國立虎尾科技大學 |

Hong Kong and Bollywood = globalization of Asian cinemas /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Hong Kong and Bollywood/ edited by Joseph Tse-Hei Lee, Satish Kolluri.
其他題名:	globalization of Asian cinemas /
其他作者:	Lee, Joseph Tse-Hei.
出版者:	New York :Palgrave Macmillan US : : 2016.,
面頁冊數:	xv, 300 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
標題:	Motion pictures and globalization - India. -
電子資源:	http://dx.doi.org/10.1057/978-1-349-94932-8
ISBN:	9781349949328

Hong Kong and Bollywood = globalization of Asian cinemas /
Hong Kong and Bollywoodglobalization of Asian cinemas /[electronic resource] :edited by Joseph Tse-Hei Lee, Satish Kolluri. - New York :Palgrave Macmillan US :2016. - xv, 300 p. :ill., digital ;24 cm. - Global cinema. - Global cinema..

.1 Situating Hong Kong and Bollywood Cinemas in the Global Satish Kolluri and Joseph Tse-Hei Lee -- Part I The Politics of Representation and Representation of Politics -- 2 The Trajectory of Bollywood Lyrics Ali Mir and Raza Mir -- 3 Transformation of Hong Kong Gangster Films before and after CEPA Kinnia Shuk-Ting Yau -- 4 Despair and Hope: Political Cinema in Hong Kong Joseph Tse-Hei Lee -- 5 Chinaman, not Hindustani: Stereotypes and Solidarity in a Hong Kong Film on India S. V. Srinivas -- 6 1911: Cinematic Contradictions of Greater China Siu-Keung Cheung -- Part II: The Crisis of Representation and Representation of Crisis -- 7 What is so Asian about Asian Parenting? Deconstructing "Tiger Moms" and "Tiger Dads" in Neoliberal Times through Taare Zameen Par and I Not Stupid Satish Kolluri -- 8 Negotiating Cold War and Post/Colonial Politics: Borders and Boundaries in 1950s Hong Kong Cinema Jing Jing Chang -- 9 Slum Extravaganza! Cultural and Geopolitical Representation of Dharavi in Celluloid India Sony Jalarajan Raj and Rohini Sreekumar -- 10 Life without Principle: Financial Irregularities in Hong Kong Siu-Keung Cheung -- Part III: The Aesthetics of Representation and Representation of Aesthetics -- 11 Questioning Modernity: Space, Consumption and Loss in Hong Kong New Wave and Bombay Parallel Cinema Surajit Chakravarty -- 12 Naqal and the Aesthetics of the Copy Anjali Gera Roy -- 13 Undercranking and Step-printing in Wong Kar-Wai's Filmography Patrick Sullivan -- 14 Mirrored Alterity: The Imaginary China and the Comedic Self in Chandi Chowk to China Michael A. Mikita -- 15 Hong Kong, Film, and the Building of China's Soft Power: The Cross-Promotion of Chinese Film on Globally-Oriented State Television Lauren Gorfinkel and Xuezhong Su.

This volume examines the transmission, reception, and reproduction of new cinematic styles, meanings, practices, and norms in early twenty-first-century Asia. Hong Kong and Bollywood offers new answers to the field of inter-Asian cultural studies, which has been energized by the trends towards transnationalism and translatability. It brings together a team of international scholars to capture the latest development in the film industries of Hong Kong and Mumbai, and to explore similar cross-cultural, political, and socioeconomic issues. It also explains how Hong Kong and Bollywood filmmakers have gone beyond the traditional focus on nationalism, urbanity and biculturalism to reposition themselves as new cultural forces in the pantheon of Global cinema.

ISBN: 9781349949328

Standard No.: 10.1057/978-1-349-94932-8doiSubjects--Topical Terms:

