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Baroque, Venice, theatre, philosophy

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Baroque, Venice, theatre, philosophy/ by Will Daddario.
Author:	Daddario, Will.
Published:	Cham :Springer International Publishing : : 2017.,
Description:	ix, 261 p. :digital ; : 22 cm.;
Contained By:	Springer eBooks
Subject:	Theater - Philosophy. -
Online resource:	http://dx.doi.org/10.1007/978-3-319-49523-1
ISBN:	9783319495231

Baroque, Venice, theatre, philosophy
Daddario, Will.

Baroque, Venice, theatre, philosophy[electronic resource] /by Will Daddario. - Cham :Springer International Publishing :2017. - ix, 261 p. :digital ;22 cm. - Performance philosophy. - Performance philosophy..

Introduction -- Part I. Baroque Pastoral -- Chapter 1. Garden Thinking and Baroque Pastoral -- Chapter 2. Pastoral Askew and Aslant -- Chapter 3. Jesuit Pastoral Theatre -- Part II. Discipline and Excess -- Chapter 4. Ruzzante Takes Place -- Chapter 5. The Enscenement of Self and the Jesuit 'Teatro del Mondo' -- Chapter 6. Baroque Diarchic Self -- Bibliography -- Index.

This book theorizes the baroque as neither a time period nor an artistic style but as a collection of bodily practices developed from clashes between governmental discipline and artistic excess, moving between the dramaturgy of Jesuit spiritual exercises, the political theatre-making of Angelo Beolco (aka Ruzzante), and the civic governance of the Venetian Republic at a time of great tumult. The manuscript assembles plays seldom read or viewed by English-speaking audiences, archival materials from three Venetian archives, and several secondary sources on baroque, Renaissance, and early modern epistemology in order to forward and argument for understanding the baroque as a gathering of social practices. Such a rethinking of the baroque aims to complement the already lively studies of neo-baroque aesthetics and ethics emerging in contemporary scholarship on (for example) Latin American political art.

ISBN: 9783319495231

Standard No.: 10.1007/978-3-319-49523-1doiSubjects--Personal Names:

1173167
Ruzzante,
1502?-1542.Subjects--Topical Terms:

556266
Theater
--Philosophy.

LC Class. No.: PN2039 / .D23 2017

Dewey Class. No.: 792.01

Baroque, Venice, theatre, philosophy
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505 0 $a Introduction -- Part I. Baroque Pastoral -- Chapter 1. Garden Thinking and Baroque Pastoral -- Chapter 2. Pastoral Askew and Aslant -- Chapter 3. Jesuit Pastoral Theatre -- Part II. Discipline and Excess -- Chapter 4. Ruzzante Takes Place -- Chapter 5. The Enscenement of Self and the Jesuit 'Teatro del Mondo' -- Chapter 6. Baroque Diarchic Self -- Bibliography -- Index.
520 $a This book theorizes the baroque as neither a time period nor an artistic style but as a collection of bodily practices developed from clashes between governmental discipline and artistic excess, moving between the dramaturgy of Jesuit spiritual exercises, the political theatre-making of Angelo Beolco (aka Ruzzante), and the civic governance of the Venetian Republic at a time of great tumult. The manuscript assembles plays seldom read or viewed by English-speaking audiences, archival materials from three Venetian archives, and several secondary sources on baroque, Renaissance, and early modern epistemology in order to forward and argument for understanding the baroque as a gathering of social practices. Such a rethinking of the baroque aims to complement the already lively studies of neo-baroque aesthetics and ethics emerging in contemporary scholarship on (for example) Latin American political art.
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