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Testing coherence in narrative film

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Testing coherence in narrative film

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Testing coherence in narrative film/ by Katerina Virvidaki.
作者:	Virvidaki, Katerina.
出版者:	Cham :Springer International Publishing : : 2017.,
面頁冊數:	ix, 218 p. :ill. (some col.), digital ; : 24 cm.;
Contained By:	Springer eBooks
標題:	Motion pictures - Aesthetics. -
電子資源:	http://dx.doi.org/10.1007/978-3-319-62196-8
ISBN:	9783319621968

Testing coherence in narrative film
Virvidaki, Katerina.

Testing coherence in narrative film[electronic resource] /by Katerina Virvidaki. - Cham :Springer International Publishing :2017. - ix, 218 p. :ill. (some col.), digital ;24 cm. - Palgrave close readings in film and television. - Palgrave close readings in film and television..

This book examines the concept of coherence in film studies. It asks if there are ways to appreciate the achievement of coherence in narrative films that are characterised by an eccentric or difficult style, as well as by an apparently confusing intelligibility. In order to answer this critical question, the author argues that we need to reconsider the predominant understanding of the concept of coherence in film studies. Virvidaki identifies how a general function of coherence is manifested through the aesthetic of transparency and unobtrusiveness of classical Hollywood film. The author then proceeds to a close analysis of stylistically perplexing narrative films, in order to demonstrate how we can broaden, expand and readjust the classical criteria of coherence. Testing Coherence in Narrative Film will appeal to film and philosophy scholars interested in aesthetics and narrative form.

ISBN: 9783319621968

Standard No.: 10.1007/978-3-319-62196-8doiSubjects--Topical Terms:

700728
Motion pictures
--Aesthetics.

LC Class. No.: PN1995 / .V47 2017

Dewey Class. No.: 791.4301

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520 $a This book examines the concept of coherence in film studies. It asks if there are ways to appreciate the achievement of coherence in narrative films that are characterised by an eccentric or difficult style, as well as by an apparently confusing intelligibility. In order to answer this critical question, the author argues that we need to reconsider the predominant understanding of the concept of coherence in film studies. Virvidaki identifies how a general function of coherence is manifested through the aesthetic of transparency and unobtrusiveness of classical Hollywood film. The author then proceeds to a close analysis of stylistically perplexing narrative films, in order to demonstrate how we can broaden, expand and readjust the classical criteria of coherence. Testing Coherence in Narrative Film will appeal to film and philosophy scholars interested in aesthetics and narrative form.
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