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"Liebes-Toeten" : = Zur Objektwerdung der Frau im Roman der Fruehromantik. Novalis' "Heinrich von Ofterdingen", Friedrich Hoelderlins "Hyperion", Friedrich Schlegels "Lucinde".

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	"Liebes-Toeten" :/
Reminder of title:	Zur Objektwerdung der Frau im Roman der Fruehromantik. Novalis' "Heinrich von Ofterdingen", Friedrich Hoelderlins "Hyperion", Friedrich Schlegels "Lucinde".
Author:	Pnevmonidou, Elena.
Description:	1 online resource (393 pages)
Notes:	Source: Dissertation Abstracts International, Volume: 66-01, Section: A, page: 1910.
Subject:	German literature. -
Online resource:	click for full text (PQDT)
ISBN:	9780612983496

"Liebes-Toeten" : = Zur Objektwerdung der Frau im Roman der Fruehromantik. Novalis' "Heinrich von Ofterdingen", Friedrich Hoelderlins "Hyperion", Friedrich Schlegels "Lucinde".
Pnevmonidou, Elena.

"Liebes-Toeten" :Zur Objektwerdung der Frau im Roman der Fruehromantik. Novalis' "Heinrich von Ofterdingen", Friedrich Hoelderlins "Hyperion", Friedrich Schlegels "Lucinde". - 1 online resource (393 pages)

Source: Dissertation Abstracts International, Volume: 66-01, Section: A, page: 1910.

Thesis (Ph.D.)--McGill University (Canada), 2004.

Includes bibliographical references

The aim of this comparative study of Novalis' Heinrich von Ofterdingen , Holderlin's Hyperion, and Schlegel's Lucinde is to develop a comprehensive overview of the role of woman in conceptions of male subjectivity in Early German Romanticism. The reading of the novels developed here examines the Early Romantic poetics with a specific view to the conceptualizations of woman contained therein. The Early Romantic 'Project' consists in the rewriting of the subject and the world in the medium of poetry. Tanscendental poetry, the fragment, allegory, and irony are intended to invoke the presence of an absence, that is the absolute. In the concrete praxis in the novels, these concepts of Early Romantic poetics imply conceptualizations of woman. They articulate a specific approach in the encounter of the male subject with the female object. At the center of Romantic poetics lies the encounter with woman. The unique situatedness of the romantic subject is, indeed, crystallized in this encounter.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780612983496Subjects--Topical Terms:

685498
German literature.
Index Terms--Genre/Form:

554714
Electronic books.

"Liebes-Toeten" : = Zur Objektwerdung der Frau im Roman der Fruehromantik. Novalis' "Heinrich von Ofterdingen", Friedrich Hoelderlins "Hyperion", Friedrich Schlegels "Lucinde".
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100 1 $a Pnevmonidou, Elena. $3 1184599
245 1 0 $a "Liebes-Toeten" : $b Zur Objektwerdung der Frau im Roman der Fruehromantik. Novalis' "Heinrich von Ofterdingen", Friedrich Hoelderlins "Hyperion", Friedrich Schlegels "Lucinde".
264 0 $c 2004
300 $a 1 online resource (393 pages)
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500 $a Source: Dissertation Abstracts International, Volume: 66-01, Section: A, page: 1910.
500 $a Adviser: Paul Peters.
502 $a Thesis (Ph.D.)--McGill University (Canada), 2004.
504 $a Includes bibliographical references
520 $a The aim of this comparative study of Novalis' Heinrich von Ofterdingen , Holderlin's Hyperion, and Schlegel's Lucinde is to develop a comprehensive overview of the role of woman in conceptions of male subjectivity in Early German Romanticism. The reading of the novels developed here examines the Early Romantic poetics with a specific view to the conceptualizations of woman contained therein. The Early Romantic 'Project' consists in the rewriting of the subject and the world in the medium of poetry. Tanscendental poetry, the fragment, allegory, and irony are intended to invoke the presence of an absence, that is the absolute. In the concrete praxis in the novels, these concepts of Early Romantic poetics imply conceptualizations of woman. They articulate a specific approach in the encounter of the male subject with the female object. At the center of Romantic poetics lies the encounter with woman. The unique situatedness of the romantic subject is, indeed, crystallized in this encounter.
520 $a Early Romanticism is situated between Kant and Hegel. The post-Kantian subject experiences a crisis of legitimation. Lacking an unmediated access to the object, it is fragmented and threatened. Early Romanticism, however, also prefigures Hegel, inasmuch as the crisis does not consist in the loss of the object, but rather in the encounter of two subjects. The three novels are juxtaposed here because this position between the loss of the object and the crisis of the encounter with the other as subject leads to a paradoxical conceptualization of woman as an uncanny object of desire. In all three novels, the constitution of the male subject and the possibility of poetry depend on the encounter with woman. However, the possibility of woman emerging, indeed, as subject represents an extreme threat. As a consequence, the constitution of the male poetic subject requires the simultaneous assimilation of femininity and the shielding against woman. Hence, the three novels are love stories that narrate the death of woman. However, woman is fundamentally uncanny because even the presence of the dead woman represents a threat. The constitution of the male subject and novel unfolds, therefore, in three stages; the encounter with woman, the assimilation of femininity and death of woman, and the removal of any traces of that death.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a German literature. $3 685498
655 7 $a Electronic books. $2 local $3 554714
690 $a 0311
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a McGill University (Canada). $3 845629
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=NQ98349 $z click for full text (PQDT)