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Film/music analysis = a film studies approach /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Film/music analysis/ by Emilio Audissino.
Reminder of title:	a film studies approach /
Author:	Audissino, Emilio.
Published:	Cham :Springer International Publishing : : 2017.,
Description:	xiii, 245 p. :ill. (some col.), music, digital ; : 22 cm.;
Contained By:	Springer eBooks
Subject:	Motion picture music. -
Online resource:	http://dx.doi.org/10.1007/978-3-319-61693-3
ISBN:	9783319616933

Film/music analysis = a film studies approach /
Audissino, Emilio.

Film/music analysisa film studies approach /[electronic resource] :by Emilio Audissino. - Cham :Springer International Publishing :2017. - xiii, 245 p. :ill. (some col.), music, digital ;22 cm. - Palgrave studies in audio-visual culture. - Palgrave studies in audio-visual culture..

1. Introduction: Who Is Entitled To Study Film Music? -- 2. PART I: Pars Destruens - Chapter 2. The Not-So-Fantastical Gap between Music Studies and Film Studies -- 3. Recent Attempts to Bridge the Gap and Overcome a Separatism Conception -- 4. PART II: Pars Construens - Chapter 4. The Neoformalist Proposal -- 5. Film/Music Analysis I: Music, Gestalt, and Audiovisual Isomorphism -- 6. Film/Music Analysis II: Functions and Motivations of Music -- 7. PART III: Pars Demonstrans - Chapter 7. Five Illustrations of Film/Music Analysis -- 8. Close Encounters of the Third Kind and E.T. The Extraterrestrial. The Bonding Power of Music -- 9. Recapitulation and Final Thoughts.

This book offers an approach to film music in which music and visuals are seen as equal players in the game. The field of Film-Music Studies has been increasingly dominated by musicologists and this book brings the discipline back squarely into the domain of of Film Studies. Blending Neoformalism with Gestalt Psychology and Leonard B. Meyer's musicology, this study treats music as a cinematic element and offers scholars and students of both music and film a set of tools to help them analyse the wide ranging impact that music has in films.

ISBN: 9783319616933

Standard No.: 10.1007/978-3-319-61693-3doiSubjects--Topical Terms:

971992
Motion picture music.

LC Class. No.: ML2075 / .A92 2017

Dewey Class. No.: 781.542

Film/music analysis = a film studies approach /
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505 0 $a 1. Introduction: Who Is Entitled To Study Film Music? -- 2. PART I: Pars Destruens - Chapter 2. The Not-So-Fantastical Gap between Music Studies and Film Studies -- 3. Recent Attempts to Bridge the Gap and Overcome a Separatism Conception -- 4. PART II: Pars Construens - Chapter 4. The Neoformalist Proposal -- 5. Film/Music Analysis I: Music, Gestalt, and Audiovisual Isomorphism -- 6. Film/Music Analysis II: Functions and Motivations of Music -- 7. PART III: Pars Demonstrans - Chapter 7. Five Illustrations of Film/Music Analysis -- 8. Close Encounters of the Third Kind and E.T. The Extraterrestrial. The Bonding Power of Music -- 9. Recapitulation and Final Thoughts.
520 $a This book offers an approach to film music in which music and visuals are seen as equal players in the game. The field of Film-Music Studies has been increasingly dominated by musicologists and this book brings the discipline back squarely into the domain of of Film Studies. Blending Neoformalism with Gestalt Psychology and Leonard B. Meyer's musicology, this study treats music as a cinematic element and offers scholars and students of both music and film a set of tools to help them analyse the wide ranging impact that music has in films.
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