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Performing neurology = the dramaturg...

Marshall, Jonathan W.

Performing neurology = the dramaturgy of Dr Jean-Martin Charcot /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Performing neurology/ by Jonathan W. Marshall.
其他題名:	the dramaturgy of Dr Jean-Martin Charcot /
作者:	Marshall, Jonathan W.
出版者:	New York :Palgrave Macmillan US : : 2016.,
面頁冊數:	xi, 277 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
標題:	Culture - Study and teaching. -
電子資源:	http://dx.doi.org/10.1057/978-1-137-51762-3
ISBN:	9781137517623

Performing neurology = the dramaturgy of Dr Jean-Martin Charcot /
Marshall, Jonathan W.

Performing neurologythe dramaturgy of Dr Jean-Martin Charcot /[electronic resource] :by Jonathan W. Marshall. - New York :Palgrave Macmillan US :2016. - xi, 277 p. :ill., digital ;24 cm.

This text provides a study of Jean-Martin Charcot, a founding figure in the history of neurology as a discipline and a colleague of Sigmund Freud. It argues that Charcot's diagnostic and pedagogic models, explaining both how disease is recognized and described and how to teach the act of neurological diagnosis, should be considered through a theatrical lens. Considering the constitution of the living, moving body in terms of performance, Charcot created a situation whereby the line between deceptive acting and real pathology, scientific accuracy and creative falsehood, and indeed between health and unhealth, becomes blurred. The physician becomes a medical subject in his or her own display, transforming medicine into a potentially destabilizing, even grand guignolesque, discourse. Offering a unique insight into Charcot's work, his concepts and his methods, this text represents a unique and interdisciplinary analysis cutting across the fields of art and neurology.

ISBN: 9781137517623

Standard No.: 10.1057/978-1-137-51762-3doiSubjects--Topical Terms:

556489
Culture
--Study and teaching.

LC Class. No.: RC338

Dewey Class. No.: 616.8009

Performing neurology = the dramaturgy of Dr Jean-Martin Charcot /
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520 $a This text provides a study of Jean-Martin Charcot, a founding figure in the history of neurology as a discipline and a colleague of Sigmund Freud. It argues that Charcot's diagnostic and pedagogic models, explaining both how disease is recognized and described and how to teach the act of neurological diagnosis, should be considered through a theatrical lens. Considering the constitution of the living, moving body in terms of performance, Charcot created a situation whereby the line between deceptive acting and real pathology, scientific accuracy and creative falsehood, and indeed between health and unhealth, becomes blurred. The physician becomes a medical subject in his or her own display, transforming medicine into a potentially destabilizing, even grand guignolesque, discourse. Offering a unique insight into Charcot's work, his concepts and his methods, this text represents a unique and interdisciplinary analysis cutting across the fields of art and neurology.
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