia of Dialogism-- Erin Trapp Index.
Document
These essays extend an ongoing conversation on dialogic qualities of poetry by positing various foundations, practices, and purposes of poetic dialogism. The authors enrich and diversify the theoretical discourse on dialogic poetry and connect it to fertile critical fields like ethnic studies, translation studies, and ethics and literature.Although common conceptions of poetry assume a voice that is solitary, personal, or authoritative - a monologue that readers can only overhear and accede to - this volume presupposes that poetry may be dialogic. The essays posit various foundations, gradations, and practices of poetic dialogism; theorize a diverse scope and purpose of dialogic poetry, from secluded prayer to political activism; and examine subgenres of poetry as well as discourses from the Bible to Amos 'n' Andy. In doing so, they contribute to the field of ethics and literature as well, insisting that poetry may be even profoundly oriented toward an Other, whether that dialogism is traceable in speech acts; in differentiated consciousnesses, ideologies, discourses, languages, or allusions; in the rhythm, intonation, or formal devices that encode such exchange; or in the production or reception of the poem. What does dialogic poetry look like - or is it the poetry we've known all along?
PDF.
Mara Scanlon, Professor of English at the University of Mary Washington, USA, specializes in poetry and poetics, women's literature, ethics and literature, modernism, and digital humanities. Related publications include studies of the dialogic lyric, focusing on African American poet Robert Hayden, and a Bakhtinian reading of Derek Walcott's heteroglossic epic, Omeros. Chad Engbers, Associate Professor of English at Calvin College, USA, teaches Renaissance and Russian literature. His scholarship focuses on penitential poetry from early modern England, drawing from the theories of Mikhail Bakhtin, Carl Jung, and early modern alchemy. His current project is an alchemical reading of John Donne's Holy Sonnets.
ISBN: 1137401281 (electronic bk.) :£55.00Subjects--Topical Terms:
1010427
Dialogism (Literary analysis).
LC Class. No.: PN1035 / .P64 2014
Dewey Class. No.: 808.1
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Acknowledgements Notes on the Contributors Introduction: Hearing Over-- Mara Scanlon 1. Dialogism and Monologism in 'Song of Myself'-- Stephen Pierson 2. Aesthetic Activity in Sir Thomas Wyatt's Penitential Psalms-- Chad Engbers 3. Lyric Ventriloquism and the Dialogic Translations of Pasternak, Mandelstam and Celan-- Tom Dolack 4. Robert Lowell's 'common novel plot': Names, Naming, and Polyphony in The Dolphin-- Geoffrey Lindsay 5. Poetic Address and Intimate Reading: The Offered Hand-- William Waters 6. Hasidim in Poetry: Dialogical Poetics of Encounter in Denise Levertov's The Jacob's Ladder-- Temple Cone 7. Reading the Process: Stuart Hall, TV News, Heteroglossia, and Poetry-- James D. Sullivan 8. Dialogic Poetry as Emancipatory Technology: Ventriloquy and Voiceovers in the Rhythmic Junctures of Harryette Mullen's Muse & Drudge-- Andrea Witzke Slot 9. Zehra Cirak and the Aporia of Dialogism-- Erin Trapp Index.
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Although common conceptions of poetry assume a voice that is solitary, personal, or authoritative - a monologue that readers can only overhear and accede to - this volume presupposes that poetry may be dialogic. The essays posit various foundations, gradations, and practices of poetic dialogism; theorize a diverse scope and purpose of dialogic poetry, from secluded prayer to political activism; and examine subgenres of poetry as well as discourses from the Bible to Amos 'n' Andy. In doing so, they contribute to the field of ethics and literature as well, insisting that poetry may be even profoundly oriented toward an Other, whether that dialogism is traceable in speech acts; in differentiated consciousnesses, ideologies, discourses, languages, or allusions; in the rhythm, intonation, or formal devices that encode such exchange; or in the production or reception of the poem. What does dialogic poetry look like - or is it the poetry we've known all along?
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