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Syndicated Queerness : = Television Talk Shows, Rerun Syndication, and the Serials of Norman Lear.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Syndicated Queerness :/
其他題名:	Television Talk Shows, Rerun Syndication, and the Serials of Norman Lear.
作者:	Miller, Taylor Cole.
面頁冊數:	1 online resource (358 pages)
附註:	Source: Dissertation Abstracts International, Volume: 79-01(E), Section: A.
標題:	Communication. -
電子資源:	click for full text (PQDT)
ISBN:	9780355140767

Syndicated Queerness : = Television Talk Shows, Rerun Syndication, and the Serials of Norman Lear.
Miller, Taylor Cole.

Syndicated Queerness :Television Talk Shows, Rerun Syndication, and the Serials of Norman Lear. - 1 online resource (358 pages)

Source: Dissertation Abstracts International, Volume: 79-01(E), Section: A.

Thesis (Ph.D.)--The University of Wisconsin - Madison, 2017.

Includes bibliographical references

Syndicated Queerness uses textual analysis, historiographic methods, audience research, and industry/production studies to explore syndication as a cultural practice and the queer potential found in its alternative economic, regulatory, and programmatic frameworks. It proposes a new way scholars can think of television syndication as a cultural practice, with a particular focus for queer reading and queer presentational possibilities and implications for all the stops on our cultural circuit--industry, text, and audience. Because the word syndication is still so closely tied to the television industry, each of my four thematic chapters are organized around different forms of television syndication legible through that lens: queerness and the voice in first-run stripped daytime tabloid talk shows (looking at The Ricki Lake Show and Katie), the queering of genre in Norman Lear's first-run scripted serials (Mary Hartman, Mary Hartman and All That Glitters), a proposal for the concept of retextuality as a useful tool for analyzing second-run syndication ( Roseanne and Bewitched), and the promises and failures of cable syndication (using Logo TV channel, The Golden Girls, and other syndie camp classics).

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780355140767Subjects--Topical Terms:

556422
Communication.
Index Terms--Genre/Form:

554714
Electronic books.

Syndicated Queerness : = Television Talk Shows, Rerun Syndication, and the Serials of Norman Lear.
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502 $a Thesis (Ph.D.)--The University of Wisconsin - Madison, 2017.
504 $a Includes bibliographical references
520 $a Syndicated Queerness uses textual analysis, historiographic methods, audience research, and industry/production studies to explore syndication as a cultural practice and the queer potential found in its alternative economic, regulatory, and programmatic frameworks. It proposes a new way scholars can think of television syndication as a cultural practice, with a particular focus for queer reading and queer presentational possibilities and implications for all the stops on our cultural circuit--industry, text, and audience. Because the word syndication is still so closely tied to the television industry, each of my four thematic chapters are organized around different forms of television syndication legible through that lens: queerness and the voice in first-run stripped daytime tabloid talk shows (looking at The Ricki Lake Show and Katie), the queering of genre in Norman Lear's first-run scripted serials (Mary Hartman, Mary Hartman and All That Glitters), a proposal for the concept of retextuality as a useful tool for analyzing second-run syndication ( Roseanne and Bewitched), and the promises and failures of cable syndication (using Logo TV channel, The Golden Girls, and other syndie camp classics).
520 $a Syndicated Queerness offers a holistic cultural history of syndication as an industrial practice through the very particular lens of queerness in order to demonstrate the cultural implications of syndication for producers, studios, texts, and audiences throughout various different media. Taken as a whole, the project broadly offers readers a new way of considering syndication as both an industrial and cultural practice and its curious affinity with queerness as one of the building blocks of television. In each chapter, I develop a thorough industrial history that pays critical attention to the invisible laborers within the syndication industry and the new productions of meaning filtered through them that help "older" shows find "newer," queerer lives as second-run texts. Along the way, I weave in the voices of queer viewers and listeners throughout Syndicated Queerness who, like myself, have felt some impact and queer resonance with the syndie shows we have so regularly consumed.
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