語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Revolutionary cycles in Chinese cine...
~
China
Revolutionary cycles in Chinese cinema, 1951-1979
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Revolutionary cycles in Chinese cinema, 1951-1979/ Zhuoyi Wang.
作者:
Wang, Zhuoyi,
出版者:
Basingstoke :Palgrave Macmillan : : 2014.,
面頁冊數:
292 p. :15 b&w, ill. :
附註:
Electronic book text.
標題:
Motion pictures - History - 20th century - China. -
標題:
China - Relations - Asia. -
電子資源:
Online journal 'available contents' page
ISBN:
1137378743 (electronic bk.) :
Revolutionary cycles in Chinese cinema, 1951-1979
Wang, Zhuoyi,1974-
Revolutionary cycles in Chinese cinema, 1951-1979
[electronic resource] /Zhuoyi Wang. - 1st ed. - Basingstoke :Palgrave Macmillan :2014. - 292 p. :15 b&w, ill.
Electronic book text.
Introduction: Understanding Revolutionary Culture and Cinema 1. From The Life of Wu Xun to the Career of Song Jingshi: Adapting Private Studio Filmmaking Legacy for a Nationalized Cinema, 1951-1957 2. From Revolutionary Canon to Bourgeois White Flag: Blooming Flowers and the Full Moon (1958) in the Maoist Campaigns 3. From a Hundred Flowers to a Poisonous Weed: Dangerous Opportunities for Satirical Comedies, 1955-1958 4. From Revolutionary Romanticism to Petty Bourgeois Fanaticism: The Great Leap Forward and Filmmakers' Stylistic Return to the Past, 1958-1960 5. From Disaster to Laughter: Making Comedies in a Changing Political Landscape, 1959-1963 6. From Conflicting Authorities to Diverse Masses: Early Spring in February (1964) as 'Sugarcoated Poison' Conclusion: From the Ebb of the Revolution to the End of Revolutionary Cinema, 1967-1979.
Document
A comprehensive history of how the conflicts and balances of power in the Maoist revolutionary campaigns from 1951 to 1979 complicated and diversified the meanings of films, this book offers a discursive study of the development of early PRC cinema.A comprehensive history of how the conflicts and balances of power in the Maoist revolutionary campaigns from 1951 to 1979 complicated and diversified the meanings of films, this book offers a discursive study of the development of early PRC cinema. Wang closely investigates how film artists, Communist Party authorities, cultural bureaucrats, critics, and audiences negotiated, competed, and struggled with each other for the power to decide how to use films and how their extensively different, agonistic, and antagonistic power strategies created an ever-changing discursive network of meaning in cinema.
PDF.
Zhuoyi Wang is Assistant Professor of Chinese at Hamilton College, USA.
ISBN: 1137378743 (electronic bk.) :£60.00Subjects--Topical Terms:
1010730
Motion pictures
--History--China.--20th centurySubjects--Geographical Terms:
1008692
China
--Relations--Asia.
LC Class. No.: PN1993.5.C4 / W29 2014
Dewey Class. No.: 791.430951
Revolutionary cycles in Chinese cinema, 1951-1979
LDR
:04552nam a22003852a 4500
001
799307
003
UK-WkNB
005
20140904000000.0
007
cu||||||||||||
008
150519e201407uuxxka |s|||||||0|0 eng|d
020
$a
1137378743 (electronic bk.) :
$c
£60.00
020
$a
9781137378736
020
$a
9781137378743 (electronic bk.) :
$c
£60.00
035
$a
9781137378743
040
$a
UK-WkNB
$b
eng
$c
UK-WkNB
050
4
$a
PN1993.5.C4
$b
W29 2014
072
$a
APFN
$x
1FPC
$x
3JJPG
$x
3JJPK
$x
3JJPL
$2
bicssc
072
7
$a
PER
$2
ukslc
082
0 4
$a
791.430951
$2
23
100
1
$a
Wang, Zhuoyi,
$d
1974-
$3
1010729
245
1 0
$a
Revolutionary cycles in Chinese cinema, 1951-1979
$h
[electronic resource] /
$c
Zhuoyi Wang.
250
$a
1st ed.
260
$a
Basingstoke :
$b
Palgrave Macmillan :
$b
[distributor] Not Avail,
$c
2014.
300
$a
292 p. :
$b
15 b&w, ill.
