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Inner Lives : = The Moral Cinema of Bresson, Rohmer, and the Dardennes.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Inner Lives :/
其他題名:	The Moral Cinema of Bresson, Rohmer, and the Dardennes.
作者:	Vonderheide, Leah.
面頁冊數:	1 online resource (346 pages)
附註:	Source: Dissertation Abstracts International, Volume: 78-12(E), Section: A.
Contained By:	Dissertation Abstracts International78-12A(E).
標題:	Film studies. -
電子資源:	click for full text (PQDT)
ISBN:	9780355107371

Inner Lives : = The Moral Cinema of Bresson, Rohmer, and the Dardennes.
Vonderheide, Leah.

Inner Lives :The Moral Cinema of Bresson, Rohmer, and the Dardennes. - 1 online resource (346 pages)

Source: Dissertation Abstracts International, Volume: 78-12(E), Section: A.

Thesis (Ph.D.)

Includes bibliographical references

This dissertation engages French-language films in the 'moraliste' tradition. The French word 'moraliste' has no exact English equivalent. It does not evoke the didactic sense of "moralist;" rather a 'moraliste' is someone who explores the inner workings of the mind, rather than the outer actions of a character. Beginning with the publication of Montaigne's Essays in 1580, 'moralistes' including Descartes, La Rochefoucauld, Pascal, and La Bruyere created moral literature -- literature concerned with personal reflections and the feelings of an individual over the dogma of good society. The emergence of film in the late nineteenth century provided a new medium for raising questions in the 'moraliste' tradition. Eric Rohmer, for example, described his Six Moral Tales as "films in which a particular feeling is analyzed and where even the characters themselves analyze their feelings and are very introspective. That's what 'conte moral' (moral tale) means."

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780355107371Subjects--Topical Terms:

1179264
Film studies.
Index Terms--Genre/Form:

554714
Electronic books.

Inner Lives : = The Moral Cinema of Bresson, Rohmer, and the Dardennes.
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500 $a Source: Dissertation Abstracts International, Volume: 78-12(E), Section: A.
500 $a Adviser: Steven Ungar.
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504 $a Includes bibliographical references
520 $a This dissertation engages French-language films in the 'moraliste' tradition. The French word 'moraliste' has no exact English equivalent. It does not evoke the didactic sense of "moralist;" rather a 'moraliste' is someone who explores the inner workings of the mind, rather than the outer actions of a character. Beginning with the publication of Montaigne's Essays in 1580, 'moralistes' including Descartes, La Rochefoucauld, Pascal, and La Bruyere created moral literature -- literature concerned with personal reflections and the feelings of an individual over the dogma of good society. The emergence of film in the late nineteenth century provided a new medium for raising questions in the 'moraliste' tradition. Eric Rohmer, for example, described his Six Moral Tales as "films in which a particular feeling is analyzed and where even the characters themselves analyze their feelings and are very introspective. That's what 'conte moral' (moral tale) means."
520 $a I argue that the films of Bresson, Rohmer, and the Dardennes are narratively, thematically, and stylistically interrelated in their connection to the specifically French 'moraliste' tradition. I contend that these films surfaced in post-World War II France -- growing out of the deep ambiguities that existed in French society in the aftermath of occupation and liberation -- and continue to appear in the increasingly transnational landscape of contemporary European cinema. This new approach to film history offers a counterweight to the narrative of French New Wave cinema, which privileges the work of more explicitly political and experimental filmmakers such as Francois Truffaut and Jean-Luc Godard.
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538 $a Mode of access: World Wide Web
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