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Abolishing White masculinity from Mark Twain to hiphop : = crises in whiteness /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Abolishing White masculinity from Mark Twain to hiphop :/ Stephany Rose
Reminder of title:	crises in whiteness /
Author:	Rose, Stephany,
Description:	1 online resource (xi, 191 pages)
Subject:	American literature - Handbooks, manuals, etc. - History and criticism -
ISBN:	9780739181232

Abolishing White masculinity from Mark Twain to hiphop : = crises in whiteness /
Rose, Stephany,1978-

Abolishing White masculinity from Mark Twain to hiphop :crises in whiteness /Stephany Rose - 1 online resource (xi, 191 pages)

Includes bibliographical references and index

Introduction: Writing whiteness: white authors and hegemonic white masculinity -- 2000 and late?: passe conversations on race for a post-racial nation -- The shame is ours, not theirs: Mark Twain's battle with racialism -- Invented li(v)es: gradations of whiteness in F. Scott Fitzgerald's tribal twenties -- Dispossessing race: abolishing whiteness in Adam Mansbach's angry white boys -- Conclusion: Dreaming of post-racism in a racial wonderland

Abolishing White Masculinity from Mark Twain to Hiphop, a groundbreaking text in critical whiteness studies and literary criticism, looks toward white American male literature explicitly for racialized social commentary on the construction of whiteness, as an identity and power source. Works of Mark Twain, F. Scott Fitzgerald and Adam Mansbach are probed for inward projections of imaginative fissures concerning the construction of white masculinity as ultimate representations of white identity

ISBN: 9780739181232Subjects--Topical Terms:

966559
American literature
--History and criticism--Handbooks, manuals, etc.Index Terms--Genre/Form:

761329
Electronic books

LC Class. No.: PS173.W46 / R67 2014eb

Dewey Class. No.: 810.9/35203034

Abolishing White masculinity from Mark Twain to hiphop : = crises in whiteness /
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520 $a Abolishing White Masculinity from Mark Twain to Hiphop, a groundbreaking text in critical whiteness studies and literary criticism, looks toward white American male literature explicitly for racialized social commentary on the construction of whiteness, as an identity and power source. Works of Mark Twain, F. Scott Fitzgerald and Adam Mansbach are probed for inward projections of imaginative fissures concerning the construction of white masculinity as ultimate representations of white identity
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