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Verdi, opera, women

Verdi, Giuseppe, (1813-1901.)

Verdi, opera, women

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Verdi, opera, women/ by Susan Rutherford.
作者:	Rutherford, Susan.
出版者:	Cambridge :Cambridge University Press, : 2013.,
面頁冊數:	xii, 293 p. :ill., digital ; : 26 cm.;
標題:	Women in opera. -
電子資源:	https://doi.org/10.1017/CBO9781107340640
ISBN:	9781107340640

Verdi, opera, women
Rutherford, Susan.

Verdi, opera, women[electronic resource] /by Susan Rutherford. - Cambridge :Cambridge University Press,2013. - xii, 293 p. :ill., digital ;26 cm. - Cambridge studies in opera. - Cambridge studies in opera..

Prologue : Verdi and his audience -- War -- Prayer -- Romance -- Sexuality -- Marriage -- Death -- Laughter.

Verdi's operas - composed between 1839 and 1893 - portray a striking diversity of female protagonists: warrior women and peacemakers, virgins and courtesans, princesses and slaves, witches and gypsies, mothers and daughters, erring and idealised wives, and, last of all, a feisty quartet of Tudor townswomen in Verdi's final opera, Falstaff. Yet what meanings did the impassioned crises and dilemmas of these characters hold for the nineteenth-century female spectator, especially during such a turbulent span in the history of the Italian peninsula? How was opera shaped by society - and was society similarly influenced by opera? Contextualising Verdi's female roles within aspects of women's social, cultural and political history, Susan Rutherford explores the interface between the reality of the spectators' lives and the imaginary of the fictional world before them on the operatic stage.

ISBN: 9781107340640Subjects--Personal Names:

1133538
Verdi, Giuseppe,
1813-1901.Operas.Subjects--Topical Terms:

870109
Women in opera.

LC Class. No.: ML410.V4 / R78 2013

Dewey Class. No.: 782.1092

Verdi, opera, women
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505 0 $a Prologue : Verdi and his audience -- War -- Prayer -- Romance -- Sexuality -- Marriage -- Death -- Laughter.
520 $a Verdi's operas - composed between 1839 and 1893 - portray a striking diversity of female protagonists: warrior women and peacemakers, virgins and courtesans, princesses and slaves, witches and gypsies, mothers and daughters, erring and idealised wives, and, last of all, a feisty quartet of Tudor townswomen in Verdi's final opera, Falstaff. Yet what meanings did the impassioned crises and dilemmas of these characters hold for the nineteenth-century female spectator, especially during such a turbulent span in the history of the Italian peninsula? How was opera shaped by society - and was society similarly influenced by opera? Contextualising Verdi's female roles within aspects of women's social, cultural and political history, Susan Rutherford explores the interface between the reality of the spectators' lives and the imaginary of the fictional world before them on the operatic stage.
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