1113842
Motion pictures and globalization
--India.

LC Class. No.: PN1993.5.I8 / H66 2016

Dewey Class. No.: 791.430951

Hong Kong and Bollywood = globalization of Asian cinemas /
LDR:03562nam a2200325 a 4500 001 867179
003 DE-He213
005 20160927151409.0
006 m d
007 cr nn 008maaau
008 170720s2016 nyu s 0 eng d
020 $a 9781349949328 $q (electronic bk.)
020 $a 9781349949311 $q (paper)
024 7 $a 10.1057/978-1-349-94932-8 $2 doi
035 $a 978-1-349-94932-8
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1993.5.I8 $b H66 2016
072 7 $a APF $2 bicssc
072 7 $a PER004000 $2 bisacsh
082 0 4 $a 791.430951 $2 23
090 $a PN1993.5.I8 $b H772 2016
245 0 0 $a Hong Kong and Bollywood $h [electronic resource] : $b globalization of Asian cinemas / $c edited by Joseph Tse-Hei Lee, Satish Kolluri.
260 $a New York : $b Palgrave Macmillan US : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a xv, 300 p. : $b ill., digital ; $c 24 cm.
490 1 $a Global cinema
505 0 $a .1 Situating Hong Kong and Bollywood Cinemas in the Global Satish Kolluri and Joseph Tse-Hei Lee -- Part I The Politics of Representation and Representation of Politics -- 2 The Trajectory of Bollywood Lyrics Ali Mir and Raza Mir -- 3 Transformation of Hong Kong Gangster Films before and after CEPA Kinnia Shuk-Ting Yau -- 4 Despair and Hope: Political Cinema in Hong Kong Joseph Tse-Hei Lee -- 5 Chinaman, not Hindustani: Stereotypes and Solidarity in a Hong Kong Film on India S. V. Srinivas -- 6 1911: Cinematic Contradictions of Greater China Siu-Keung Cheung -- Part II: The Crisis of Representation and Representation of Crisis -- 7 What is so Asian about Asian Parenting? Deconstructing "Tiger Moms" and "Tiger Dads" in Neoliberal Times through Taare Zameen Par and I Not Stupid Satish Kolluri -- 8 Negotiating Cold War and Post/Colonial Politics: Borders and Boundaries in 1950s Hong Kong Cinema Jing Jing Chang -- 9 Slum Extravaganza! Cultural and Geopolitical Representation of Dharavi in Celluloid India Sony Jalarajan Raj and Rohini Sreekumar -- 10 Life without Principle: Financial Irregularities in Hong Kong Siu-Keung Cheung -- Part III: The Aesthetics of Representation and Representation of Aesthetics -- 11 Questioning Modernity: Space, Consumption and Loss in Hong Kong New Wave and Bombay Parallel Cinema Surajit Chakravarty -- 12 Naqal and the Aesthetics of the Copy Anjali Gera Roy -- 13 Undercranking and Step-printing in Wong Kar-Wai's Filmography Patrick Sullivan -- 14 Mirrored Alterity: The Imaginary China and the Comedic Self in Chandi Chowk to China Michael A. Mikita -- 15 Hong Kong, Film, and the Building of China's Soft Power: The Cross-Promotion of Chinese Film on Globally-Oriented State Television Lauren Gorfinkel and Xuezhong Su.
520 $a This volume examines the transmission, reception, and reproduction of new cinematic styles, meanings, practices, and norms in early twenty-first-century Asia. Hong Kong and Bollywood offers new answers to the field of inter-Asian cultural studies, which has been energized by the trends towards transnationalism and translatability. It brings together a team of international scholars to capture the latest development in the film industries of Hong Kong and Mumbai, and to explore similar cross-cultural, political, and socioeconomic issues. It also explains how Hong Kong and Bollywood filmmakers have gone beyond the traditional focus on nationalism, urbanity and biculturalism to reposition themselves as new cultural forces in the pantheon of Global cinema.
650 0 $a Motion pictures and globalization $z India. $3 1113842
650 0 $a Motion pictures and globalization $z China $z Hong Kong. $3 1113843
650 0 $a Motion picture industry $z India $z Mumbai. $3 1113844
650 0 $a Motion picture industry $z China $z Hong Kong. $3 1113845
650 1 4 $a Cultural and Media Studies. $3 1070598
650 2 4 $a Asian Cinema. $3 1113846
650 2 4 $a Asian Culture. $3 1107945
650 2 4 $a Globalization. $3 554884
700 1 $a Lee, Joseph Tse-Hei. $3 1113840
700 1 $a Kolluri, Satish. $3 1113841
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer eBooks
830 0 $a Global cinema. $3 940429
856 4 0 $u http://dx.doi.org/10.1057/978-1-349-94932-8
950 $a Literature, Cultural and Media Studies (Springer-41173)