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Hermeneutics of the film world = a R...

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Hermeneutics of the film world = a Ricœurian method for film interpretation /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Hermeneutics of the film world/ by Alberto Baracco.
其他題名:	a Ricœurian method for film interpretation /
作者:	Baracco, Alberto.
出版者:	Cham :Springer International Publishing : : 2017.,
面頁冊數:	xxvii, 321 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
標題:	Motion pictures - Hermeneutics. -
電子資源:	http://dx.doi.org/10.1007/978-3-319-65400-3
ISBN:	9783319654003

Hermeneutics of the film world = a Ricœurian method for film interpretation /
Baracco, Alberto.

Hermeneutics of the film worlda Ricœurian method for film interpretation /[electronic resource] :by Alberto Baracco. - Cham :Springer International Publishing :2017. - xxvii, 321 p. :ill., digital ;24 cm.

This book identifies a new methodological strategy for the interpretation of film philosophizing. Many recent works in film philosophy, adopting the approach identified with the term film as philosophy, have considered film as capable of doing philosophy. Focused on the basic relationship between film and filmgoer, the proposed method is founded on the concept of the film world. Combining Merleau-Ponty's and Ricœur's philosophies, and reconsidering Goodman's theory of worldmaking, the film world becomes the hermeneutic horizon from which film philosophical thought can emerge. The book shows how Ricœurian methodology has the potential to provide a valuable resource for film studies by inviting scholars to consider film interpretation in terms of film world hermeneutics.

ISBN: 9783319654003

Standard No.: 10.1007/978-3-319-65400-3doiSubjects--Topical Terms:

1172516
Motion pictures
--Hermeneutics.

LC Class. No.: PN1995 / .B373 2017

Dewey Class. No.: 791.4301

Hermeneutics of the film world = a Ricœurian method for film interpretation /
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520 $a This book identifies a new methodological strategy for the interpretation of film philosophizing. Many recent works in film philosophy, adopting the approach identified with the term film as philosophy, have considered film as capable of doing philosophy. Focused on the basic relationship between film and filmgoer, the proposed method is founded on the concept of the film world. Combining Merleau-Ponty's and Ricœur's philosophies, and reconsidering Goodman's theory of worldmaking, the film world becomes the hermeneutic horizon from which film philosophical thought can emerge. The book shows how Ricœurian methodology has the potential to provide a valuable resource for film studies by inviting scholars to consider film interpretation in terms of film world hermeneutics.
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