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Romanticism and the emotions /
~
Faflak, Joel.
Romanticism and the emotions /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Romanticism and the emotions // edited by Joel Faflak and Richard C. Sha.
其他作者:
Faflak, Joel.
出版者:
Cambridge ;Cambridge University Press, : 2014.,
面頁冊數:
x, 264 p. ;24 cm.;
標題:
Romanticism - Great Britain. -
ISBN:
9781107052390 (cloth) :
Romanticism and the emotions /
Romanticism and the emotions /
edited by Joel Faflak and Richard C. Sha. - Cambridge ;Cambridge University Press,2014. - x, 264 p. ;24 cm.
Includes bibliographical references (p. 241-258) and index.
Machine generated contents note: Introduction: feeling Romanticism Joel Faflak and Richard C. Sha; 1. The motion behind Romantic emotion: towards a chemistry and physics of feeling Richard C. Sha; 2. 'A certain mediocrity': Adam Smith's moral behaviourism Thomas Pfau; 3. Like love: the feel of Shelley's similes Julie Carlson; 4. Jane Austen and the persuasion of happiness Joel Faflak; 5. The general fast and humiliation: tracking feeling in wartime Mary A. Favret; 6. A peculiar community: Mary Shelley, Godwin, and the abyss of emotion Tilottama Rajan; 7. Emotion without content: primary affect and pure potentiality in Wordsworth David Collings; 8. Kant's peace, Wordsworth's slumber Jacques Khalip; 9. Living a ruined life: De Quincey's damage Rei Terada.
"There has recently been a resurgence of interest in the importance of the emotions in Romantic literature and thought. This collection, the first to stress the centrality of the emotions to Romanticism, addresses a complex range of issues including the relation of affect to figuration and knowing, emotions and the discipline of knowledge, the motivational powers of emotion, and emotions as a shared ground of meaning. Contributors offer significant new insights on the ways in which a wide range of Romantic writers, including Jane Austen, William Wordsworth, Immanuel Kant, Lord Byron, Mary and Percy Bysshe Shelley, Thomas De Quincey and Adam Smith, worried about the emotions as a register of human experience. Though varied in scope, the essays are united by the argument that the current affective and emotional turn in the humanities benefits from a Romantic scepticism about the relations between language, emotion and agency"--
ISBN: 9781107052390 (cloth) :NT3086
LCCN: 2013031191Subjects--Topical Terms:
560378
Romanticism
--Great Britain.
LC Class. No.: PR448.E46 / R66 2014
Dewey Class. No.: 820.9/353
Romanticism and the emotions /
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Machine generated contents note: Introduction: feeling Romanticism Joel Faflak and Richard C. Sha; 1. The motion behind Romantic emotion: towards a chemistry and physics of feeling Richard C. Sha; 2. 'A certain mediocrity': Adam Smith's moral behaviourism Thomas Pfau; 3. Like love: the feel of Shelley's similes Julie Carlson; 4. Jane Austen and the persuasion of happiness Joel Faflak; 5. The general fast and humiliation: tracking feeling in wartime Mary A. Favret; 6. A peculiar community: Mary Shelley, Godwin, and the abyss of emotion Tilottama Rajan; 7. Emotion without content: primary affect and pure potentiality in Wordsworth David Collings; 8. Kant's peace, Wordsworth's slumber Jacques Khalip; 9. Living a ruined life: De Quincey's damage Rei Terada.
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"There has recently been a resurgence of interest in the importance of the emotions in Romantic literature and thought. This collection, the first to stress the centrality of the emotions to Romanticism, addresses a complex range of issues including the relation of affect to figuration and knowing, emotions and the discipline of knowledge, the motivational powers of emotion, and emotions as a shared ground of meaning. Contributors offer significant new insights on the ways in which a wide range of Romantic writers, including Jane Austen, William Wordsworth, Immanuel Kant, Lord Byron, Mary and Percy Bysshe Shelley, Thomas De Quincey and Adam Smith, worried about the emotions as a register of human experience. Though varied in scope, the essays are united by the argument that the current affective and emotional turn in the humanities benefits from a Romantic scepticism about the relations between language, emotion and agency"--
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