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Transnational horror cinema = bodies...

Raphael, Raphael.

Transnational horror cinema = bodies of excess and the global grotesque /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Transnational horror cinema/ edited by Sophia Siddique, Raphael Raphael.
其他題名:	bodies of excess and the global grotesque /
其他作者:	Siddique, Sophia.
出版者:	London :Palgrave Macmillan UK : : 2016.,
面頁冊數:	xiv, 246 p. :ill., digital ; : 22 cm.;
Contained By:	Springer eBooks
標題:	Horror films - History and criticism. -
電子資源:	http://dx.doi.org/10.1057/978-1-137-58417-5
ISBN:	9781137584175

Transnational horror cinema = bodies of excess and the global grotesque /
Transnational horror cinemabodies of excess and the global grotesque /[electronic resource] :edited by Sophia Siddique, Raphael Raphael. - London :Palgrave Macmillan UK :2016. - xiv, 246 p. :ill., digital ;22 cm.

This book broadens the frameworks by which horror is generally addressed. Rather than being constrained by psychoanalytical models of repression and castration, the volume embraces M.M. Bakhtin's theory of the grotesque body. For Bakhtin, the grotesque body is always a political body, one that exceeds the boundaries and borders that seek to contain it, to make it behave and conform. This vital theoretical intervention allows Transnational Horror Cinema to widen its scope to the social and cultural work of these global bodies of excess and the economy of their grotesque exchanges. With this in mind, the authors consider these bodies' potentials to explore and perhaps to explode rigid cultural scripts of embodiment, including gender, race, and ability.

ISBN: 9781137584175

Standard No.: 10.1057/978-1-137-58417-5doiSubjects--Topical Terms:

647594
Horror films
--History and criticism.

LC Class. No.: PN1995.9.H6 / T735 2016

Dewey Class. No.: 791.436164

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520 $a This book broadens the frameworks by which horror is generally addressed. Rather than being constrained by psychoanalytical models of repression and castration, the volume embraces M.M. Bakhtin's theory of the grotesque body. For Bakhtin, the grotesque body is always a political body, one that exceeds the boundaries and borders that seek to contain it, to make it behave and conform. This vital theoretical intervention allows Transnational Horror Cinema to widen its scope to the social and cultural work of these global bodies of excess and the economy of their grotesque exchanges. With this in mind, the authors consider these bodies' potentials to explore and perhaps to explode rigid cultural scripts of embodiment, including gender, race, and ability.
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