國立虎尾科技大學 |

Documenting performance : = the context and processes of digital curation and archiving /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Documenting performance :/ edited by Toni Sant
其他題名:	the context and processes of digital curation and archiving /
其他作者:	Sant, Toni,
出版者:	London ;Bloomsbury Methuen Drama, : 2017,
面頁冊數:	1 online resource (xxiii, 362 pages) :illustrations :
標題:	Performing arts archives -
電子資源:	https:/ebookcentral.proquest.com/lib/nfu/detail.action?docID=4817858
ISBN:	9781472588197

Documenting performance : = the context and processes of digital curation and archiving /
Documenting performance :the context and processes of digital curation and archiving /edited by Toni Sant - London ;Bloomsbury Methuen Drama,2017 - 1 online resource (xxiii, 362 pages) :illustrations

Includes bibliographical references and index

Documenting performance: an introduction / Toni Sant -- Performing arts and their memories / Daniela Salazar -- Description models for documenting performance / Alberto Pendon Mart?inez and Gema Bueno de la Fuente -- Intellectual property matters for documenting performance / Jeanine Rizzo -- Expanding documentation, or making the most of the 'cracks in the wall' / Annet Dekker, Gabriella Giannachi and Vivian van Saaze -- Remembering performance through the practice of oral history / Panayiota Demitriou -- Translating performance: desire, intention and interpretation in photographic documents / Helen Newall, Amy Skinner and Allan Taylor -- Documenting audience experience: social media as lively stratification / Joanna Bucknall and Kirsty Sedgman -- Web Archiving and participation: the future history of performance? / Vanessa Bartlett --

"Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance. Through its four-part structure, the volume introduces readers to important writings by international practitioners and scholars on: * the contemporary context for documenting performance * processes of documenting performance * documenting bodies in motion * documenting to create In each, chapters examine the ways performance is documented and the issues arising out of the process of documenting performance

ISBN: 9781472588197Subjects--Topical Terms:

1174649
Performing arts archives
Index Terms--Genre/Form:

761329
Electronic books

LC Class. No.: PN1575.5 / .D63 2017eb

Dewey Class. No.: 026/.792

Documenting performance : = the context and processes of digital curation and archiving /
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245 0 0 $a Documenting performance : $b the context and processes of digital curation and archiving / $c edited by Toni Sant
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300 $a 1 online resource (xxiii, 362 pages) : $b illustrations
504 $a Includes bibliographical references and index
505 8 $a Documenting performance: an introduction / Toni Sant -- Performing arts and their memories / Daniela Salazar -- Description models for documenting performance / Alberto Pendon Mart?inez and Gema Bueno de la Fuente -- Intellectual property matters for documenting performance / Jeanine Rizzo -- Expanding documentation, or making the most of the 'cracks in the wall' / Annet Dekker, Gabriella Giannachi and Vivian van Saaze -- Remembering performance through the practice of oral history / Panayiota Demitriou -- Translating performance: desire, intention and interpretation in photographic documents / Helen Newall, Amy Skinner and Allan Taylor -- Documenting audience experience: social media as lively stratification / Joanna Bucknall and Kirsty Sedgman -- Web Archiving and participation: the future history of performance? / Vanessa Bartlett --
505 8 $a Documenting digital performance artworks / Adam Nash and Laurene Vaughan -- Paradocumentation and NT Live's 'CumberHamlet' / Daisy Abbott and Claire Read -- Thinking virtually in a distracted globe: archiving Shakespeare in Asia / Alvin Eng Hui Lim -- From Copper- Plate inscriptions to Interactive websites: documenting Javanese Wayang Theatre / Miguel Escobar Varela -- Archiving western Australian new music performance / Cat Hope, Adam Trainer and Lelia Green -- Participation and presence: propositional frameworks for engaging users in the design of the Circus Oz living archive / Laurene Vaughan -- What do we document? Dense video and the epistemology of practice -- Ben Spatz -- Pleasures of writing about the pleasures of the practice: documenting psychophysical performer training -- Alissa Clarke -- Dance archival futures: embodied knowledge and the digital archive of dance / Laura Griffiths -- Documenting dance: tools, frameworks and digital transformation / Sarah Whatley
520 $a "Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance. Through its four-part structure, the volume introduces readers to important writings by international practitioners and scholars on: * the contemporary context for documenting performance * processes of documenting performance * documenting bodies in motion * documenting to create In each, chapters examine the ways performance is documented and the issues arising out of the process of documenting performance
520 $a While theorists have argued that performance becomes something else whenever it is documented, the writings reveal how the documents themselves cannot be regarded simply as incomplete remains from live events. The methods for preserving and managing them over time, ensuring easy access of such materials in systematic archives and collections, requires professional attention in its own right. Through the process of documenting performance, artists acquire a different perspective on their own work, audiences can recall specific images and sounds for works they have witnessed in person, and others who did not see the original work can trace the memories of particular events, or use them to gain an understanding of something that would otherwise remain unknown to them and their peers"-- $c Provided by publisher
588 $a Description based on print version record
650 0 $a Performing arts archives $3 1174649
650 0 $a Archives $x Philosophy $3 1174650
650 0 $a Archives $x Management $3 1174651
650 0 $a Performing arts $x Archival resources $3 1174652
650 0 $a Digital preservation $v Congresses. $3 1114563
650 0 $a Arts $x Documentation $3 1174653
650 0 $a Archival materials $x Digitization $3 1174654
650 0 $a Archives $x Administration $x Technological innovations $3 1174655
650 0 $a Archival materials $x Conservation and restoration $3 1174656
650 0 $a Electronic records $x Management.Archives & Special Libraries $3 1174657
655 0 $a Electronic books $2 local. $3 761329
700 1 $a Sant, Toni, $e editor $3 1174648
856 4 0 $u https:/ebookcentral.proquest.com/lib/nfu/detail.action?docID=4817858