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Intersectional androgyny in cyberspace : = Gender, commercialization, and vocality in female ryouseiruis' music videos.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Intersectional androgyny in cyberspace :/
Reminder of title:	Gender, commercialization, and vocality in female ryouseiruis' music videos.
Author:	Norkey, Alec.
Description:	1 online resource (98 pages)
Notes:	Source: Masters Abstracts International, Volume: 56-02.
Contained By:	Masters Abstracts International56-02(E).
Subject:	Asian studies. -
Online resource:	click for full text (PQDT)
ISBN:	9781369007268

Intersectional androgyny in cyberspace : = Gender, commercialization, and vocality in female ryouseiruis' music videos.
Norkey, Alec.

Intersectional androgyny in cyberspace :Gender, commercialization, and vocality in female ryouseiruis' music videos. - 1 online resource (98 pages)

Source: Masters Abstracts International, Volume: 56-02.

Thesis (Mus.M.)

Includes bibliographical references

Japanese popular music, particularly the video-sharing website Nico Nico, represents a site of creation and production that encompasses a complex interplay between vocality, expression of identity, and capitalistic ventures. In this thesis, I will explore how expressions of gender and sexuality are articulated through both vocality and the (digital) body, or the visual aspect of music videos on Nico Nico, and the dialogic relationship between business models and the articulation of these modes of identity.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9781369007268Subjects--Topical Terms:

1179577
Asian studies.
Index Terms--Genre/Form:

554714
Electronic books.

Intersectional androgyny in cyberspace : = Gender, commercialization, and vocality in female ryouseiruis' music videos.
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099 $a TUL $f hyy $c available through World Wide Web
100 1 $a Norkey, Alec. $3 1183091
245 1 0 $a Intersectional androgyny in cyberspace : $b Gender, commercialization, and vocality in female ryouseiruis' music videos.
264 0 $c 2016
300 $a 1 online resource (98 pages)
336 $a text $b txt $2 rdacontent
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500 $a Source: Masters Abstracts International, Volume: 56-02.
500 $a Adviser: Katherine Meizel.
502 $a Thesis (Mus.M.) $c Bowling Green State University $d 2016.
504 $a Includes bibliographical references
520 $a Japanese popular music, particularly the video-sharing website Nico Nico, represents a site of creation and production that encompasses a complex interplay between vocality, expression of identity, and capitalistic ventures. In this thesis, I will explore how expressions of gender and sexuality are articulated through both vocality and the (digital) body, or the visual aspect of music videos on Nico Nico, and the dialogic relationship between business models and the articulation of these modes of identity.
520 $a In terms of both gender and sexuality, contemporary Japan is composed of interweaving histories, ideologies, and traits characteristic of the transculturalism experienced by many nationstates of an increasingly globalized world. How Japanese popular music - utilizing the internet as a space for dialogic interchange - transforms these gender ideologies within frameworks of commercialization and global discourses is a topic that significantly informs current notions of gender. Additionally, music culture, not only a source of empowerment or power for a group of people, has become a commercialized product, one that has become an integral part of global commercial exchange. Given the significant influence that Japanese popular culture has on global popular culture, J-pop should be further interrogated as a linguistic imaginary riddled with contestations of gender norms, sexual binaries, and power, all of which operate under the auspices of global capitalism.
520 $a The ryouseirui, a Nico Nico term designated for a singer that utilizes both "male" and "female" voices, contributes a substantial part of Nico Nico content, with ryouseirui music videos present on the website. By investigating vocality, the business model of video sharing websites, and various ryouseirui and their respective music videos, I will describe how economic practices may form and inform resistance and change of gender on the video-sharing website Nico Nico. Considering a diverse range of literature, from Judith Butler's Gender Trouble to Gottlieb and McLelland's compilation of work on Japanese cybercultures, this thesis will explore female ryouseiruis' role on Nico Nico as a catalyst of deconstruction, negotiation, and reimagination of gender identity.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Asian studies. $3 1179577
650 4 $a Music. $3 649088
650 4 $a Gender studies. $3 1179195
655 7 $a Electronic books. $2 local $3 554714
690 $a 0342
690 $a 0413
690 $a 0733
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a Bowling Green State University. $b Music Ethnomusicology. $3 1183092
773 0 $t Masters Abstracts International $g 56-02(E).
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10145180 $z click for full text (PQDT)