國立虎尾科技大學 |

Popular music scenes and cultural memory

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Popular music scenes and cultural memory/ by Andy Bennett, Ian Rogers.
Author:	Bennett, Andy.
other author:	Rogers, Ian.
Published:	London :Palgrave Macmillan UK : : 2016.,
Description:	x, 206 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
Subject:	Popular music - Social aspects. -
Online resource:	http://dx.doi.org/10.1057/978-1-137-40204-2
ISBN:	9781137402042

Popular music scenes and cultural memory
Bennett, Andy.

Popular music scenes and cultural memory[electronic resource] /by Andy Bennett, Ian Rogers. - London :Palgrave Macmillan UK :2016. - x, 206 p. :ill., digital ;24 cm. - Pop music, culture and identity. - Pop music, culture and identity..

Introduction: Scenes and memory -- Part I: Concepts -- 1.Scene 'theory': History, usage and influence -- 2.Music, memory, space and place -- Part II: Case studies -- 3.The origins of taste and precursors of scenes -- 4.Scenes, memory and the spaces of music consumption -- 5.Spaces of local music production -- 6.Virtuality: Images and the local archive -- 7.The distance from an unknown centre: The discourses of periphery and edge in music scenes.

This volume explores the ways in which music scenes are not merely physical spaces for the practice of collective musical life but are also inscribed with and enacted through the articulation of cultural memory and emotional geography. The book draws on empirical data collected in cites throughout Australia. In terms of understanding the relationship between music scenes and participants, much of the existing popular music literature tends to avoid one key aspect of scene: its predominant past-tense and memory-based nature. Nascent music scenes may be emergent and on-going but their articulation in the present is often based on past events, ideas and histories. There is a noticeable gap between the literature concerning popular music ethnography and the growing body of work on cultural memory and emotional geography. This book is a study of the conceptual formation and use of music scenes by participants. It is also an investigation of the structures underpinning music scenes more generally.

ISBN: 9781137402042

Standard No.: 10.1057/978-1-137-40204-2doiSubjects--Topical Terms:

563298
Popular music
--Social aspects.

LC Class. No.: ML3918.P67 / B44 2016

Dewey Class. No.: 306.4842

Popular music scenes and cultural memory
LDR:02463nam a2200325 a 4500 001 868218
003 DE-He213
005 20161122093636.0
006 m d
007 cr nn 008maaau
008 170720s2016 enk s 0 eng d
020 $a 9781137402042 $q (electronic bk.)
020 $a 9781137402035 $q (paper)
024 7 $a 10.1057/978-1-137-40204-2 $2 doi
035 $a 978-1-137-40204-2
040 $a GP $c GP
041 0 $a eng
050 4 $a ML3918.P67 $b B44 2016
072 7 $a JFC $2 bicssc
072 7 $a SOC000000 $2 bisacsh
082 0 4 $a 306.4842 $2 23
090 $a ML3918.P67 $b B471 2016
100 1 $a Bennett, Andy. $3 1115641
245 1 0 $a Popular music scenes and cultural memory $h [electronic resource] / $c by Andy Bennett, Ian Rogers.
260 $a London : $c 2016. $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan,
300 $a x, 206 p. : $b ill., digital ; $c 24 cm.
490 1 $a Pop music, culture and identity
505 0 $a Introduction: Scenes and memory -- Part I: Concepts -- 1.Scene 'theory': History, usage and influence -- 2.Music, memory, space and place -- Part II: Case studies -- 3.The origins of taste and precursors of scenes -- 4.Scenes, memory and the spaces of music consumption -- 5.Spaces of local music production -- 6.Virtuality: Images and the local archive -- 7.The distance from an unknown centre: The discourses of periphery and edge in music scenes.
520 $a This volume explores the ways in which music scenes are not merely physical spaces for the practice of collective musical life but are also inscribed with and enacted through the articulation of cultural memory and emotional geography. The book draws on empirical data collected in cites throughout Australia. In terms of understanding the relationship between music scenes and participants, much of the existing popular music literature tends to avoid one key aspect of scene: its predominant past-tense and memory-based nature. Nascent music scenes may be emergent and on-going but their articulation in the present is often based on past events, ideas and histories. There is a noticeable gap between the literature concerning popular music ethnography and the growing body of work on cultural memory and emotional geography. This book is a study of the conceptual formation and use of music scenes by participants. It is also an investigation of the structures underpinning music scenes more generally.
650 0 $a Popular music $x Social aspects. $3 563298
650 1 4 $a Cultural and Media Studies. $3 1070598
650 2 4 $a Cultural Theory. $3 1108078
650 2 4 $a Music. $3 649088
650 2 4 $a Memory Studies. $3 1110464
650 2 4 $a Emotion. $3 1105328
700 1 $a Rogers, Ian. $3 1115642
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer eBooks
830 0 $a Pop music, culture and identity. $3 1105109
856 4 0 $u http://dx.doi.org/10.1057/978-1-137-40204-2
950 $a Literature, Cultural and Media Studies (Springer-41173)