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Psychology and philosophy of abstrac...

Hackett, Paul M.W.

Psychology and philosophy of abstract art = neuro-aesthetics, perception and comprehension /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Psychology and philosophy of abstract art/ by Paul M.W. Hackett.
其他題名:	neuro-aesthetics, perception and comprehension /
作者:	Hackett, Paul M.W.
出版者:	London :Palgrave Macmillan UK : : 2016.,
面頁冊數:	xxiii, 140 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
標題:	Art, Abstract. -
電子資源:	http://dx.doi.org/10.1057/978-1-137-48332-4
ISBN:	9781137483324

Psychology and philosophy of abstract art = neuro-aesthetics, perception and comprehension /
Hackett, Paul M.W.

Psychology and philosophy of abstract artneuro-aesthetics, perception and comprehension /[electronic resource] :by Paul M.W. Hackett. - London :Palgrave Macmillan UK :2016. - xxiii, 140 p. :ill., digital ;24 cm.

Preface -- Chapter 1. Defining Two-Dimensional Abstract Art -- Chapter 2. Theorising Perception -- Chapter 3. Expanding Theoretical Complexity -- Chapter 4. Perceptual Content, Process and Categorial Ontologies -- Chapter 5. Mapping Sentence and Partial Order Mereology for Perceiving Abstract Art.

This book examines how we perceive and understand abstract art in contrast to artworks that represent reality. Philosophical, psychological and neuroscience research, including the work of philosopher Paul Crowther, are considered and out of these approaches a complex model is developed to account for this experience. The understanding embodied in this model is rooted in facet theory, mapping sentences and partially ordered analyses, which together provide a comprehensive understanding of the perceptual experience of abstract art.

ISBN: 9781137483324

Standard No.: 10.1057/978-1-137-48332-4doiSubjects--Topical Terms:

1108536
Art, Abstract.

LC Class. No.: N6494.A2

Dewey Class. No.: 709.04052

Psychology and philosophy of abstract art = neuro-aesthetics, perception and comprehension /
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520 $a This book examines how we perceive and understand abstract art in contrast to artworks that represent reality. Philosophical, psychological and neuroscience research, including the work of philosopher Paul Crowther, are considered and out of these approaches a complex model is developed to account for this experience. The understanding embodied in this model is rooted in facet theory, mapping sentences and partially ordered analyses, which together provide a comprehensive understanding of the perceptual experience of abstract art.
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