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Screening European heritage = creati...
~
SpringerLink (Online service)
Screening European heritage = creating and consuming history on film /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Screening European heritage/ edited by Paul Cooke, Rob Stone.
Reminder of title:
creating and consuming history on film /
other author:
Cooke, Paul.
Published:
London :Palgrave Macmillan UK : : 2016.,
Description:
xxxiv, 290 p. :ill., digital ; : 22 cm.;
Contained By:
Springer eBooks
Subject:
Motion pictures - History. - Europe -
Online resource:
http://dx.doi.org/10.1057/978-1-137-52280-1
ISBN:
9781137522801
Screening European heritage = creating and consuming history on film /
Screening European heritage
creating and consuming history on film /[electronic resource] :edited by Paul Cooke, Rob Stone. - London :Palgrave Macmillan UK :2016. - xxxiv, 290 p. :ill., digital ;22 cm. - Palgrave European film and media studies. - Palgrave European film and media studies..
This book provides a unique examination of the way Europe's past is represented on contemporary screens and what this says about contemporary cultural attitudes to history. How do historical dramas come to TV and cinema screens across Europe? How is this shaped by the policies and practices of cultural institutions, from media funding boards to tourist agencies and heritage sites? Who watches these productions and how are they consumed in cinemas, on TV and online?, are just some of the questions this volume seeks to answer. From The Lives of Others to Game of Thrones, historical dramas are a particularly visible part of mainstream European film production, often generating major national debates on the role of the past in contemporary national identity construction.
ISBN: 9781137522801
Standard No.: 10.1057/978-1-137-52280-1doiSubjects--Topical Terms:
564211
Motion pictures
--History.--Europe
LC Class. No.: PN1993.5.E8 / S37 2016
Dewey Class. No.: 791.43094
Screening European heritage = creating and consuming history on film /
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This book provides a unique examination of the way Europe's past is represented on contemporary screens and what this says about contemporary cultural attitudes to history. How do historical dramas come to TV and cinema screens across Europe? How is this shaped by the policies and practices of cultural institutions, from media funding boards to tourist agencies and heritage sites? Who watches these productions and how are they consumed in cinemas, on TV and online?, are just some of the questions this volume seeks to answer. From The Lives of Others to Game of Thrones, historical dramas are a particularly visible part of mainstream European film production, often generating major national debates on the role of the past in contemporary national identity construction.
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Literature, Cultural and Media Studies (Springer-41173)
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