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The embodiment of the absolute : = Theories of the feminine in the works of Schleiermacher, Schlegel, and Novalis.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	The embodiment of the absolute :/
Reminder of title:	Theories of the feminine in the works of Schleiermacher, Schlegel, and Novalis.
Author:	Padilla, Katherine Mary.
Description:	1 online resource (265 pages)
Notes:	Source: Dissertation Abstracts International, Volume: 49-12, Section: A, page: 3739.
Subject:	German literature. -
Online resource:	click for full text (PQDT)

The embodiment of the absolute : = Theories of the feminine in the works of Schleiermacher, Schlegel, and Novalis.
Padilla, Katherine Mary.

The embodiment of the absolute :Theories of the feminine in the works of Schleiermacher, Schlegel, and Novalis. - 1 online resource (265 pages)

Source: Dissertation Abstracts International, Volume: 49-12, Section: A, page: 3739.

Thesis (Ph.D.)--Princeton University, 1988.

Includes bibliographical references

Romantic theories of epistemology and mimesis necessitate the construct of the feminine to embody the Absolute. The creative male-self exploits the feminine's interpreted absence of subjectivity in his attempt to attain identity and knowledge.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

Subjects--Topical Terms:

685498
German literature.
Index Terms--Genre/Form:

554714
Electronic books.

The embodiment of the absolute : = Theories of the feminine in the works of Schleiermacher, Schlegel, and Novalis.
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100 1 $a Padilla, Katherine Mary. $3 1184547
245 1 4 $a The embodiment of the absolute : $b Theories of the feminine in the works of Schleiermacher, Schlegel, and Novalis.
264 0 $c 1988
300 $a 1 online resource (265 pages)
336 $a text $b txt $2 rdacontent
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500 $a Source: Dissertation Abstracts International, Volume: 49-12, Section: A, page: 3739.
502 $a Thesis (Ph.D.)--Princeton University, 1988.
504 $a Includes bibliographical references
520 $a Romantic theories of epistemology and mimesis necessitate the construct of the feminine to embody the Absolute. The creative male-self exploits the feminine's interpreted absence of subjectivity in his attempt to attain identity and knowledge.
520 $a This study shows how the works of Schleiermacher, Friedrich Schlegel, and Novalis reveal an exploitation of the gender-specific structures of reproduction in their systems of theological and poetic epistemology. In all three writers' works, the terms Subject and Object are assigned gender in the attainment of identity: the male-Self is opposed, and thus defined by the feminine Non-Self. Further, by adhering to this gender-specific binary opposition, the feminine is also equated with all that Man perceives himself not to be, namely the Absolute.
520 $a This constructed identity of the feminine is the base for all three writers' structures of thought. Schleiermacher represents the nature of religious consciousness as a communion with the feminine Absolute. If the feminine is equated with the Absolute, then Christianity is a religion which pertains to the male only. Male identity, defined by separation from the locus of the Divine, necessitates metanoia, or conversion through the feminine. Friedrich Schlegel identifies and subsequently condemns the sociological definition of the feminine. However, in his revolutionary theory of the Roman he assigns gender to the central terms unity and variety. Through the opposition of the masculine principles of allegory and wit and the feminine principles of unity and inclusivity, Friedrich Schlegel attains the eternal dialectic of Universalpoesie. A detailed analysis of Lucinde reveals an implementation of these gender-specific poetics which refutes traditional interpretations. In his early fragments, Novalis develops a theory of being and representation which defines the feminine a pure form in opposition to masculine substance. Through this gender-specific definition of Stoff and Form, Novalis projects onto the substanceless feminine his potentiated self, namely the Absolute. In the poetic works, Lehrlinge zu Sais, Hymnen an die Nacht, and Heinrich von Ofterdingen, Novalis draws upon both his theory of representation and the definition of the feminine to create the universal art-form.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a German literature. $3 685498
655 7 $a Electronic books. $2 local $3 554714
690 $a 0311
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a Princeton University. $2 fast $3 1008168
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8904323 $z click for full text (PQDT)