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Hermeneutics of the film world = a R...
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SpringerLink (Online service)
Hermeneutics of the film world = a Ricœurian method for film interpretation /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Hermeneutics of the film world/ by Alberto Baracco.
Reminder of title:
a Ricœurian method for film interpretation /
Author:
Baracco, Alberto.
Published:
Cham :Springer International Publishing : : 2017.,
Description:
xxvii, 321 p. :ill., digital ; : 24 cm.;
Contained By:
Springer eBooks
Subject:
Motion pictures - Hermeneutics. -
Online resource:
http://dx.doi.org/10.1007/978-3-319-65400-3
ISBN:
9783319654003
Hermeneutics of the film world = a Ricœurian method for film interpretation /
Baracco, Alberto.
Hermeneutics of the film world
a Ricœurian method for film interpretation /[electronic resource] :by Alberto Baracco. - Cham :Springer International Publishing :2017. - xxvii, 321 p. :ill., digital ;24 cm.
This book identifies a new methodological strategy for the interpretation of film philosophizing. Many recent works in film philosophy, adopting the approach identified with the term film as philosophy, have considered film as capable of doing philosophy. Focused on the basic relationship between film and filmgoer, the proposed method is founded on the concept of the film world. Combining Merleau-Ponty's and Ricœur's philosophies, and reconsidering Goodman's theory of worldmaking, the film world becomes the hermeneutic horizon from which film philosophical thought can emerge. The book shows how Ricœurian methodology has the potential to provide a valuable resource for film studies by inviting scholars to consider film interpretation in terms of film world hermeneutics.
ISBN: 9783319654003
Standard No.: 10.1007/978-3-319-65400-3doiSubjects--Topical Terms:
1172516
Motion pictures
--Hermeneutics.
LC Class. No.: PN1995 / .B373 2017
Dewey Class. No.: 791.4301
Hermeneutics of the film world = a Ricœurian method for film interpretation /
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This book identifies a new methodological strategy for the interpretation of film philosophizing. Many recent works in film philosophy, adopting the approach identified with the term film as philosophy, have considered film as capable of doing philosophy. Focused on the basic relationship between film and filmgoer, the proposed method is founded on the concept of the film world. Combining Merleau-Ponty's and Ricœur's philosophies, and reconsidering Goodman's theory of worldmaking, the film world becomes the hermeneutic horizon from which film philosophical thought can emerge. The book shows how Ricœurian methodology has the potential to provide a valuable resource for film studies by inviting scholars to consider film interpretation in terms of film world hermeneutics.
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Religion and Philosophy (Springer-41175)
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