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Wagner's melodies = aesthetics and m...
~
Trippett, David, (1980-)
Wagner's melodies = aesthetics and materialism in German musical identity /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Wagner's melodies/ by David Trippett.
其他題名:
aesthetics and materialism in German musical identity /
作者:
Trippett, David,
出版者:
Cambridge :Cambridge University Press, : 2013.,
面頁冊數:
xiv, 448 p. :ill., digital ; : 26 cm.;
標題:
Music - Philosophy and aesthetics. - 19th century -
電子資源:
https://doi.org/10.1017/CBO9781139013703
ISBN:
9781139013703
Wagner's melodies = aesthetics and materialism in German musical identity /
Trippett, David,1980-
Wagner's melodies
aesthetics and materialism in German musical identity /[electronic resource] :by David Trippett. - Cambridge :Cambridge University Press,2013. - xiv, 448 p. :ill., digital ;26 cm.
German melody -- Melodielehre? -- Wagner in the melodic workshop -- Excursus : Bellini's Sinnlichkeit, Wagner's Italy -- Hearing voices : Wilhelmine Schroder-Devrient and the Lohengrin recitatives -- Vowels, voices, and "original truth" -- Wagner's material expression.
Since the 1840s, critics have lambasted Wagner for lacking the ability to compose melody. But for him, melody was fundamental - 'music's only form'. This incongruity testifies to the surprising difficulties during the nineteenth century of conceptualizing melody. Despite its indispensable place in opera, contemporary theorists were unable even to agree on a definition for it. In Wagner's Melodies, David Trippett re-examines Wagner's central aesthetic claims, placing the composer's ideas about melody in the context of the scientific discourse of his age: from the emergence of the natural sciences and historical linguistics to sources about music's stimulation of the body and inventions for 'automatic' composition. Interweaving a rich variety of material from the history of science, music theory, music criticism, private correspondence and court reports, Trippett uncovers a new and controversial discourse that placed melody at the apex of artistic self-consciousness and generated problems of urgent dimensions for German music aesthetics.
ISBN: 9781139013703Subjects--Personal Names:
1003247
Wagner, Richard,
1813-1883--Criticism and interpretation.Subjects--Topical Terms:
1133543
Music
--Philosophy and aesthetics.--19th century
LC Class. No.: ML410.W13 / T77 2013
Dewey Class. No.: 782.1092
Wagner's melodies = aesthetics and materialism in German musical identity /
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Since the 1840s, critics have lambasted Wagner for lacking the ability to compose melody. But for him, melody was fundamental - 'music's only form'. This incongruity testifies to the surprising difficulties during the nineteenth century of conceptualizing melody. Despite its indispensable place in opera, contemporary theorists were unable even to agree on a definition for it. In Wagner's Melodies, David Trippett re-examines Wagner's central aesthetic claims, placing the composer's ideas about melody in the context of the scientific discourse of his age: from the emergence of the natural sciences and historical linguistics to sources about music's stimulation of the body and inventions for 'automatic' composition. Interweaving a rich variety of material from the history of science, music theory, music criticism, private correspondence and court reports, Trippett uncovers a new and controversial discourse that placed melody at the apex of artistic self-consciousness and generated problems of urgent dimensions for German music aesthetics.
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https://doi.org/10.1017/CBO9781139013703
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