語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Popular music scenes and cultural memory
~
SpringerLink (Online service)
Popular music scenes and cultural memory
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Popular music scenes and cultural memory/ by Andy Bennett, Ian Rogers.
作者:
Bennett, Andy.
其他作者:
Rogers, Ian.
出版者:
London :Palgrave Macmillan UK : : 2016.,
面頁冊數:
x, 206 p. :ill., digital ; : 24 cm.;
Contained By:
Springer eBooks
標題:
Popular music - Social aspects. -
電子資源:
http://dx.doi.org/10.1057/978-1-137-40204-2
ISBN:
9781137402042
Popular music scenes and cultural memory
Bennett, Andy.
Popular music scenes and cultural memory
[electronic resource] /by Andy Bennett, Ian Rogers. - London :Palgrave Macmillan UK :2016. - x, 206 p. :ill., digital ;24 cm. - Pop music, culture and identity. - Pop music, culture and identity..
Introduction: Scenes and memory -- Part I: Concepts -- 1.Scene 'theory': History, usage and influence -- 2.Music, memory, space and place -- Part II: Case studies -- 3.The origins of taste and precursors of scenes -- 4.Scenes, memory and the spaces of music consumption -- 5.Spaces of local music production -- 6.Virtuality: Images and the local archive -- 7.The distance from an unknown centre: The discourses of periphery and edge in music scenes.
This volume explores the ways in which music scenes are not merely physical spaces for the practice of collective musical life but are also inscribed with and enacted through the articulation of cultural memory and emotional geography. The book draws on empirical data collected in cites throughout Australia. In terms of understanding the relationship between music scenes and participants, much of the existing popular music literature tends to avoid one key aspect of scene: its predominant past-tense and memory-based nature. Nascent music scenes may be emergent and on-going but their articulation in the present is often based on past events, ideas and histories. There is a noticeable gap between the literature concerning popular music ethnography and the growing body of work on cultural memory and emotional geography. This book is a study of the conceptual formation and use of music scenes by participants. It is also an investigation of the structures underpinning music scenes more generally.
ISBN: 9781137402042
Standard No.: 10.1057/978-1-137-40204-2doiSubjects--Topical Terms:
563298
Popular music
--Social aspects.
LC Class. No.: ML3918.P67 / B44 2016
Dewey Class. No.: 306.4842
Popular music scenes and cultural memory
LDR
:02463nam a2200325 a 4500
001
868218
003
DE-He213
005
20161122093636.0
006
m d
007
cr nn 008maaau
008
170720s2016 enk s 0 eng d
020
$a
9781137402042
$q
(electronic bk.)
020
$a
9781137402035
$q
(paper)
024
7
$a
10.1057/978-1-137-40204-2
$2
doi
035
$a
978-1-137-40204-2
040
$a
GP
$c
GP
041
0
$a
eng
050
4
$a
ML3918.P67
$b
B44 2016
072
7
$a
JFC
$2
bicssc
072
7
$a
SOC000000
$2
bisacsh
082
0 4
$a
306.4842
$2
23
090
$a
ML3918.P67
$b
B471 2016
100
1
$a
Bennett, Andy.
$3
1115641
245
1 0
$a
Popular music scenes and cultural memory
$h
[electronic resource] /
$c
by Andy Bennett, Ian Rogers.
260
$a
London :
$c
2016.
$b
Palgrave Macmillan UK :
$b
Imprint: Palgrave Macmillan,
300
$a
x, 206 p. :
$b
ill., digital ;
$c
24 cm.
490
1
$a
Pop music, culture and identity
505
0
$a
Introduction: Scenes and memory -- Part I: Concepts -- 1.Scene 'theory': History, usage and influence -- 2.Music, memory, space and place -- Part II: Case studies -- 3.The origins of taste and precursors of scenes -- 4.Scenes, memory and the spaces of music consumption -- 5.Spaces of local music production -- 6.Virtuality: Images and the local archive -- 7.The distance from an unknown centre: The discourses of periphery and edge in music scenes.
520
$a
This volume explores the ways in which music scenes are not merely physical spaces for the practice of collective musical life but are also inscribed with and enacted through the articulation of cultural memory and emotional geography. The book draws on empirical data collected in cites throughout Australia. In terms of understanding the relationship between music scenes and participants, much of the existing popular music literature tends to avoid one key aspect of scene: its predominant past-tense and memory-based nature. Nascent music scenes may be emergent and on-going but their articulation in the present is often based on past events, ideas and histories. There is a noticeable gap between the literature concerning popular music ethnography and the growing body of work on cultural memory and emotional geography. This book is a study of the conceptual formation and use of music scenes by participants. It is also an investigation of the structures underpinning music scenes more generally.
650
0
$a
Popular music
$x
Social aspects.
$3
563298
650
1 4
$a
Cultural and Media Studies.
$3
1070598
650
2 4
$a
Cultural Theory.
$3
1108078
650
2 4
$a
Music.
$3
649088
650
2 4
$a
Memory Studies.
$3
1110464
650
2 4
$a
Emotion.
$3
1105328
700
1
$a
Rogers, Ian.
$3
1115642
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer eBooks
830
0
$a
Pop music, culture and identity.
$3
1105109
856
4 0
$u
http://dx.doi.org/10.1057/978-1-137-40204-2
950
$a
Literature, Cultural and Media Studies (Springer-41173)
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入