國立虎尾科技大學 |

Modernism and phenomenology = literature, philosophy, art /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Modernism and phenomenology/ by Ariane Mildenberg.
Reminder of title:	literature, philosophy, art /
Author:	Mildenberg, Ariane.
Published:	London :Palgrave Macmillan UK : : 2017.,
Description:	xvi, 183 p. :digital ; : 22 cm.;
Contained By:	Springer eBooks
Subject:	Modernism (Aesthetics) -
Online resource:	http://dx.doi.org/10.1057/978-1-349-59251-7
ISBN:	9781349592517

Modernism and phenomenology = literature, philosophy, art /
Mildenberg, Ariane.

Modernism and phenomenologyliterature, philosophy, art /[electronic resource] :by Ariane Mildenberg. - London :Palgrave Macmillan UK :2017. - xvi, 183 p. :digital ;22 cm. - Modernism and.... - Modernism and--.

Chapter 1: Introduction: Phenomenology, Modernism and the Crisis of Modernity -- Chapter 2: On Apples, Broken Frames and Fallenness: Phenomenology and the Unfamiliar Gaze in Cezanne, Stein and Kafka -- Chapter 3: Winged Messengers and Earthly Angels: Experience and Expression in Hopkins, Stevens and Klee -- Chapter 4: Virginia Woolf's Interworld: Folds, Waves, Gazes -- Chapter 5: Hyperdialectic: A Modernist Adventure.

Braiding together strands of literary, phenomenological and art historical reflection, Modernism and Phenomenology explores the ways in which modernist writers and artists return us to wonder before the world. Taking such wonder as the motive for phenomenology itself, and challenging extant views of modernism that uphold a mind-world opposition rooted in Cartesian thought, the book considers the work of modernists who, far from presenting perfect, finished models for life and the self, embrace raw and semi-chaotic experience. Close readings of works by Paul Cezanne, Gertrude Stein, Franz Kafka, Gerard Manley Hopkins, Wallace Stevens, Paul Klee, and Virginia Woolf explore how modernist texts and artworks display a deep-rooted openness to the world that turns us into "perpetual beginners." Pushing back against ideas of modernism as fragmentation or groundlessness, Mildenberg argues that this openness is less a sign of powerlessness and deferred meaning than of the very provisionality of experience.

ISBN: 9781349592517

Standard No.: 10.1057/978-1-349-59251-7doiSubjects--Topical Terms:

559707
Modernism (Aesthetics)

LC Class. No.: BH301.M54 / M55 2017

Dewey Class. No.: 111.85

Modernism and phenomenology = literature, philosophy, art /
LDR:02398nam a2200325 a 4500 001 884839
003 DE-He213
005 20170408150053.0
006 m d
007 cr nn 008maaau
008 180530s2017 enk s 0 eng d
020 $a 9781349592517 $q (electronic bk.)
020 $a 9780230289369 $q (paper)
024 7 $a 10.1057/978-1-349-59251-7 $2 doi
035 $a 978-1-349-59251-7
040 $a GP $c GP
041 0 $a eng
050 4 $a BH301.M54 $b M55 2017
072 7 $a HBTB $2 bicssc
072 7 $a HIS054000 $2 bisacsh
082 0 4 $a 111.85 $2 23
090 $a BH301.M54 $b M641 2017
100 1 $a Mildenberg, Ariane. $3 1141551
245 1 0 $a Modernism and phenomenology $h [electronic resource] : $b literature, philosophy, art / $c by Ariane Mildenberg.
260 $a London : $c 2017. $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan,
300 $a xvi, 183 p. : $b digital ; $c 22 cm.
490 1 $a Modernism and...
505 0 $a Chapter 1: Introduction: Phenomenology, Modernism and the Crisis of Modernity -- Chapter 2: On Apples, Broken Frames and Fallenness: Phenomenology and the Unfamiliar Gaze in Cezanne, Stein and Kafka -- Chapter 3: Winged Messengers and Earthly Angels: Experience and Expression in Hopkins, Stevens and Klee -- Chapter 4: Virginia Woolf's Interworld: Folds, Waves, Gazes -- Chapter 5: Hyperdialectic: A Modernist Adventure.
520 $a Braiding together strands of literary, phenomenological and art historical reflection, Modernism and Phenomenology explores the ways in which modernist writers and artists return us to wonder before the world. Taking such wonder as the motive for phenomenology itself, and challenging extant views of modernism that uphold a mind-world opposition rooted in Cartesian thought, the book considers the work of modernists who, far from presenting perfect, finished models for life and the self, embrace raw and semi-chaotic experience. Close readings of works by Paul Cezanne, Gertrude Stein, Franz Kafka, Gerard Manley Hopkins, Wallace Stevens, Paul Klee, and Virginia Woolf explore how modernist texts and artworks display a deep-rooted openness to the world that turns us into "perpetual beginners." Pushing back against ideas of modernism as fragmentation or groundlessness, Mildenberg argues that this openness is less a sign of powerlessness and deferred meaning than of the very provisionality of experience.
650 0 $a Modernism (Aesthetics) $3 559707
650 0 $a Phenomenology. $3 555526
650 1 4 $a History. $3 669538
650 2 4 $a Cultural History. $3 1106960
650 2 4 $a Intellectual Studies. $3 1105218
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer eBooks
830 0 $a Modernism and-- $3 860843
856 4 0 $u http://dx.doi.org/10.1057/978-1-349-59251-7
950 $a History (Springer-41172)