365
$a
02
$b
60.00
$c
GBP
$d
00
$h
S 50.00 20.0 60.00 10.00
$j
GB
$k
xxk
$m
Palgrave Macmillan
$2
onix-pt
365
$a
02
$b
95.00
$c
USD
$d
00
$e
Local taxes may apply
$h
Z 95.00 0.0 95.00 0.00
$j
US
$k
xxu
$m
Ingram Book Company
$2
onix-pt
366
$b
20140717
$c
IP 20140718
$j
GB
$k
xxk
$m
Palgrave Macmillan
$2
UK-WkNB
366
$b
20141028
$j
US
$k
xxu
$m
Ingram
$2
UK-WkNB
500
$a
Electronic book text.
500
$a
Epublication based on: 9781137378736, 2014.
505
0
$a
Introduction: Understanding Revolutionary Culture and Cinema 1. From The Life of Wu Xun to the Career of Song Jingshi: Adapting Private Studio Filmmaking Legacy for a Nationalized Cinema, 1951-1957 2. From Revolutionary Canon to Bourgeois White Flag: Blooming Flowers and the Full Moon (1958) in the Maoist Campaigns 3. From a Hundred Flowers to a Poisonous Weed: Dangerous Opportunities for Satirical Comedies, 1955-1958 4. From Revolutionary Romanticism to Petty Bourgeois Fanaticism: The Great Leap Forward and Filmmakers' Stylistic Return to the Past, 1958-1960 5. From Disaster to Laughter: Making Comedies in a Changing Political Landscape, 1959-1963 6. From Conflicting Authorities to Diverse Masses: Early Spring in February (1964) as 'Sugarcoated Poison' Conclusion: From the Ebb of the Revolution to the End of Revolutionary Cinema, 1967-1979.
516
$a
Document
520
$a
A comprehensive history of how the conflicts and balances of power in the Maoist revolutionary campaigns from 1951 to 1979 complicated and diversified the meanings of films, this book offers a discursive study of the development of early PRC cinema.
$b
A comprehensive history of how the conflicts and balances of power in the Maoist revolutionary campaigns from 1951 to 1979 complicated and diversified the meanings of films, this book offers a discursive study of the development of early PRC cinema. Wang closely investigates how film artists, Communist Party authorities, cultural bureaucrats, critics, and audiences negotiated, competed, and struggled with each other for the power to decide how to use films and how their extensively different, agonistic, and antagonistic power strategies created an ever-changing discursive network of meaning in cinema.
520
1
$a
Revolutionary Cycles in Chinese Cinema provides a detailed, insightful, and vivid guide to the Maoist period. Looking at the conception, production, distribution, and reception of movies from 1949 to 1976, Wang fleshes out Chinese film culture in troubled times. Examining both material circumstances and ideological debates, he shows in fine detail how filmmakers operated, what facilitated their work, and which obstacles they faced. This book is indispensable reading for those interested in the interaction between film and politics and in the power of culture in times of adversity. - Yomi Braester, University of Washington, USA A meticulous analysis of micro-level maneuvering by bureaucrats, artists, and critics, Revolutionary Cycles in Chinese Cinema demonstrates that Chinese socialist revolution was never a unilinear teleological progression but rather a rapid succession of cycles marked by disruptions and assumptions of order with consequences oftentimes beyond anybody's anticipation and control. Wang is commended for probing beneath the deceptive surface of revolutionary rhetoric and revealing quandaries and ruptures that repeatedly compromised revolutionary and artistic goals. - Yingjin Zhang, Professor of Literature, University of California, San Diego, USA and author of Cinema, Space, and Polylocality in a Globalizing China (2010).
538
$a
PDF.
545
0
$a
Zhuoyi Wang is Assistant Professor of Chinese at Hamilton College, USA.
650
0
$a
Motion pictures
$x
History
$y
20th century
$z
China.
$3
1010730
650
7
$a
Film: styles & genres
$y
c 1945 to c 1960
$y
c 1960 to c 1970
$y
c 1970 to c 1980
$z
China.
$2
bicssc
$3
1010731
650
7
$a
Performing Arts.
$3
670086
651
0
$a
China
$x
Relations
$z
Asia.
$3
1008692
856
4
$u
http://www.palgraveconnect.com/doifinder/10.1057/9781137378743
$x
05
$z
Online journal 'available contents' page
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入