Language:
English
繁體中文
Help
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Sound, symbol, sociality = the aesth...
~
SpringerLink (Online service)
Sound, symbol, sociality = the aesthetic experience of extreme metal music /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Sound, symbol, sociality/ by Matthew P. Unger.
Reminder of title:
the aesthetic experience of extreme metal music /
Author:
Unger, Matthew P.
Published:
London :Palgrave Macmillan UK : : 2016.,
Description:
xiii, 133 p. :ill., digital ; : 24 cm.;
Contained By:
Springer eBooks
Subject:
Extreme metal (Music) -
Online resource:
http://dx.doi.org/10.1057/978-1-137-47835-1
ISBN:
9781137478351
Sound, symbol, sociality = the aesthetic experience of extreme metal music /
Unger, Matthew P.
Sound, symbol, sociality
the aesthetic experience of extreme metal music /[electronic resource] :by Matthew P. Unger. - London :Palgrave Macmillan UK :2016. - xiii, 133 p. :ill., digital ;24 cm.
1.Introduction -- 2.A Genre of Paradox and Dichotomies -- 3.Defilement and Social Theory -- 4.Post-Secular Aesthetics and the Symbolic Constitution of Extreme Metal Music -- 5.The Modalities of Defilement within Extreme Metal -- 6.The Symbolic Experience of Christian Extreme Metal.
Based on ethnographic research within the extreme metal community, Unger offers a thought-provoking look at how symbols of authenticity and defilement fashion social experience in surprising ways. Exploring the many themes and ciphers that comprise this musical community, this book interprets aesthetic resonances as a way to understand contemporary identity, politics, and social relations. In the end, this book develops a unique argument: the internal composition of the community's music and sound moulds symbols that shape, reflect, and constrain social patterns of identity, difference, and transgression. This book contributes to the sociology of sound and music, the study of religion in popular culture, and the role of aesthetics in everyday life. It will be of interest to upper level students, post-graduate students and scholars of religion, popular culture, and philosophy. Currently a Post-Doctoral Fellow with the Canada Research Chair in Social Theory, Culture and Law at the University of Alberta, Canada Matthew Unger is co-editor (with George Pavlich) of Accusation (In process), andEntryways and Criminalization (In Process) His work encompasses social theoretical and archival approaches to socio-legal ethics, religion, and sound.
ISBN: 9781137478351
Standard No.: 10.1057/978-1-137-47835-1doiSubjects--Topical Terms:
1007960
Extreme metal (Music)
LC Class. No.: ML3534 / .U54 2016
Dewey Class. No.: 781.66
Sound, symbol, sociality = the aesthetic experience of extreme metal music /
LDR
:02516nam a2200313 a 4500
001
866517
003
DE-He213
005
20160822112617.0
006
m d
007
cr nn 008maaau
008
170720s2016 enk s 0 eng d
020
$a
9781137478351
$q
(electronic bk.)
020
$a
9781137478344
$q
(paper)
024
7
$a
10.1057/978-1-137-47835-1
$2
doi
035
$a
978-1-137-47835-1
040
$a
GP
$c
GP
041
0
$a
eng
050
4
$a
ML3534
$b
.U54 2016
072
7
$a
AV
$2
bicssc
072
7
$a
MUS000000
$2
bisacsh
082
0 4
$a
781.66
$2
23
090
$a
ML3534
$b
.U57 2016
100
1
$a
Unger, Matthew P.
$3
1112771
245
1 0
$a
Sound, symbol, sociality
$h
[electronic resource] :
$b
the aesthetic experience of extreme metal music /
$c
by Matthew P. Unger.
260
$a
London :
$b
Palgrave Macmillan UK :
$b
Imprint: Palgrave Pivot,
$c
2016.
300
$a
xiii, 133 p. :
$b
ill., digital ;
$c
24 cm.
505
0
$a
1.Introduction -- 2.A Genre of Paradox and Dichotomies -- 3.Defilement and Social Theory -- 4.Post-Secular Aesthetics and the Symbolic Constitution of Extreme Metal Music -- 5.The Modalities of Defilement within Extreme Metal -- 6.The Symbolic Experience of Christian Extreme Metal.
520
$a
Based on ethnographic research within the extreme metal community, Unger offers a thought-provoking look at how symbols of authenticity and defilement fashion social experience in surprising ways. Exploring the many themes and ciphers that comprise this musical community, this book interprets aesthetic resonances as a way to understand contemporary identity, politics, and social relations. In the end, this book develops a unique argument: the internal composition of the community's music and sound moulds symbols that shape, reflect, and constrain social patterns of identity, difference, and transgression. This book contributes to the sociology of sound and music, the study of religion in popular culture, and the role of aesthetics in everyday life. It will be of interest to upper level students, post-graduate students and scholars of religion, popular culture, and philosophy. Currently a Post-Doctoral Fellow with the Canada Research Chair in Social Theory, Culture and Law at the University of Alberta, Canada Matthew Unger is co-editor (with George Pavlich) of Accusation (In process), andEntryways and Criminalization (In Process) His work encompasses social theoretical and archival approaches to socio-legal ethics, religion, and sound.
650
0
$a
Extreme metal (Music)
$2
fast
$3
1007960
650
1 4
$a
Cultural and Media Studies.
$3
1070598
650
2 4
$a
Music.
$3
649088
650
2 4
$a
Cultural Theory.
$3
1108078
650
2 4
$a
Sociology of Religion.
$3
1105149
650
2 4
$a
Hermeneutics.
$3
573806
650
2 4
$a
Aesthetics.
$3
555008
650
2 4
$a
Feminist Anthropology.
$3
1109680
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer eBooks
856
4 0
$u
http://dx.doi.org/10.1057/978-1-137-47835-1
950
$a
Literature, Cultural and Media Studies (Springer-41173)
based on 0 review(s)
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login