國立虎尾科技大學 |

ANU Productions = the Monto cycle /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	ANU Productions/ by Brian Singleton.
其他題名:	the Monto cycle /
作者:	Singleton, Brian.
出版者:	London :Palgrave Macmillan UK : : 2016.,
面頁冊數:	xi, 109 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
標題:	Theater - History - 21st century. - Ireland -
電子資源:	http://dx.doi.org/10.1057/978-1-349-95133-8
ISBN:	9781349951338

ANU Productions = the Monto cycle /
Singleton, Brian.

ANU Productionsthe Monto cycle /[electronic resource] :by Brian Singleton. - London :Palgrave Macmillan UK :2016. - xi, 109 p. :ill., digital ;24 cm.

1. Introduction -- 2. World's End Lane -- 3. Laundry -- 4. The Boys of Foley Street -- 5. Vardo -- 6. Conclusion -- Bibliography.

This book sets out strategies of analysis of the award-winning tetralogy of performances (2010-14) by ANU Productions known as 'The Monto Cycle'. Set within a quarter square mile of Dublin's north inner city, colloquially known as The Monto, these performances featured social concerns that have blighted the area over the past 100 years, including prostitution, trafficking, asylum-seeking, heroin addiction, and the scandal of the Magdalene laundries. While placing the four productions in their social, historical, cultural and economic contexts, the book examines these performances that operated at the intersection of performance, installation, visual art, choreography, site-responsive and community arts. In doing so, it explores their concerns with time, place, history, memory, the city, 'affect', and the self as agent of action. Brian Singleton is Samuel Beckett Professor Drama & Theatre, and Academic Director of The Lir - National Academy of Dramatic Art at Trinity College Dublin, Ireland. He is the author of Masculinities and the Contemporary Irish Theatre (2011, 2015), and edits (with Elaine Aston) the book series 'Contemporary Performance InterActions' for Palgrave Macmillan.

ISBN: 9781349951338

Standard No.: 10.1057/978-1-349-95133-8doiSubjects--Corporate Names:

1115749
ANU Productions (Theater group)
Subjects--Topical Terms:

1115750
Theater
--History--Ireland--21st century.

LC Class. No.: PN2602.D82 / S55 2016

Dewey Class. No.: 792.0941835

ANU Productions = the Monto cycle /
LDR:02275nam a2200313 a 4500 001 868256
003 DE-He213
005 20161125055757.0
006 m d
007 cr nn 008maaau
008 170720s2016 enk s 0 eng d
020 $a 9781349951338 $q (electronic bk.)
020 $a 9781349951321 $q (paper)
024 7 $a 10.1057/978-1-349-95133-8 $2 doi
035 $a 978-1-349-95133-8
040 $a GP $c GP
041 0 $a eng
050 4 $a PN2602.D82 $b S55 2016
072 7 $a AS $2 bicssc
072 7 $a PER000000 $2 bisacsh
082 0 4 $a 792.0941835 $2 23
090 $a PN2602.D82 $b S617 2016
100 1 $a Singleton, Brian. $3 1115748
245 1 0 $a ANU Productions $h [electronic resource] : $b the Monto cycle / $c by Brian Singleton.
260 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Pivot, $c 2016.
300 $a xi, 109 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Introduction -- 2. World's End Lane -- 3. Laundry -- 4. The Boys of Foley Street -- 5. Vardo -- 6. Conclusion -- Bibliography.
520 $a This book sets out strategies of analysis of the award-winning tetralogy of performances (2010-14) by ANU Productions known as 'The Monto Cycle'. Set within a quarter square mile of Dublin's north inner city, colloquially known as The Monto, these performances featured social concerns that have blighted the area over the past 100 years, including prostitution, trafficking, asylum-seeking, heroin addiction, and the scandal of the Magdalene laundries. While placing the four productions in their social, historical, cultural and economic contexts, the book examines these performances that operated at the intersection of performance, installation, visual art, choreography, site-responsive and community arts. In doing so, it explores their concerns with time, place, history, memory, the city, 'affect', and the self as agent of action. Brian Singleton is Samuel Beckett Professor Drama & Theatre, and Academic Director of The Lir - National Academy of Dramatic Art at Trinity College Dublin, Ireland. He is the author of Masculinities and the Contemporary Irish Theatre (2011, 2015), and edits (with Elaine Aston) the book series 'Contemporary Performance InterActions' for Palgrave Macmillan.
610 2 0 $a ANU Productions (Theater group) $3 1115749
650 0 $a Theater $z Ireland $x History $y 21st century. $3 1115750
650 0 $a Irish drama $y 21st century. $3 1115751
650 1 4 $a Cultural and Media Studies. $3 1070598
650 2 4 $a Performing Arts. $3 670086
650 2 4 $a Theatre History. $3 1104912
650 2 4 $a Social History. $3 1104891
650 2 4 $a British Culture. $3 1110465
650 2 4 $a History of Britain and Ireland. $3 1104889
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1057/978-1-349-95133-8
950 $a Literature, Cultural and Media Studies (Springer-41173)