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Coming Attractions : = Immersive Digital Technologies in Cinema and Augmented, Mixed and Virtual Reality in Head Mounted Displays in the Twenty-First Century.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Coming Attractions :/
Reminder of title:	Immersive Digital Technologies in Cinema and Augmented, Mixed and Virtual Reality in Head Mounted Displays in the Twenty-First Century.
Author:	Howard-Hughes, Terri.
Description:	1 online resource (171 pages)
Notes:	Source: Dissertation Abstracts International, Volume: 79-03(E), Section: A.
Contained By:	Dissertation Abstracts International79-03A(E).
Subject:	Film studies. -
Online resource:	click for full text (PQDT)
ISBN:	9780355392326

Coming Attractions : = Immersive Digital Technologies in Cinema and Augmented, Mixed and Virtual Reality in Head Mounted Displays in the Twenty-First Century.
Howard-Hughes, Terri.

Coming Attractions :Immersive Digital Technologies in Cinema and Augmented, Mixed and Virtual Reality in Head Mounted Displays in the Twenty-First Century. - 1 online resource (171 pages)

Source: Dissertation Abstracts International, Volume: 79-03(E), Section: A.

Thesis (Ph.D.)

Includes bibliographical references

Throughout the history of art and popular culture, each era has used the technology available at that time to produce the illusion of immersion. The definition of immersion, for this dissertation, is the perception of being physically present in a virtual world created by digital technologies. Today, developments in digital technology are causing shifts in the way media can be created and experienced as forms of immersion. This dissertation explores how major technological changes in cinema and head mounted displays are being developed, used, marketed, and received in the twenty-first century. Higher frame rates, better visual resolution, faster shutter speeds, 4K projectors, and Auro-3D, DTS:X and Dolby Atmos multichannel sound systems allow for the experience of immersiveness in realistic, virtual worlds in cinema and head mounted displays (augmented, mixed and virtual reality). These new technologies are enabling the reexamination of prior immersive techniques such as 3D, Smell-O-Vision, and Cinerama. The goal is to understand these rapid technological changes and how audiences and businesses are adapting to remain current while competing with older digital technologies or delivery systems.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780355392326Subjects--Topical Terms:

1179264
Film studies.
Index Terms--Genre/Form:

554714
Electronic books.

Coming Attractions : = Immersive Digital Technologies in Cinema and Augmented, Mixed and Virtual Reality in Head Mounted Displays in the Twenty-First Century.
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500 $a Source: Dissertation Abstracts International, Volume: 79-03(E), Section: A.
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504 $a Includes bibliographical references
520 $a Throughout the history of art and popular culture, each era has used the technology available at that time to produce the illusion of immersion. The definition of immersion, for this dissertation, is the perception of being physically present in a virtual world created by digital technologies. Today, developments in digital technology are causing shifts in the way media can be created and experienced as forms of immersion. This dissertation explores how major technological changes in cinema and head mounted displays are being developed, used, marketed, and received in the twenty-first century. Higher frame rates, better visual resolution, faster shutter speeds, 4K projectors, and Auro-3D, DTS:X and Dolby Atmos multichannel sound systems allow for the experience of immersiveness in realistic, virtual worlds in cinema and head mounted displays (augmented, mixed and virtual reality). These new technologies are enabling the reexamination of prior immersive techniques such as 3D, Smell-O-Vision, and Cinerama. The goal is to understand these rapid technological changes and how audiences and businesses are adapting to remain current while competing with older digital technologies or delivery systems.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
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