國立虎尾科技大學 |

Speculative literary theory and the case of Mallarme.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Speculative literary theory and the case of Mallarme./
作者:	Schwartz, Stephen Adam.
面頁冊數:	1 online resource (261 pages)
附註:	Source: Dissertation Abstracts International, Volume: 56-07, Section: A, page: 2712.
標題:	Romance literature. -
電子資源:	click for full text (PQDT)

Speculative literary theory and the case of Mallarme.
Schwartz, Stephen Adam.

Speculative literary theory and the case of Mallarme. - 1 online resource (261 pages)

Source: Dissertation Abstracts International, Volume: 56-07, Section: A, page: 2712.

Thesis (Ph.D.)--Emory University, 1995.

Includes bibliographical references

From its beginnings in the 1940s, literary theory in France has often cast itself as a search for the essence of literature. It has also held Stephane Mallarme to be the essential poet who first unveiled and most fully explored the essence of literature. Yet in the course of the century, the disinterested theoretical search for literature's essence shaded into a perspective by which the "pure" or "essential" literature of a figure like Mallarme is itself tantamount to philosophical research into the foundations of our everyday categories and concepts. I call this line of thought "speculative literary theory." Taking the theories of Maurice Blanchot and Jacques Derrida as representative, I argue that the theories that conceive literature as a quasi-philosophical, transcendent endeavor are based on flawed philosophical premises. Furthermore, their view of Mallarme as an honorary transcendental philosopher rests on a fundamental misinterpretation of his work. The study comprises three chapters.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

Subjects--Topical Terms:

1184203
Romance literature.
Index Terms--Genre/Form:

554714
Electronic books.

Speculative literary theory and the case of Mallarme.
LDR:03402ntm a2200337K 4500 001 912755
005 20180608130837.5
006 m o u
007 cr mn||||a|a||
008 190606s1995 xx obm 000 0 eng d
035 $a (MiAaPQ)AAI9536410
035 $a AAI9536410
040 $a MiAaPQ $b eng $c MiAaPQ
100 1 $a Schwartz, Stephen Adam. $3 1185269
245 1 0 $a Speculative literary theory and the case of Mallarme.
264 0 $c 1995
300 $a 1 online resource (261 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertation Abstracts International, Volume: 56-07, Section: A, page: 2712.
500 $a Adviser: Vincent Descombes.
502 $a Thesis (Ph.D.)--Emory University, 1995.
504 $a Includes bibliographical references
520 $a From its beginnings in the 1940s, literary theory in France has often cast itself as a search for the essence of literature. It has also held Stephane Mallarme to be the essential poet who first unveiled and most fully explored the essence of literature. Yet in the course of the century, the disinterested theoretical search for literature's essence shaded into a perspective by which the "pure" or "essential" literature of a figure like Mallarme is itself tantamount to philosophical research into the foundations of our everyday categories and concepts. I call this line of thought "speculative literary theory." Taking the theories of Maurice Blanchot and Jacques Derrida as representative, I argue that the theories that conceive literature as a quasi-philosophical, transcendent endeavor are based on flawed philosophical premises. Furthermore, their view of Mallarme as an honorary transcendental philosopher rests on a fundamental misinterpretation of his work. The study comprises three chapters.
520 $a In the first, I show how, beginning from plausible premises about the inseparability of form and content in the literary work and its resistance to paraphrase, Blanchot is gradually led to the implausible conclusion that authentic literature necessarily plumbs the Nothingness that, he feels, subtends all of the concepts and categories of experience.
520 $a Blanchot originated speculative literary theory in France, through the adaptation of the ideas of Martin Heidegger. In the second chapter, I explore the most developed such speculative literary theory, that of Jacques Derrida. I show that Derrida's project of the "deconstruction" of metaphysics and his concomitant view of literature as an important ally in this project, rests on a superstitious conception of the essences it would do away with, as well as a flawed view of syntactical constraint.
520 $a In the last chapter, I revisit the poetics of Stephane Mallarme as put forward primarily in the Divagations. I show that Mallarme's main concern was the relationship between literature and its public in the 1890s, and not the transcendental research of the eternal foundations of all conceptuality. I argue that Mallarme's poetics of "chance," far from being an ally of speculative literary theory, poses a challenge to it.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Romance literature. $3 1184203
650 4 $a Philosophy. $3 559771
655 7 $a Electronic books. $2 local $3 554714
690 $a 0313
690 $a 0422
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a Emory University. $3 1185270
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9536410 $z click for full text (PQDT)